My head is a bit scattered today (see below) but I must at least register the WOW at the Person of Interest finale. Talk about game-changers! I'll need to watch it again (next Tuesday will be the first opportunity, I think) but really: this is the show that hangs "procedural" out in the wind and lets the birds shit on it. When it's good it's very
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*goes to reread your story about John and Harold on the run, because*
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True, but he said it anyway, thinking the world was listening, even if everyone who heard him either already knew or is dead now, so that's pretty game-changing on its own. (Not that we didn't know Harold was the bravest of the brave.) And I liked the way it set up the betrayal of Collier by Greer. Not to mention that Control owes Harold one (or several).
Ha, I've been thinking about "All I Know Is Flight" too, because it's the closest I got to what happened a year later, not that it's very close, and in my story THEY ARE TOGETHER. Ow.
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Control was so great -- she's still wrong and occasionally evil, but I love how this show doesn't stop at cookie-cutter villains. See also: Hersh.
The final parting was heartbreaking it and all, but I don't remotely believe in it lasting once their covers are more secure. I mean, for logistical reasons next season will have to get the gang back together, but meanwhile, I want all the fix-its and surviving on the run.
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