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INTERVIEWER
What about violence? Many critics complain that this is absent from your work-reprehensibly, because it is so present in the world. Why is there so little in your pages?
UPDIKE
There has been so little in my life. I have fought in no wars and engaged in few fistfights. I do not think a man pacifist in his life should pretend to violence in fiction; Nabokov's bloody deeds, for example, seem more literary than lived to me. Muriel Spark's have the quality of the assassinations we commit in our minds. Mailer's recent violence is trumpery, just like Leslie Fiedler's cry for more, more. I feel a tenderness toward my characters that forbids making violent use of them. In general, the North American continent in this century has been a place where catastrophe has held off, and likewise the lives I have witnessed have staved off real death. All my novels end with a false death, partial death. If, as may be, the holocausts at the rim of possibility do soon visit us, I am confident my capacities for expression can rise, if I live, to the occasion. In the meantime let's all of us with some access to a printing press not abuse our privilege with fashionable fantasies.
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John Updike at The Paris Review (Winter 1968) >>>>>>>>>>>>>>>