48. N.K.Jemisin, The Fifth Season (The Broken Earth #1) -- So I read Jemisin's debut Hundred Thousand Kingdoms books, the first two, and was underwhelmed. People were praising them to the skies, but to me, the first book was a perfectly ordinary, middle-of-the-road high fantasy story, with the (important, I agree) distinction of a world that did
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I agree on the Mage being joyless. I think that might be an intentional point, in terms of Dumbledore deconstruction -- because Dumbledore we meet first when he's twinkling and offering sweets and spouting delightful nonsense words, and only gradually learn about the greatest good stuff and raising Harry for martyrdom and stuff. This is "the greatest good" / "ruthless idealist" side with the twinkliness stripped away. I didn't LIKE the Mage, and I don't think I would enjoy reading his story (though the THEMES of it I do like), but I appreciate what it's trying to do, I think. Soggy Lucy was definitely soggy, though.
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I think that might be an intentional point, in terms of Dumbledore deconstruction
*nods* possible. also right, i guess, if the purpose was to de-romanticise stuff. It's just - I'd rather the book spent time building up other relationships.
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For what it's worth, having also read Eleanor and Park and now also Landline, none of the other protagonists are as... helpless and neprisposoblennye as Cath. I think that Rowell is interested in writing protagonists who, as the therapist tells Simon, are trauma victims/survivors, and exploring the different ways they deal with that. Simon, Baz, Cath, Wren, Eleanor are all survivors, but their trauma is different, and their way of coping is different, and that's interesting for me to see.
I'd rather the book spent time building up other relationships
I agree with you there. The Mage didn't feel like a character, just a deconstruction, and I both think that Rowell is better at actual characters and I personally enjoy reading about characters more. I think that was some of the unevenness, lopsidedness I was feeling, where part of the narrative was doing something different than just telling the story.
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