previouslyThe hotel is nice enough, but she pays attention to windows, doorways, alcoves and exists rather than any nicety of architecture. The room is a hotel room - there is something about hotels and rooms that is, it seems, ageless - and she dumps her bag on the couch before going to claim the bathroom. A decent trip plus beer at lunch and, hey
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He glances up at her as she steps out of the bathroom, reaching for a bottle of water.
"Want some ice?"
Carl's trying to gauge how she's feeling and from the looks of it, there's a bit of shell shock happening. Which is to be expected.
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He turns around and leans against the counter -- wincing as the handgun presses into his hip -- then shifts to get comfortable, offering one over without a word.
(Giving her a moment to continue recovering her composure. Even though he knows it'll break down eventually.)
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(she wishes he'd say something, anything so she could stop trying to make sense of the confused mess in her head).
"I-"
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"Trudy. Just...talk to me?"
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I'm fine.
It's just not what I'm used to.
I'm fine, I can function, I can-
"We don't even have Arlington anymore. They built over it."
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'They built over it.'
He can't breathe, can't speak, can't even think.
(All that runs through his head is a volley of gunshots, echoing against the silence.)
"They..."
His grip on her shoulder tightens just a fraction as he pulls her closer (both to support her, and because he needs the support) into a hug. He clears his throat.
"They built over it."
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There is a shake to her voice, grief and a slow burning rage.
"All of Earth's like-like that. We just...ate everything up. Cannibalised our dead. Yosemite is an goddamn condo development. An upscale one," she adds, nearly spitting out the words. "And it's...I can't...we had everything we just drove through, and it's g-gone."
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(Inside, he's livid, but the tension boils only in his veins and not in his muscles. He's perfectly still.)
"Ran out of time."
He means the Earth. It ran out of time to win the war against humanity.
(And the humans tore the Earth apart.)
Carl swallows down the grief that threatens to steal his voice, but there's a barely-there crack when he speaks next that he can't quite conceal from her.
"I'm sorry."
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She goes to say 'not your fault', but she can't. It's not that she's crying too much, because she's not, it's because it would be - in a way - a lie. His generation, and the next one, are the ones who had the chance to change things, read the warnings and stop.
They didn't.
And Trudy's not entirely sure she'll ever be able to forgive them.
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It's their fault.
(It's your fault.)
Fourteen men and twenty-one civilians.
It's your fault.
Carl drops his chin to her shoulder as he moves to stroke his hand over her spine, his shaking fingers masked by the way her body quivers with tears and grief.
(He's not sure he'll ever be able to forgive himself.)
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"Well," she says, voice far huskier than normal, "now that I've completely spoiled the mood..."
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His fingers card lightly over her hair, brushing it back as he presses his lips against her cheek (salt and skin and sweat) and inhales.
"'Sides. It takes effort not to laugh at Star Wars," he adds.
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"Ain't that the truth."
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"Especially Luke's epic wailing."
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"I think I took it seriously once. I was about seven."
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