Today is like any other day; free of rehearsals for the moment, Monsieur Perry is seated at a small café, lingering over a cup of black coffee and a cigarette. He's reading, but doesn't seem particularly entranced. He sets his book aside from time to time when someone greets him; an old friend, a new acquaintance, a fan of the theatre who
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Justin hasn't written much of anything. It's more about acting a part--being the sort of poet he had always admired, living as he always felt he should have lived (regardless of the fact that he isn't living). The setting and the alcohol have put him in unusually high spirits.
It comes to his attention that one of his fellow café-goers is very familiar. Neil? But of course it's Neil. Justin isn't sure if he should address the other boy or pretend he hadn't noticed him. There's no predicting what memories a curse has implanted in a friend's mind; it wouldn't do to hail someone who doesn't know him. Absinthe, however, overcomes a good deal of Justin's natural reservations, and he finally decides to greet Neil.
Justin gets up and wanders over to Neil's table, taking his notebook, pen, and drink with him. "Bonjour," he says quietly. If Neil recognizes him, he'll know soon enough.
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Certainly he recognizes his old friend, though as what is anyone's guess. Neil is entirely a young man of his times; and the role the other boy is playing fits right into his cursed view of the world.
"It's been too long; how are you? We missed you opening night, you know. You may as well be married to your pen, for all any of us see you." His grin takes any sting out of the words as he stubs his cigarette out idly.
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"Merci, Neil." Justin sits, smiling familiarly and guessing at the part he should play in this made-up world. It shouldn't be hard to play along. "I'm no better or worse than I was last time you saw me," he replies in English, although he is tempted to practice his French. "When was the opening?"
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"Last Sunday, of course. Could have done with another week's rehearsals, but c'est la vie, as they say. Reviews have been good in any case, since I doubt you've been reading the papers." Bright and teasing as ever, he has a sip of his drink. "How goes the poetry business?"
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Cursed or not, Justin thinks Neil is talented. He does Shakespeare justice, anyway.
He smiles and flips through the mostly blank pages of his notebook, employing some French in his answer. "Poésie est pour les poètes. Ask someone who can write how the business goes."
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"The Tempest, this month. Most little theatres that hold anything in English only want the most English of English plays; not that I mind." He laughs. "My accent's not good enough for something meant for the masses."
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He accepts his drink as the waiter brings it around. "I didn't know the French had a taste for Shakespeare. If 'The Tempest' does well, you should do one of the French plays. Something by Zola." Justin smirks and adds, "Your accent's barely good enough for casual conversation."
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Confidence, on the other hand, is Neil's strong point; and his favorite point to harp on. "I don't think I've ever met a poet with faith in his own poetry."
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Justin is amused by Neil's endless amounts of confidence; the curse hasn't done much to change him. "Self-deprecation is the hallmark of a poet, good or bad."
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He leans back, arms crossed. "So what have you been up to?"
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"Very little," he says honestly. "Drinking. Not writing." As proof of the latter, Justin shows Neil the last page he'd been working on. The paper is full of doodles--flowers, hands, eyes, all drawn with anatomical precision but without the slightest touch of creativity. There are a few words here and there... French phrases, mostly, and snatches of poems by his favorite authors. The work, truly, of a scientific mind addled by absinthe and not the prodigious scribblings of a budding poet. "...And you? I assume you won't be sitting here all day."
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"You shouldn't have so much." There's a note of concern there, a brief and worried gaze. Too many brilliant minds have wasted away, la fée verte driving them to their own ruin. He doesn't want to see it happen to someone he considers a friend; and though he's reluctant to threaten another's liberty, he has no qualms about providing distractions. "I'm waiting for Todd, then dinner, perhaps. You could join us if you like."
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Justin sets his drink aside, oddly touched by Neil's concern even if he doubts that a dead person can suffer too many of drinking's ill effects. "You shouldn't smoke so much," is his facetious response. Neil is alive half of the time; it wouldn't do for him to develop lung cancer. "I don't want to impose."
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"You" he says, pointing for emphasis, his expression deadly serious, "Are an invited friend, not an imposition. If you don't have a better excuse, you're coming."
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Lacking a better excuse (and, although he would never admit it out loud, a desire) to take his leave, Justin sits back in his chair. "Then I would like to join you. Thank you."
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"Excellent." Satisfied, he leans back as well, grinning. "At six, outside our building? We can decide where to eat then."
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