Before anything else is written on this entry, you have to see what happens when
The Drowning Girl: A Memoir falls into the hands of the superb and marvelous
Michael Zulli, who has, through his own amazing graces, become my Phillip George Saltonstall. Here is the painting of the title, and here, too, is the "lost" painting that Imp does not learn about until much later:
The Drowning Girl, Phillip George Saltonstall (1898)
Girl on a River, Phillip George Saltonstall (ca. 1898?)
Phillip George Saltonstall (1898)
All paintings Copyright © 2011 by Michael Zulli, used by permission, all rights reserved.
There really are not words adequate to the task of describing the effect these paintings have had on me, seeing your fiction made real, and I thank you again (and publicly for the first time), Michael. No, these will not be in the Roc trade paperback, but they will appear in any hardback edition, should any hardback edition ever appear. At least one of them will also appear in the photographs and book trailer project that I have undertaken with
kylecassidy. By the way, we are in our final 24 hours on the Kickstarter for
The Drowning Girl: Stills From a Movie That Never Existed. These images will also appear on the LJ we're keeping for the project,
evacanning, and, eventually, on the novel's website.
Yesterday, I worked. I'm not even going to hint at what, because I still have after images dancing before my eyes after yesterday's apparent slip of the tongue and that flashy thing. I will merely say this is some of the hardest work I have ever done, and with some of the coolest people I've ever had the chance to work with. Poster-board pope hats and all. My work days are becoming much longer. Oh, also, the dreaded CEM for
The Drowning Girl: A Memoir arrived upon my doorstep. Thud. It doesn't have to be back in NYC until the 20th, and thank fuck all for that.
Last night, some exquisite Insilico RP, good enough to make up for the mess that was Wednesday night. Thank you, Mr. James.