a request and a poem
i've done this before, but i'm returning to you with another very specific request...does anyone have the poem "scarification," by james hoch on hand? i can't seem to find it anywhere on the internet.
and of course, a poem for your trouble:
"Poem after the Last Seven Words"
by Mark Strand
1
The story of the end, of the last word
of the end, when told, is a story that never ends.
We tell it and retell it--one word, then another
until it seems that no last word is possible,
that none would be bearable. Thus, when the hero
of the story says to himself, as if to someone far away,
"Forgive them, for they know not what they do,"
we may feel that he is pleading for us, that we are
the secret life of the story and, as long as his plea
is not answered, we shall be spared. So the story
continues. So we continue. And the end, once more,
becomes the next, and the next after that.
2
There is an island in the dark, a dreamt-of place
where the muttering wind shifts over the white lawns
and riffles the leaves of trees, the high trees
that are streaked with gold and line the walkways there;
and those already arrived are happy to be the silken
remains of something they were but cannot recall;
they move to the sound of stars, which is also imagined,
but who cares about that; the polished columns they see
may be no more than shafts of sunlight, but for those
who live on and on in the radiance of their remains
this is of little importance. There is an island
in the dark and you will be there, I promise you, you
shall be with me in paradise, in the single season of being,
in the place of forever, you shall find yourself. And there
the leaves will turn and never fall, there the wind
will sing and be your voice as if for the first time.
Someday someone will write a story telling
among other things of a parting between mother
and son, of how she wandered off, of how he vanished
in air. But before that happens, it will describe
how their faces shone with a feeble light and how
the son was moved to say, "Woman, look at your son,"
then to a friend nearby, "Son, look at your mother."
At which point the writer will put down his pen
and imagine that while those words were spoken
something else happened, something unusual like
a purpose revealed, a secret exchanged, a truth
to which they, mother and son, would be bound,
but what it was no one would know. Not even the writer.
4
These are the days of spring when the sky is filled
with the odor of lilac, when darkness becomes desire,
and there is nothing that does not wish to be born;
days when the fate of the present is a breezy fullness,
when the world's great gift for fiction gilds even
the dirt we walk on, and we feel we could live forever
while knowing of course that we can't. Such is our plight.
The master of weather and everything else, if he wants,
can bring forth a dark of a different kind, one hidden
by darkness so deep it cannot be seen. No one escapes.
Not even the man who believed he was chosen to do so,
for when the dark came down he cried out, "Father, Father,
why have you forsaken me?" To which no answer came.
5
To be thirsty. To say, "I thirst."
To close one's eyes and see the giant world
that is born each time the eyes are closed.
To see one's death. To see the darkening clouds
as the tragic cloth of a day of mourning. To be the one
mourned. To open the dictionary of the Beyond and discover
what one suspected, that the only word in it
is nothing. To try to open one's eyes, but not to be
able to. To feel the mouth burn. To feel the sudden
presence of what, again and again, was not said.
To translate it and have it remain unsaid. To know
at last that nothing is more real than nothing.
6
"It is finished," he said. You could hear him say it,
the words almost a whisper, then not even that,
but an echo so faint it seemed no longer to come
from him, but from elsewhere. This was his moment,
his final moment. "It is finished," he said into a vastness
that led to an even greater vastness, and yet all of it
within him. He contained it all. That was the miracle,
to be both large and small in the same instant, to be
like us, but more so, then finally to give up the ghost,
which is what happened. And from the storm that swirled
in his wake a formal nakedness took shape, the truth
of disguise and the mask of belief were joined forever.
7
Back down these stairs in the same scene,
to the moon, the stars, the night wind. Hours pass
and only the harp off in the distance and the wind
moving through it. And soon the sun's gray disk,
darkened by clouds, sailing above. And beyond,
as always, the sea of endless transparence, of utmost
calm, a place of constant beginning that has within it
what no eye has seen, what no ear has heard, what no hand
has touched, what has not arisen in the human heart.
To that place, to the keeper of that place, I commit myself.
and of course, a poem for your trouble:
"Poem after the Last Seven Words"
by Mark Strand
1
The story of the end, of the last word
of the end, when told, is a story that never ends.
We tell it and retell it--one word, then another
until it seems that no last word is possible,
that none would be bearable. Thus, when the hero
of the story says to himself, as if to someone far away,
"Forgive them, for they know not what they do,"
we may feel that he is pleading for us, that we are
the secret life of the story and, as long as his plea
is not answered, we shall be spared. So the story
continues. So we continue. And the end, once more,
becomes the next, and the next after that.
2
There is an island in the dark, a dreamt-of place
where the muttering wind shifts over the white lawns
and riffles the leaves of trees, the high trees
that are streaked with gold and line the walkways there;
and those already arrived are happy to be the silken
remains of something they were but cannot recall;
they move to the sound of stars, which is also imagined,
but who cares about that; the polished columns they see
may be no more than shafts of sunlight, but for those
who live on and on in the radiance of their remains
this is of little importance. There is an island
in the dark and you will be there, I promise you, you
shall be with me in paradise, in the single season of being,
in the place of forever, you shall find yourself. And there
the leaves will turn and never fall, there the wind
will sing and be your voice as if for the first time.
Someday someone will write a story telling
among other things of a parting between mother
and son, of how she wandered off, of how he vanished
in air. But before that happens, it will describe
how their faces shone with a feeble light and how
the son was moved to say, "Woman, look at your son,"
then to a friend nearby, "Son, look at your mother."
At which point the writer will put down his pen
and imagine that while those words were spoken
something else happened, something unusual like
a purpose revealed, a secret exchanged, a truth
to which they, mother and son, would be bound,
but what it was no one would know. Not even the writer.
4
These are the days of spring when the sky is filled
with the odor of lilac, when darkness becomes desire,
and there is nothing that does not wish to be born;
days when the fate of the present is a breezy fullness,
when the world's great gift for fiction gilds even
the dirt we walk on, and we feel we could live forever
while knowing of course that we can't. Such is our plight.
The master of weather and everything else, if he wants,
can bring forth a dark of a different kind, one hidden
by darkness so deep it cannot be seen. No one escapes.
Not even the man who believed he was chosen to do so,
for when the dark came down he cried out, "Father, Father,
why have you forsaken me?" To which no answer came.
5
To be thirsty. To say, "I thirst."
To close one's eyes and see the giant world
that is born each time the eyes are closed.
To see one's death. To see the darkening clouds
as the tragic cloth of a day of mourning. To be the one
mourned. To open the dictionary of the Beyond and discover
what one suspected, that the only word in it
is nothing. To try to open one's eyes, but not to be
able to. To feel the mouth burn. To feel the sudden
presence of what, again and again, was not said.
To translate it and have it remain unsaid. To know
at last that nothing is more real than nothing.
6
"It is finished," he said. You could hear him say it,
the words almost a whisper, then not even that,
but an echo so faint it seemed no longer to come
from him, but from elsewhere. This was his moment,
his final moment. "It is finished," he said into a vastness
that led to an even greater vastness, and yet all of it
within him. He contained it all. That was the miracle,
to be both large and small in the same instant, to be
like us, but more so, then finally to give up the ghost,
which is what happened. And from the storm that swirled
in his wake a formal nakedness took shape, the truth
of disguise and the mask of belief were joined forever.
7
Back down these stairs in the same scene,
to the moon, the stars, the night wind. Hours pass
and only the harp off in the distance and the wind
moving through it. And soon the sun's gray disk,
darkened by clouds, sailing above. And beyond,
as always, the sea of endless transparence, of utmost
calm, a place of constant beginning that has within it
what no eye has seen, what no ear has heard, what no hand
has touched, what has not arisen in the human heart.
To that place, to the keeper of that place, I commit myself.