And, lastly, I want to speak of the greatest danger of all that menaces music in Germany; there is too much music in Germany. This is not a paradox. There is no worse misfortune for art than a super-abundance of it. The music is drowning the musicians. Festival succeeds festival: the day after the Strasburg festival there was to be a Bach festival at Eisenach; and then, at the end of the week, a Beethoven festival at Bonn. Such a plethora of concerts, theatres, choral societies, and chamber-music societies, absorbs the whole life of the musician. When has he time to be alone to listen to the music that sings within him? This senseless flood of music invades the sanctuaries of his soul, weakens its power, and destroys its sacred solitude and the treasures of its thought.
- Romain Rolland,
Musicians of To-Day (1915)
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