100 - happy 100 dreams to me :)
Woke up at noon and felt like I had just dreamt a novel-- seriously. They amount of information contained in my dreams weighed me down like a really thick/HUGE hardcover book. Now I remember only the last part. Fuck me, right?
I was walking around a house, being given a tour of the cultural historical value of it. A serial killer of sorts once lived there. We moved past a really weird looking furnace/hole in the wall: the wall surrounding it was white, the area to it was dim lit, and inside it there were no lights. There was a large, black, galvanized steel grate separating the hall from the hole and behind that was a worn and rusty circular grate that was once white and whole, but all that remained was a very jagged and dangerous looking donut shape. The guide told me "Ah, yes. He'd remove the grating and shove women in here, 4 on two sides 2 on the others, and tape their hands up. Then he'd hire them out as sex slaves." And while she's giving me this explanation I travel back in time and see him do this: throwing women into this tiny chamber and then grating them back in. The lighting inside, however, is well illuminated-- as if someone had installed florescent lights, and the white circular grate is gone. One woman inside tapes everyone's hands up and I become her. She looks like Yoko (I have no idea who that is but I see a lot of her pictures stumbling...): long, red hair in a ponytail and a slender body. I whisper "Don't worry, there's enough room..." and "These aren't tight at all, right?" and then eventually tie my own hands up, only to see a wall has disappeared and the room has gotten MUCH bigger. There are lots on men, looking out naked bodies over and gauging how much he want to pay vs how much he wants to do. They're all depraved and some are even mutated-- this is a post apocalyptic world.
I stop being her and I become a bodiless presence experiencing everything from 3rd person. The woman who appeared in charge of the others is taken by a man with a misformed lower jaw, and he rapes her from behind. She takes it the best she can but she's still shaken and disgusted by it. He licks her back while fucking her and then I fast forward in time and zoom in on him. He thinks "She is so wonderful," as he walks back to the slums he calls home. There are men everywhere, but no women to be found. The men are corralled like cattle into refuse and junk-- they live in a junk yard. This is clearly a apocalyptic setting. "She was amazing, I can't wait to fuck her next time. Next time I want to dive into those tits. Next time I'm going to make her scream." He licks his lips, which exposes his deformed lower jaw again. He has red hair as well, but is much tanner than Yoko. He thinks of how he will raise the money-- probably slaying monsters and the like: and suddenly I am in an RPG action/adventure game. And it's an MMORPG.
I am a girl running through very dark streets. I'm trying to get to the next town but there are so many guards about, so I hide behind a wagon beside a tree, in their shadows. One guard walks by and I think of sneaking behind him but another comes. They walk past my line of sight to the right, talk a little, and then head back to the left almost at the same time. As they pass I sneak behind them and keep sneaking. My animation for sneaking looks like a tiny box with normal feet walking on the ground. I hide beside another tree, wait, and then keep sneaking. The guards all run towards something behind me, not noticing me, so I keep sneaking until I'm in a different town (not very far, since I was on a road) and sneak beside a funny looking guard. The town's lighting is mostly given off by a large fire burning in the middle of a building, and then partially by small lights on the walls. There is a fire monster in the room and everyone's attention is turned towards it-- a pretty disappointing cut scene plays and I'm kicked out of sneaking mode. The guard beside me spots me and I try to slay him with my axes, but he is pretty powerful as I start running away. My criminality increases and I need to keep it down in order to get jobs and trade with this town, so I turn myself in. It is then that I find the guard (who looked strange in retrospect-- all black and a cowboy hat?) was actually the sherrif/mayor of the town. I am given a sentence-- is it prostitution?-- and then I am released. The prostitution city is far back in the game and I have to backtrack.
I walk away from the inn only to see a couple (good looking people-- white, the man a blond and the woman a short haired brunette) and their child (a little girl with almost red hair, snug tightly in her father's arms) run up the stairs, followed by a very large asian man who could almost pass as a sumo holding a large ball. He places the object directly in front of the stairwell, meaning no one can pass, which is convenient as a group of three men rush in with swords and the like. They see the obstacle and believe in the futility of trying to pursue their prey and leave. I step over the object (since I'm already on the stairs and above where it is placed) and realize it's hollow, and made of paper. The lower lobby of what I believe to be an inn is in total chaos. There are invaders everywhere, and up further in the street are women, marching, screaming, aiding their raiding men. I am accompanied by other refugees trying to get to another town that way and we're all stopped. A woman behind us yells "Stop trying to exit the town this way! We will not let you pass! Instead go elsewhere, but don't try catching a train from (some city) back because you'll likely catch your death there!" Her voice is barely heard over the battle cries and screams of the invader's women. A friend (an older woman who could pass as an aunt) tries to don their headscarves and makes cultural gestures to them (bowing her head). It kind of works and I'm able to escape past the sea of women to the other side, where I run into a train station and try to get in.
As I make my way into the train station I see the couple again, except they're in mourning. Their youngest son didn't survive, though their little girl is still okay. I room with the wife due to lack of room and we talk a little. We're both in skimpy outfits on a very soft, pleasant bed-- luxurious in comparison to all the other things I've seen. The train is divided into compartments like a cruise ship and our room is spacious The lighting is very bright, like a hotel room at night with all the lights on. The windows that look outside are huge-- and since we're on the second story of rooms (a double decker train!) the scenery looks more like a cruise than a train ride. The curtains are left wide open and we just chat about our lives, her family, the future. We keep hearing a knocking on the window, but we're sure it's birds. Not wanting to give them any attention we still leave the windows wide open. We listen to the outside and she says "Yes, you can hear the birds, it's very quaint... but if you listen you can also hear the men." and at this I get scared and hide on the floor by the bed, opposite of the windows. She follows and we hear boots thumping, and voices growing larger. We get very scared and try to keep our calm but we can hear them, so close...
And then I wake up.
I was walking around a house, being given a tour of the cultural historical value of it. A serial killer of sorts once lived there. We moved past a really weird looking furnace/hole in the wall: the wall surrounding it was white, the area to it was dim lit, and inside it there were no lights. There was a large, black, galvanized steel grate separating the hall from the hole and behind that was a worn and rusty circular grate that was once white and whole, but all that remained was a very jagged and dangerous looking donut shape. The guide told me "Ah, yes. He'd remove the grating and shove women in here, 4 on two sides 2 on the others, and tape their hands up. Then he'd hire them out as sex slaves." And while she's giving me this explanation I travel back in time and see him do this: throwing women into this tiny chamber and then grating them back in. The lighting inside, however, is well illuminated-- as if someone had installed florescent lights, and the white circular grate is gone. One woman inside tapes everyone's hands up and I become her. She looks like Yoko (I have no idea who that is but I see a lot of her pictures stumbling...): long, red hair in a ponytail and a slender body. I whisper "Don't worry, there's enough room..." and "These aren't tight at all, right?" and then eventually tie my own hands up, only to see a wall has disappeared and the room has gotten MUCH bigger. There are lots on men, looking out naked bodies over and gauging how much he want to pay vs how much he wants to do. They're all depraved and some are even mutated-- this is a post apocalyptic world.
I stop being her and I become a bodiless presence experiencing everything from 3rd person. The woman who appeared in charge of the others is taken by a man with a misformed lower jaw, and he rapes her from behind. She takes it the best she can but she's still shaken and disgusted by it. He licks her back while fucking her and then I fast forward in time and zoom in on him. He thinks "She is so wonderful," as he walks back to the slums he calls home. There are men everywhere, but no women to be found. The men are corralled like cattle into refuse and junk-- they live in a junk yard. This is clearly a apocalyptic setting. "She was amazing, I can't wait to fuck her next time. Next time I want to dive into those tits. Next time I'm going to make her scream." He licks his lips, which exposes his deformed lower jaw again. He has red hair as well, but is much tanner than Yoko. He thinks of how he will raise the money-- probably slaying monsters and the like: and suddenly I am in an RPG action/adventure game. And it's an MMORPG.
I am a girl running through very dark streets. I'm trying to get to the next town but there are so many guards about, so I hide behind a wagon beside a tree, in their shadows. One guard walks by and I think of sneaking behind him but another comes. They walk past my line of sight to the right, talk a little, and then head back to the left almost at the same time. As they pass I sneak behind them and keep sneaking. My animation for sneaking looks like a tiny box with normal feet walking on the ground. I hide beside another tree, wait, and then keep sneaking. The guards all run towards something behind me, not noticing me, so I keep sneaking until I'm in a different town (not very far, since I was on a road) and sneak beside a funny looking guard. The town's lighting is mostly given off by a large fire burning in the middle of a building, and then partially by small lights on the walls. There is a fire monster in the room and everyone's attention is turned towards it-- a pretty disappointing cut scene plays and I'm kicked out of sneaking mode. The guard beside me spots me and I try to slay him with my axes, but he is pretty powerful as I start running away. My criminality increases and I need to keep it down in order to get jobs and trade with this town, so I turn myself in. It is then that I find the guard (who looked strange in retrospect-- all black and a cowboy hat?) was actually the sherrif/mayor of the town. I am given a sentence-- is it prostitution?-- and then I am released. The prostitution city is far back in the game and I have to backtrack.
I walk away from the inn only to see a couple (good looking people-- white, the man a blond and the woman a short haired brunette) and their child (a little girl with almost red hair, snug tightly in her father's arms) run up the stairs, followed by a very large asian man who could almost pass as a sumo holding a large ball. He places the object directly in front of the stairwell, meaning no one can pass, which is convenient as a group of three men rush in with swords and the like. They see the obstacle and believe in the futility of trying to pursue their prey and leave. I step over the object (since I'm already on the stairs and above where it is placed) and realize it's hollow, and made of paper. The lower lobby of what I believe to be an inn is in total chaos. There are invaders everywhere, and up further in the street are women, marching, screaming, aiding their raiding men. I am accompanied by other refugees trying to get to another town that way and we're all stopped. A woman behind us yells "Stop trying to exit the town this way! We will not let you pass! Instead go elsewhere, but don't try catching a train from (some city) back because you'll likely catch your death there!" Her voice is barely heard over the battle cries and screams of the invader's women. A friend (an older woman who could pass as an aunt) tries to don their headscarves and makes cultural gestures to them (bowing her head). It kind of works and I'm able to escape past the sea of women to the other side, where I run into a train station and try to get in.
As I make my way into the train station I see the couple again, except they're in mourning. Their youngest son didn't survive, though their little girl is still okay. I room with the wife due to lack of room and we talk a little. We're both in skimpy outfits on a very soft, pleasant bed-- luxurious in comparison to all the other things I've seen. The train is divided into compartments like a cruise ship and our room is spacious The lighting is very bright, like a hotel room at night with all the lights on. The windows that look outside are huge-- and since we're on the second story of rooms (a double decker train!) the scenery looks more like a cruise than a train ride. The curtains are left wide open and we just chat about our lives, her family, the future. We keep hearing a knocking on the window, but we're sure it's birds. Not wanting to give them any attention we still leave the windows wide open. We listen to the outside and she says "Yes, you can hear the birds, it's very quaint... but if you listen you can also hear the men." and at this I get scared and hide on the floor by the bed, opposite of the windows. She follows and we hear boots thumping, and voices growing larger. We get very scared and try to keep our calm but we can hear them, so close...
And then I wake up.