Taken from
mythoplicious~*~SORTING HAT MEME~*~
Your characters are off to
Hogwarts, and they've got the option of being sorted into Gryffindor, Ravenclaw, Hufflepuff, or Slytherin. Or, you could always just be one of those creepy centaurs living in the Forbidden Forest with the spiders and the unicorns.
- Comment stating what houses your crew would be in, explain
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Dominic
Saoirse
Silence
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Silence:
Ambition and personal comfort are valued more than morals, and loyalty to the 'House' (or in this case, the Gang) comes top of the list of priorities. Everyone else, though, can go hang. He's cold, he's cunning, duplicitous and ruthless, although he lacks the hangup on blood purity. Most definitely Slytherin.
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Also easy: Ravenclaw.
Based in academics, booksmart instead of worldsmart, very socially awkward, and obsessed with perfection in everything he does. He is scatterbrained outside of his areas of expertise, couldn't look after himself if his life depended on it, and relies heavily on outside input to take note of anything extracurricular. As yet has no particular ambition.
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Cael was tough because his flash-decision reactions often cloud his judgement in personal matters. He sticks both feet in without looking, leaps before he looks, and often ends up breaking everything a la the bull in the china shop. He is insistent on treating women in a way that emphasises their femininity and pinpoints his masculinity, and the ultimate aim is to be their Knight (or Guard) in Shining Armour (Of course, reality is not the same as intentions, and we all know, Caelus, that your ulterior motives aren't always that great). Based on that and his quickly roused temper, he could easily fit into GryffindorOn the other hand and at the most basic level, Caelus has other facets. His vices are women, alcohol and laziness, but his virtues rest heavily upon fairness, trust, and love for all. Barring, possibly, the folk who stole his sister, he sees Justice as being his life, and doesn't go out for revenge no matter the consequences. He'll blow up in your face, then apologise a little later for being crabby, and go about ( ... )
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Is probably the most difficult one to place.
She is not booksmart, but she is worldsmart, and she is, in her own way, extremely intelligent. She uses it to be cunning, though, and not always for the right reasons.
She is very personally motivated, and although she wants the troupe to succeed, it's more for the memory of her father and to avoid losing her own comfort than for any real ambition of her own or a care for the people who work for her. She does view these people as family, though, as she's grown up with them, and as long as they continue in her good graces, she'll bend over backwards to help them if they need it.
She work very hard and will never be found slacking. She sews, she writes plays, songs and music, she arranges dates, does as much advertising as she can, tries to figure her way through the accounts books and ensure everyone gets paid the right amount at the right time, and when the amount of custom drops in the off seasons, still finds time to go out and work 'independently' to make a little extra ( ... )
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