I am deep in The Essay currently, and working on a section about literary references. One I'm finding interesting is the heroine meeting the hero when he is on a horse - astride the mighty stallion, pulsing with power etcetc. Both Woolf and Holtby use it in the books I'm working on (Orlando and South Riding) but in interestingly different ways
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I suspect that the novels of Ethel M Dell would provide a rich hunting ground, and of course the famous popular cultural referent involving men mastering horses in the 1920s would be EM Hull's The Sheik (1919).
On a higher cultural level, I'm trying to recollect whether there are any Grandcourt/Gwendolen scenes in Daniel Deronda that don't also involve her being mounted and an excellent horsewoman.
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It's only a minor point, but it's a useful one because Woolf and Holtby use the same thing, both clearly in an ultra-intertextual way, so it makes a useful chunk of the essay - but I must have the citationz!!!
Thank you.
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Laura
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Thank you so much.
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I'm probably about to ride off at a complete tangent, but in case it's of any help, I had a vague recollection of horse/horse-riding metaphors being used to describe literature in the 1920s and 1930s so I went off to have a look and located an online edition of Rebecca West's essay on "The Tosh Horse", 1922, New Statesman, Sept. 16th. Reprinted in Fleet Street: An Anthology of Modern Journalism. Ed. W. W. Cobbett and Sidney Dark. London: Eyre and Spottiswoode, 1932. 188-193.
http://archive.org/stream/fleetstreet035345mbp#page/n215/mode/2up It's not got anything about horse-riding heroes: it's about authors who ride the "tosh horse". Virginia Woolf also used a horsey metaphor to describe attitudes towards life and literature:
In "Middlebrow" Woolf defined the highbrow as "the man or woman of thoroughbred intelligence who rides his mind at a gallop across country in pursuit of an idea," and a ( ... )
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