Merlin S5 | Episode 05.12 reviews
Dan'sMediaDigest: MERLIN, 5.12 - 'The Diamond of the Day: Part 1' [★★½☆☆]
[click to read]MERLIN, 5.12 - 'The Diamond of the Day: Part 1'
written by Jake Michie / directed by Justin Molotnikov
★★½☆☆
I'm surprised Merlin hasn't done a story where the eponymous hero loses his magic before now, but it was a good idea to explore in the show's penultimate episode. However, it was something of an eye-roller that Merlin (Colin Morgan) could easily regain his abilities by believing, very hard, that he still has his magic. Even an appearance by the brilliant Eric Cantona John Lynch as Merlin's ghostly father didn't quite work for me; perhaps because we've had no sense that Merlin misses his father since he died. So in essence, Merlin's attempt at a Superman II-style storyline didn't quite work for me. There should have been more instances when Merlin's loss of magic was felt by the people around him; like having a knight die because Merlin was unable to protect him as usual. Such as it was, Merlin simply got a bit grouchy because he can't move cups using telekinesis, and wandered off to a Crystal Cave to be given a spiritual pep talk by his luminescent dad.
The rest of the episode was pretty good, although we've had so many iterations of Camelot being besieged or threatened with attack that the umpteenth version of this idea struggled to capture my imagination. But I did enjoy the union of Morgana (Katie McGrath) and Mordred (Alexander Vlahos), which is clearly a partnership the show desperately needed but has arrived very late. However, it was disappointing Morgana knowing Merlin has magic didn't feel like big deal this week, and that's a worrying sign when we still have the prospect of Arthur (Bradley James) discovering this fact to look forward to. The quality of writing lets Merlin down sometimes, as there's a much better version of events running through my head in-between episodes. Only occasionally do you get flashes of something really good struggling to pull itself out of the mire; like the scene when Arthur admitted he thinks Merlin is the bravest man he knows... but believes he was mistaken after Merlin made an excuse to avoid going to battle.
I did like "The Diamond of the Day" for the most part, but mainly because it's promising bigger things in the concluding part. I don't have faith Merlin will do a good job finishing its story, although I sincerely hope I'm proved wrong, but when you're faced with a conclusion that sees Merlin being "reborn" as Old Merlin, striding out of the Crystal Cave with a look of determination on his face, you just have to worry. After five series, we'll have the insufferable version of Merlin in the big finale instead of the actual character we've come to know and love? Why is being prematurely aged a direct sign of power? Can't Merlin be "recharged" without the burden of arthritis and bad eyesight?
Overall, there was enough here to like, but nothing particularly fresh. More could have been done with the idea of a magic-less Merlin, but the episode did maintain a strong sense of Arthur marching to his unavoidable doom without Merlin around to save him, and I loved the moment when Merlin sobbed in the cave after being trapped inside by Morgana. The effects were also pretty good for a BBC drama; especially in the 300-influenced shot of Arthur fighting enemy soldiers. I just wish "The Diamond of the Day" wasn't littered with so many daft moments that dragged it down; like the mention that a slug-creature that can remove people's magic was hunted to near-extinction when magic was first outlawed. What sense does that make? Those creatures would have been invaluable when it comes to purging the kingdom of magical doers!
The stage is set for the series finale on Christmas Eve, which I'm hoping pulls something special out of the bag. If I'm honest, I just want a perfect scene where Arthur realises his humble manservant is a great wizard and has been responsible for saving his life on numerous occasions. Give me that and a lot of sins can be forgiven elsewhere.
DenOfGeek: Merlin series 5 episode 12 review: The Diamond Of The Day (Part 1)
[click to read]Merlin series 5 episode 12 review: The Diamond Of The Day (Part 1)
Merlin's penultimate episode is a slow-burner featuring hugely impressive performances and action...
As ever, let's begin with a recap of the episode's events:
Morgana has a new weapon in her arsenal, a creature capable of draining the magic from people. She sees nothing wrong in using this upon her former ally, Ari, despite Mordred voicing his reservations. She’s unstoppable, though, as she knows that without his magic, Merlin is powerless and that Camelot will surely fall if Arthur doesn’t have a powerful wizard - albeit unknowingly - in his midst.
Meanwhile, Arthur and Merlin are playing a dice game that the servant appears to be winning with the aid of magic. There's humour and merriment, with Merlin showing a wicked streak, winning plenty of money and making his master look a tad foolish, before retiring to his chambers, where he is promptly attacked by Morgana’s magic-eating slug.
Together, Mordred and Morgana storm a nearby garrison, with their mercenary troops, forcing the knights to retreat to Camelot. With this threat looming, Arthur declares his knights will stop Morgana reaching Camelot... the war has begun and will take place on the prophesied field of Arthur's death, with Merlin now powerless to stop him unless the wizard can get to the Crystal Caves, the birthplace of magic.
Discovering that Merlin won't be joining him in this sojourn, Arthur is terse towards his servant, disappointed in his decision to go on a quest for Gaius instead of stand beside the master who has, he admits, never thought of Merlin as a coward, despite the jokes. If only he'd told the truth, in the way that Gwaine had with Morgana's conveniently placed wanton woman that found her way into the amorous, and loose tongued Knight's bed.
With news that Merlin is on his way to regain his magic, Morgana sets out catch Merlin but not before giving a sword to Mordred, one forged in Aithusa’s breath. Finally face to face, Morgana exchanges barbed comments before trapping the powerless wizard in a rock fall.
As he slips in and out consciousness, Merlin resigns himself to his fate. As his strength wanes, Merlin sees a vision of his father who tells him to not give in. With renewed vigour, Merlin warns Arthur via the crystals in the cave; shaking the King into action.
With knowledge of Morgana's plan, Arthur sends knights to cut off Morgana, before he prepares his troops for the long night ahead.
As a bloody battle ensues, Merlin escapes the cave... aged and angry.
Here it is, The Diamond of the Day (Part One).
It’s the final story in the television adventures of Merlin and it's a slow-burning episode that should lead into one cracking finale. So much is brought into play here that it's almost overwhelming.
It would have been easy to just throw us straight into the conflict between Morgana and Arthur, but through this lengthy build-up we get a lot of character-driven scenes, with series regular Jake Michie showing his clear comfort with all the characters and events on screen as he crafts a particularly impressive script.
There are some fantastic moments between characters that crystalise their relationship. The exchange between Arthur and Merlin, in which Arthur confesses he believes Merlin to be brave but must have been mistaken, is heartbreakingly executed, as is Gwen’s discussion with Gaius about Merlin’s absence, in which little is said but much is meant, and Gwen’s faith in her King.
Arthur, once again, has confidence issues due to Merlin's absence and the sheer enormity of what is about to happen, but Gwen's faith gives him strength. Bradley James and Angel Coulby are at their best in this episode. His speech to his troops ranks up their with the President's speech in Independence Day - which will either mean it’s impressive to you or terribly cheesy - either way, Bradley James nails it and I’d find it difficult not to rush to my bloody death!
Colin Morgan’s Merlin covers a gamut of emotions in this episode - humour, loss, fear, elation - and he puts his heart and soul into the performance. There isn’t a moment where you feel Morgan isn’t invested in his character and even the appearance of Old Merlin is a spirited one.
As for the rest of the cast, Gwaine’s womanising ways are seen, as Eoin Macken gets more screen time than the other knights. The Great Dragon doesn’t appear, though Aithusa, Morgana’s dragon, makes a brief appearance.
The battle at the end of the episode looks impressive. Shot to make it look like there are more people on screen than there probably were, slow-motion and well-choreographed combat are merged in a way that makes it look suitably brutal, without being bloody. This isn’t Gladiator, or Game of Thrones, but it’s still a triumph for the producers and will hopefully lead to more impressive sequences in the concluding instalment.
By the end of this episode, you’ll probably want to draw a breath as the finale is coming very, very soon.
See the concluding part of Merlin on Christmas Eve at 8.15pm.
DigitalSpy: 'Merlin': New episode 'Diamond of the Day (Part 1)' review [★★★★★]
[click to read]'Merlin': New episode 'Diamond of the Day (Part 1)' review
Last week's Merlin ended on a dramatic high note as Morgana (Katie McGrath) finally learnt the truth - her mysterious nemesis Emrys is actually her former friend Merlin (Colin Morgan). Now fully in possession of the facts, the saucy sorceress is more ruthless than ever - she cruelly robs the powerful warlock Ari (Peter Guinness) of his magic and has a similar fate planned for Merlin…
Larks abound for the unwitting wizard and Arthur (Bradley James) - who banter and bicker over a game of dice - but it's a safe bet that the jollity will be short-lived. That night, Morgana's creature - a beast from the time of the Old Religion - strikes, in a sequence that'll have the little 'uns diving behind the sofa…
Merlin survives the attack, but his great gifts have vanished and he now has the joint threat of Morgana and Mordred (Alexander Vlahos) to contend with. Fans have waited a long time to see this particular villainous pairing in action and it's been worth the wait - Katie McGrath and Alexander Vlahos have a wonderful chemistry.
Arthur's knights have lurked in the background for much of this series, but with Camelot under siege from the terrible twosome, all the king's men play a larger role this week, with Tom Hopper, Rupert Young and in particular Eion Macken getting more screen time.
Gwaine's new romance had us fearing that the character's time was up, like a character in a war movie who must jet off on "one last mission" before he can return home and marry his sweetheart...
It certainly doesn't bode well when it's revealed that his paramour serves Morgana, and the writers play on our expectations, placing the noble knight in near-death situations more than once. We certainly wouldn't bet against him tragically snuffing it on Christmas Eve.
Meanwhile, Arthur's quest to save his people appears to be leading the King to his own inevitable doom, as he journeys to the same kingdom where he is apparently destined to die. For once, Merlin cannot be at his friend and master's side, and the scene in which he informs the King of his decision is one of the episode's most powerful.
Here, Merlin fans are treated to another moment that we've literally been waiting years to see - Arthur finally acknowledging his respect for Merlin - and the dynamite duo of Bradley James and Colin Morgan do not disappoint; the scene bristles with unspoken feelings and emotion.
'Diamond of the Day (Part One)' is packed full of fan-pleasing moments and nods to the show's past, as befits a series finale. Morgana's first confrontation with Merlin after discovering the truth about her foe is another such moment, and is laced with an added tension, since we know that, without his powers, our hero is hopelessly outmatched.
Trapped underground, a helpless Merlin despairs, until the spirit of Balinor appears, Obi-Wan style, to comfort his son. It's fantastic to see the character back for the first time since 2009's 'The Last Dragonlord' - though it's a pity that his return was spoiled by John Lynch's opening credit.
Merlin is able to remotely warn Arthur of Morgana's battle plans, and the King delivers a rousing speech to inspire his men before leading them into a truly epic battle, while Merlin ventures deep into the crystal cave to meet his destiny...
'Diamond of the Day (Part One)' is 43 minutes of intense, action-packed drama - there's not a single bad performance amongst the ensemble cast, who are each given a moment - however brief - to shine, and the writing is lent an extra emotional heft by the weight of all that has come before. We await part two - which promises the big reveal that we've all been waiting for - with eager anticipation… and a little sadness.
★★★★★
DorkAdore: Merlin: The Diamond of the Day - Part One - Dork Review
[click to read]Merlin: The Diamond of the Day - Part One - Dork Review
The end is nigh! The final episode! Etcetera! And so on! The first part of the Merlin finale! Reviewed before your amazed eyes! Battle! Strife! Gunpowder! Treason! Plot!
So, do we see any huge moments or deaths in this episode, or are they saving the carnage for their climax on Christmas Eve? Well, if you’ve seen it you already know, and if not, best watch it on iPlayer to avoid spoilers. Onwards, brave men of Camelot!
Swords & Semantics
I’m still not clear why this is called The Diamond of the Day (Part 1), to be honest, but maybe it’ll be unveiled in the second half. Aside from that: the characters prepare for war after Morgana begins the big attack on Camelot, but Merlin is distracted by her robbing him of magic. By the end, everyone (included a re-powered Emrys) is converging for a big swordy fight.
It’s the first half of a Merlin two-parter, so it isn’t surprising to discover it’s mostly set-up - they always are. Still, fans who want Arthur to discover Merlin’s secret before the last possible moment may not be happy. Me, I’m just relieved Merlin got out of that damn cave; I was worried he’d be in there most of next week too.
Death, Death And Death Again?
There are some pleasant surprises scattered through here - good to see Merlin and Gwaine get another moment, as well as the reappearance of our hero’s father. And the looming prophecy of Arthur’s death successfully sets out why this is the big dramatic final showdown, not just a standard skirmish.
Having said all that: why does Arthur seem so grimly certain this was the final battle ever? He doesn’t know about the prophecies or Merlin’s powers. I guess Mordred’s defection was a big deal, the enemy force looks huge, and Bradley James has become good at big Kingly speeches, so I might let them off.
This wasn’t as beautifully balanced an exercise in tragic inevitability as last week - Merlin’s recovery of his powers felt like we were waiting for an obvious conclusion, rather than watching fate slide into place - but it moved everyone into position for the ending. And Emrys is in play, so hopefully there’ll be lashings of grumpiness.
Oh, and Gaius not yet dead, which genuinely surprised me, I’ve been waiting for him to drop for weeks. The last episode is on Christmas Eve, but don’t worry, a review should still go up shortly after it finishes. I’m nothing if not dedicated. Will Arthur die? I think not, but let us know if you’ve got a grimmer view.
GeekSyndicate: TV REVIEW: Merlin Series 5, Episode 12 - The Diamond of the Day (Pt 1) [4/5]
[click to read]TV REVIEW: Merlin Series 5, Episode 12 - The Diamond of the Day (Pt 1)
High in the mountains, Morgana prepares for war with a vengeful Mordred at her side while Merlin feels the weight of his destiny on his shoulders like never before. But before he can save his beloved Camelot, he must save himself as Morgana isn’t going to just let him remain by Arthur’s side as the powerful Emrys. She means to destroy him as well.
I think it’s somewhat fitting that the day the world was supposed to end (sorry Mayans, you lose!) is the day that I finished watching Merlin for the last time. I will say that fans will either love these last two episodes and take them for what they are or hate them completely because of so many missed opportunities for improvement of the characters and storylines. Regardless, read on for a recap and my thoughts on the penultimate episode.
Morgana and Mordred are trying to find a way to deal with Merlin, now that the former knows he’s her doom. They test out their latest plot on a poor unsuspecting sorcerer. Chanting a spell, a box opens to release a giant slug that attaches to his face but doesn’t kill. But what it does do is steals a sorcerer’s magic. We know that this is what she plans to use against Merlin so he can’t help Arthur in the coming battle.
Her lackey easily sneaks into Camelot with the box, while Merlin and Arthur are at the Rising Sun playing craps. It’s a fun scene that I was able to see filmed in studio peeking through a window so it was nice to see what it looked like onscreen. Merlin uses magic to cheat and it grinds Arthur’s gears to see his servant beating him at something. They tease each other and it’s all in good fun - but this is probably the last lighthearted moment of the series before things get serious.
Back in the castle, the intruder finds his way to Gaius’ chambers and incapacitates the old man. Merlin tries to gracefully sneak into his room later that night but soon trips over a stool making a racket but doesn’t notice his unconscious mentor. Stumbling into bed, the slug sneaks out and attacks Merlin. He’s able to fight it off quickly with Gaius apparently awakened to kill it. The old man thinks it didn’t do it’s job but that wasn’t her plan as we know - Merlin’s magic is gone.
Research shows that the slug creature devours magic and it’s beyond Gaius’ level of power to restore it. In the meantime, Mordred & Morgana attack a garrison at the northern border of Camelot and Gwaine saves a young woman from being killed. Merlin is at a loss of what to do without his magic so Gaius puts him to work as his skills as a physician are still valuable to help treat the wounded - one of which is Gwaine’s new love interest, Eira. The knight delivers the news that she is the only survivor and gives his word to protect her. There’s a bit too much focus on her to think that anything good is going to come out of this particular relationship.
At the Round Table, the current situation is discussed and ideas are thrown about as to where they can best fight back. We all know where this is leading, an upset Merlin included. Arthur refuses to let innocent Camelot citizens die as those are not the values that the kingdom was built on and as the King asks the name of a place on the map where they will make their last stand - the words that Merlin has dreaded hearing since the beginning are uttered - Camlann.
Back in her stony lair, Morgana gets Aithusa to forge a sword in dragon’s breath - something equal to Excalibur for Mordred. The young man is quite pleased with his new weapon. We learn that Merlin needs to go to the Crystal Cave in the Valley of the Fallen Kings and is taking Gwaine with him. As they say, loose lips sink ships and unbeknownst to Gwaine as he spills the beans on Merlin’s plan, Eira is a plant working for Morgana.
The first of many heart-aching moments occurs when Merlin goes to tell Arthur that he needs to leave - making an excuse that Gaius needs some very special ingredients to help the wounded. Arthur looks shocked and hurt that Merlin won’t be there with him this time. When one is stung, they respond in kind as the King reveals to him that he never really believed Merlin was a coward until now. Ouch - low blow Arthur! A teary eyed Merlin is hurt by the words but knows he can’t reveal the true reason for his departure.
Eira watches Merlin & Gwaine leave and in the courtyard, Gwen tells Arthur that she’s going with him - she’d rather be near her husband than waiting at the castle alone. Our suspicions about Eira are confirmed when the blonde meets with Mordred & Morgana and tells them everything she knows about where Arthur is going. However she seems to have some ridiculous crisis of conscious (when betraying her King mind) and also reveals where Merlin is going. This immediately worries Morgana which turns into full blown panick when Mordred remembers the stories about the Crystal Cave. Immediately, they know that he’s gone to get his powers back.
Merlin and Gwaine say goodbye to each other at the opening of the cave and you get the feeling this is the last time the two will see each other. Making his way, Merlin is ambushed by Morgana, who made it there before him. She plays mind games with him and he cuts her with Gwaine’s sword but it doesn’t stop her from sealing him in the cave as the armies march to Camlann. Waking up stuck inside the cave, Merlin realizes that he can barely move any of the rocks - they’re all stuck in place. He angrily screams out his frustration knowing that unless he figures out what to do Arthur will die without him there to stop it. Colin Morgan is so good at making us feel just how helpless Merlin is at that moment. At the campsite, both Arthur and Gwen question Gaius about Merlin’s whereabouts. While he covers for his young charge, neither believe him.
Merlin sees a light at the top of where he’s contained and he falls to the ground unconscious once he makes it - he’s landed in the Crystal Cave. Waking to someone calling his name we see a face that I didn’t expect - his father, Balinor has returned! In non-corporeal form that is. He imparts many words of wisdom on his son - to stay strong and not give in to despair. He also reveals what most of us likely knew - that Merlin is immortal. He is the son of the elements and he was born of that magic and can never have it taken away. When Merlin questions that, he receives no reply and passes out.
The one of last scenes between husband and wife - Arthur sits contemplating while Gwen admires him asking what’s on his mind. In true Arthur fashion, he starts doubting himself and she reassures him while they embrace. Elsewhere, Morgana watches over her camp and confirms the location of a secret passage that is well concealed deciding to attack at night.
Merlin wakes with his wounds healed and magic returned tested by creating a butterfly. Overjoyed, he decides to look in a crystal and sees the battle about to unfold. Looking for Arthur, he speaks to the sleeping man through the crystal - letting him know of the vulnerability. Arthur snaps awake with the knowledge and rushes to gather his men. Who knew these crystals were like medieval cell phones? Giving a rousing speech to bring morale to his troops who know they are likely going to their deaths, Bradley James did a fantastic job here and truly embodies all that Arthur is.
In the cave, Balinor tells Merlin that in the heart of the Crystal Cave will his true self be revealed. I hope this doesn’t mean what I think it does. As Merlin steps into the light, the two armies face off and with war drums banging in the distance, the fight begins. If you love action sequences, this is the best one thus far - fantastic slow-mo fight scenes showcase Bradley James’ prowess with a sword - utterly fantastic. Mordred cuts his way to Arthur as we see Merlin escape from the Crystal Cave as his true self, old Merlin aka Emrys.
But don’t be disappointed just yet as not all is what it seems when Merlin reaches its final conclusion on Christmas Eve. Either way, whether you’ve been reading spoilers or not, I hope you tune in for the last ever episode of Merlin. It’s well worth it.
Rating: 4/5
InsideMediaTrack: ‘Merlin’ 5.12: ‘The Diamond Of The Day’ - Part 1 Review
[click to read]‘Merlin’ 5.12: ‘The Diamond Of The Day’ - Part 1 Review
The battle begins in the penultimate episode of Merlin with plenty to cram in, tension to build and a lump in our throats when we realise to mountain ahead for the characters and our ever-nearing last instalment.
With Morgana now fully up to speed about Emrys’ true identity she knows without Merlin’s help Arthur won’t be protected. Set about executing her plan to take Camelot by force, she uses a mystical creature to attack Merlin and suck his power out of him while he’s unawares after a drunken night of jovial betting games with Arthur. Realising without his powers Merlin can no longer protect Arthur the young warlock is desolate and decides he must travel to the Crystal Cave in an attempt to regain his magic.
Morgana with Mordred as her sidekick attacks the borders leaving Arthur forced into coming up with a plan to lure Morgana and her strong army away from Camelot; leading them to Camlann he vows, “Be it life or death. It ends here.” Merlin must abandon his King while he goes on his own journey, Arthur however thinks Merlin is a coward. This leads to a sad scene between Arthur and Merlin where we truly see Arthur’s respect for Merlin and his disappointment his friend and confidant won’t be travelling with him. ” All those jokes about you being a coward, I never really meant any of them. I always thought you were the bravest man I ever met… guess I was wrong.” Merlin must live with Arthur’s disappointment knowing he’s trying to protect him.
Mordred appears at times uncomfortable with Morgana’s decisions but steadfast at others. Unless Mordred steps up to do more, (other than attempt to kill Arthur) it will feel he’s been relegated to be Morgana’s puppet and the big build up of last week irreverent. I have a feeling I know what’s going to happen with his new dragon-breathed sword which is obviously pivotal in the death of a character. Some may well ask why didn’t Morgana think of that earlier and just kill Arthur, Merlin or anyone else who has stood in her way. But with it being the finale 2-parter I’m prepared to suspend my disbelief.
Gwaine meanwhile is seduced by Eira who he believes to be a damsel in distress but is really using him to get information to pass to Morgana. Gwaine redeems himself helping Merlin travel to the Crystal Cave at which Merlin comes face to face with Morgana who traps him in the cave. Feeling all hope is lost his father appears to him reminding him he’s born of the earth and hasn’t lost his magic. Meanwhile Arthur gives a rousing speech to his Knights as they prepare to do battle that has prophesied the death of Arthur.
This was a great dramatic episode with rousing music gliding us along. Colin Morgan does a perfect job of displaying the lost sorcerer but is masterful in telling Arthur to “find the path.” Bradley James also shines as he swiftly moves between brave warrior prepared to fight to the death and sensitive during his conversations with Merlin and Gwen.
I was a little disappointed Arthur or even Gwaine didn’t discover Merlin’s secret. It seems all the battle and revelations is being held back for the last part. There’s not much hope for our characters evident but Merlin exits the cave as Emrys/Dragoon the Great the power which is sure to change the balance swiftly. My only hope is that we see Merlin do battle, magically or otherwise as himself, rather than having to hide behind the disguise. Great episode that leaves you on the edge of your seat for the final instalment on Christmas Eve.
SFX: Merlin 5.12 “The Diamond Of The Day (Part 1)” REVIEW [★★★★☆]
[click to read]Merlin 5.12 “The Diamond Of The Day (Part 1)” REVIEW
TV REVIEW It’s the beginning of the end for Arthur but Merlin has problems of his own…
★★★★☆
Merlin 5.12 “The Diamond Of The Day (Part 1)”
Writer: Jake Michie
Director: Justin Molotnikov
THE ONE WHERE Arthur marches to Camlann to face Morgana’s army head on; but Merlin can’t join him because he’s lost his powers. Can the Crystal Cave restore them in time?
VERDICT So, Merlin’s most powerful form is old man Emrys? It’s hardly like changing into a Superman outfit. An unexpected end to a dark, thoughtful episode. In terms of giving him the traditional appearance of Merlin at the final battle I can understand why, and perhaps Merlin choose this disguise because as far as he knows Arthur’s still unaware of his magic. But it doesn’t feel like Merlin’s authentic form and it’s hardly a punch-the-air badass moment to end on.
In keeping with the recent run, this is a solid Merlin tale with some superb touches that just stops short of being amazing; despite some sharp ideas and splendid performances (Colin Morgan sobbing while trapped in the cave, for instance) it doesn’t quite go far enough, although we gain an insight into how much the king values him. And Arthur gives a rousing speech which isn’t quite Henry V but which is nevertheless better than many such morale-boosters - for instance the undercooked one at the end of Snow White And The Huntsman earlier this year.
Merlin without magic is an interesting concept, but it serves little purpose except to separate him from Camelot for a time and create an excuse for a pep talk. And it begs the question, why does Morgana go to this trouble to take Merlin’s magic? Surely it would be easier just to kill him? Or expose him so that Arthur has to reject him? Once again Morgana’s plan is too complicated. When she catches up with him she just traps him in the Crystal Cave instead of finishing him off. She’s like the worst kind of Bond villain.
But the episode does hang together. Isn’t it creepy to see Mordred at the right hand of Morgana’s throne? He doesn’t look overly happy with his new mistress’s methods; his face betrays him (I’m going to miss Alexander Vlahos when this series is over) and even challenges her: “He was a loyal soldier - in robbing him of his magic you’ve lost yourself a powerful ally.” It’s terrific to see Morgana using some properly ground-shaking magic like that fireball spell. In comparison we see Merlin, um, create a butterfly in his hands like a parlour trick, but at least there’s more than just the classic air punch this time.
The tender heart of this episode is, as always, Merlin’s relationship with Arthur. About 19 minutes in there’s a touching farewell scene between the two of them as Merlin reveals he has to go on an errand instead of join the battle. The emotion on their faces reveals a degree of heartbreak as Arthur realises Merlin won’t be there, and Merlin can’t reveal how much he’s actually trying to help. The king confesses that he never meant all those jokes he made at Merlin’s expense: “I always thought you were the bravest man I ever met” he tells his servant. This is a sad day for the bromance and a bit harsh from Arthur - if he truly has admired Merlin in the past and if he genuinely does trust him then he should have faith that Merlin’s “chore” is important.
The final moments of the episode, with the two armies clashing by torchlight, demonstrates that Merlin is still capable of giving us epic fantasy battles. And we only have to wait 48 hours for the conclusion! Start the countdown…
INFLUENCES This episode is like an I Spy book of cinematic influences. It pays homage to some of the best fantasy tropes on the screen. Fortunately it works, but they are blatant. First off, Morgana’s slug thing owes a lot to the Alien facehugger. Then Merlin’s father appearing to him as a glowing blue figure smacks of Obi-Wan Kenobi. Our hero losing his powers and having to get it back from crystals is the stuff Superman II is made of (Kal-El speaks to his dead father for support at his Fortress Of Solitude too). Meanwhile the gathering of troops at the narrow pass is pure 300, a comparison strengthened by the stylised quick-slow-quick combat - Morgana’s sneaky back route is even a turning point in the battle of Thermopylae. When Arthur stood up to make his rallying speech in the torchlight I was convinced he was about to say, “Spartans! Tonight we dine in hell!”
NITPICK How will Gwaine look after himself on the way back from the valley, and indeed how will he fight in the battle, if Merlin has his sword?
WHOSE SIDE ARE YOU ON ANYWAY? I can’t help thinking that Morgana’s anti-magic slug is exactly the sort of thing that Uther would have loved - it destroys sorcerers!
IT’S WOSSERNAME AND WOSSISNAME AND ALSO THINGY The luckless Ari, on whom Morgana tests her magic-scoffing face-slug, is played by Peter Guinness; he’s been in loads of stuff but you might recall him from Alien 3. The survivor of the village raid, Eira, who hooks up with Gwaine back in Camelot is played by Erin Richards. (Merlin has a bit of a tradition of portraying women as deceivers so it’s no surprise that Eira turns out to be a wrong ‘un.) Welsh actress Richards is perhaps best known for playing the detective investigating the Box Tunnel massacre in Being Human. Meanwhile it’s a welcome return for John Lynch as Merlin’s long-lost father. We last saw him in the season two episode “The Last Dragonlord”. He’s been in a number of films and TV shows, but you’ll surely remember him as Gwyneth Paltrow’s boyfriend in Sliding Doors.
LOST IN TRANSLATION Gaius says that the box bearing the ugly slug creature is decorated with the mark of the Gean Canach, “in the time of the old religion… the most feared creation of the magic folk”. Actually Gean Cánach means “love talker” in Irish and a Gancanagh is typically a seductive male fairy, a sort of charming incubus.
CLARK KENT WOULDN’T DO THAT Merlin uses magic to cheat at gambling, making Arthur look bad in front of the knights during the dice game. It’s funny but it’s also the behaviour of a git.
SLASH BAIT Precious little, beyond the understated thoughtful moments between Arthur and Merlin, so the ‘shipping forecast is short this week. The only shirtless knight we see in this episode is Gwaine, suggestively sitting on a bed with Eira.
THE LEGEND Tonight Morgana gives Mordred a sword forged in the breath of a dragon. Sure enough, Excalibur is by no means the only magic sword in the traditional stories. In fact the Middle English Alliterative Morte Arthure talks of Mordred going into the final battle wielding a sword called Clarent, a weapon that had once been used for official ceremonies at Camelot.
BEST LINE
Gaius: “If Arthur goes to Camlann the prophesy will come true and he will die.”
TVEquals: Merlin Series 5 Review “Diamond of the Day - Part 1″
[click to read]Merlin Series 5 Review “Diamond of the Day - Part 1″ - The End Is Nigh…
Well folks, we’re now one episode away from the end of Merlin. ‘Diamond of the Day - Part 1′ (what a horrible title) had a lot to do in forty-five minutes. It had to build tension, give Morgana and Mordred a fighting chance of winning a war against Camelot, and keep all the personal relationships tight. For the most part, it succeeded. This was, without a doubt, the best episode of Merlin to date.
It’s sort of frustrating, actually. There wasn’t much in this episode that was different from anything we’ve seen before, but it was all put together in such a way that it worked. It’s a shame that series 5 - even just the latter half - wasn’t so well put together. Ah, there’s nothing to be done about that now, and it’s less annoying than it could have been. I spent the last week worrying that ‘Diamond of the Day - Part 1′ would feel rushed, nothing quite making sense because it was left to the last minute, but it all worked well enough to be truly satisfying.
For me, the best part of this episode was Merlin losing his power. Not because of the fantastic acting it elicited from Colin Morgan (though he and Bradley James were amazing this week), but because I’ve been dying to see how Merlin and Arthur would function if they were ever split up. As it turns out, they function better than ever. Arthur came to realise just how much he took Merlin’s presence for granted, and Merlin got some time to explore his magic unrushed (even if that was aided by a Morgana-induced cave in).
Now for the most important bit: The audio in the teaser for next episode promised a magic reveal! It’s only taken five series and ten in-show years, but it’s finally happening! I could do a little dance of joy right now.
I really hope the magic reveal will leave enough time to be dealt with properly; it’s going to be a letdown if Arthur accepts Merlin’s magic easily after being lied to for ten years. It would also be nice if Merlin breezed onto the battlefield as himself and broke out the badass in full sight of Arthur, hiding be damned, but given the appearance of Old Merlin it doesn’t seem like that’s the plan.
Opinions will probably vary, but I think it’s a shame that Merlin is using the Old Merlin appearance, whether it’s a representation of his ‘true self’ or not. Not just because we should see Merlin as himself during the biggest battle of his life, but because Old Merlin has been used as a source of comedy in all his appearances thus far. This isn’t a particularly amusing situation; I don’t want to be remembering how he berated that cook the last time we saw him.
The episode ended with Mordred seeking out Arthur whilst wielding a blade forged in dragon’s breath (a la Excalibur), Morgana looking on. It promises to be an epic battle. And I for one, dear reader, cannot wait. How about you?
A few notes:
Why was Percival on Arthur’s right hand side, literally and figuratively, instead of Leon? Percy might have the geographical knowledge, but Leon’s been by Arthur’s (and Uther’s) side for over ten years now. Besides, I would have had Leon lead Percy’s group of knights because if there’s anyone who should be taking the lead, it’s the knight who never bloody dies.
Gwaine was teary when he said goodbye to Merlin. This does not bode well in Television Land. If he dies before he gets to see Merlin again, my final review of Merlin will potentially be keyboard mashing, capslocking and ugly crying. You have been warned.
Why didn’t Morgana kill Merlin instead of trapping him in the crystal caves? It seems counterintuitive to trap him in the very place where he stands a chance of regaining his magic.
No female soldiers. Giving how many liberties Merlin has taken with, well, absolutely everything, I was hoping we would finally see some women stepping up to fight for Camelot. I was really excited when Gwen decided she was going with Arthur - up until she said that she had no plan to actually fight. Come on, show, you couldn’t have indulged us just this once?
‘Diamond of the Day - Part 2′ airs on Monday 24th December at 20:15.
WhatCulture: Merlin: The Diamond Of The Day Part 1 Review [★★★★★]
[click to read]Merlin: The Diamond Of The Day Part 1 Review
★★★★★
Well, how about that. For the past seven days, myself and countless other fans were left wondering just how the writing team on Merlin could ever possibly match the turn of Mordred in The Drawing Of The Dark. How could any writer hope to accomplish such a feat in the midst of such worthy competition? By bringing us a penultimate episode that truly delivers on so many promises of the show, that’s how. It’s hard to think of anything more we could have asked of The Diamond Of The Day Part 1, and for those whispering the words “magic reveal” in my ears, the Next Time trailer should be evidence enough that the big shocks do not end here. Writing this review becomes simple in many ways, then, because speaking to the praises of this week’s adventure is incredibly easy- what’s difficult is just knowing when to stop!
First and foremost, let’s examine the core narrative of this opening instalment to the final two-parter. Kate McGrath’s Morgana showcased her utter brutality with regards to the severity of her cause, letting loose a demonic magic-consuming slug on her former ally, then readying it for the ultimate prey: Emrys. Sure enough, Merlin finds his own birth-given powers sapped out of him faster than you can say ‘Mischief managed’, leaving him and of course Arthur vulnerable to open attack from their impending enemies. Bringing together the Round Table, the iconic monarch then established his plan to attack the Saxon armada head on at the plains of Camlann. In the build-up to the episode, I was anxious that we’d get mere hints to this momentous final location in the hope of merely whetting our anticipation, so it was a genuine and great surprise to see the grand final battle of Arthurian lore begin to play out, the bloodless violence and Game Of Thrones-riffing slow-motion sword battles well and truly intact from earlier this season.
On top of the central plotline that led us deep into the dark days of Camelot, we had Merlin’s journey to reclaim his magic in the hope of stopping his foreboding visions of what’s to come. Colin Morgan gave his best performance in the show since The Disir and last week’s adventure, bringing across in full the seemingly hopeless nature of the battle ahead and his own worries that even with his magic, he may not be able to stop what he knows lies Arthur’s way. It was brilliant to see Morgan and McGrath finally face off in the depths of the Crystal Cave too, in an encounter that reenforced the sense that the tide is changing in terms of the restraints that the series writers have placed on characters’ knowledge of the big secret.
Another neat twist for those fans who hadn’t read this week’s cast list was the return of John Lynch- although his part was essentially a cipher to drive our young warlock forward towards his true destiny (i.e. a prolonged ageing potion? We’ll have to see if Emrys reverts back to his original form on Monday), Lynch remained a compelling component of the storyline thanks to his earnest and subdued portrayal. Again, it is a performance like this from a ‘British guest star of the week’ that should go a long way to justifying the extent to which both fans and the BBC will miss Merlin on Saturday nights in the Autumn and Winter months.
In terms of the other regular stars on the show, there was a great deal of bonafida British talent brought straight into the limelight this week. Angel Coulby’s Gwen felt more layered and intricate in her portrayal and scripting, and indeed it leaves us to wonder whether if Arthur does bite the bullet in two days’ time, it will be she who takes up the mantle as Camelot’s sole monarch, perhaps with hints towards a possible lineage along the line through an unexpected pregnancy? All the same, Eoin Macken had a great time of it too, at first lured into dispensing pleasantries with Eira, a new ally in Morgana’s ever-growing ranks, then wishing everyone’s favourite sorcerer-in-disguise the best of luck on his final journey into the Crystal Cave.
Even Richard Wilson had something interesting to say as Gaius, and with the character featuring in promo images of Camelot (presumably post-Camlann) in the final episode, it’ll be nice if his character gets a few choice words to impart to his oldest friend. Top honours must go to Bradley James, though- we had hints at the gravity and depth with which he could play King Arthur last week in particular, yet it was here in his ‘last’ exchange with Merlin, his realisation at his servant’s message in his dreams and indeed in his inspiring pre-battle speech to the Knights that James truly shone in the role.
As you can imagine given the score adorning this review, there’s little of negative calibre I have to say about this episode. The direction was stunning both in the scenes preceding and indeed during the Battle Of Camlann’s commencement, the soundtrack just as effective in setting the looming mood of the moment as it’s ever been, and the cliffhanger that closed the new instalment a brilliant segueway towards what’s to come, allowing for the most exciting of pre-credits previews for what’s to come rather than warranting two days’ of utter suspense waiting for a no-doubt unsatisfactory resolution to an impossible dilemma. Yes, Alexander Vhalos wasn’t perhaps given as much screen-time as we might have expected given the focus on him last week, yet I’m sure that’ll be righted on Monday.
So, the great battle of Camelot awaits us on Monday, and with it the end of Merlin’s broadcasting for good. It’ll be a sad day for fans, but based on the oh-so-strong evidence of this week’s masterpiece of a finale opener, we’re going to be given an incredible send-off to this thrilling fantasy drama. Can Merlin truly inhabit and fulfill his destiny, or has it all been nought? Will Arthur die as per the legends, or does his salvation await him in the shadows? Is there one last bout of non-sensical sparring from the Great Dragon to come? I’ll see you on Christmas Eve…
[click to read]MERLIN, 5.12 - 'The Diamond of the Day: Part 1'
written by Jake Michie / directed by Justin Molotnikov
★★½☆☆
I'm surprised Merlin hasn't done a story where the eponymous hero loses his magic before now, but it was a good idea to explore in the show's penultimate episode. However, it was something of an eye-roller that Merlin (Colin Morgan) could easily regain his abilities by believing, very hard, that he still has his magic. Even an appearance by the brilliant Eric Cantona John Lynch as Merlin's ghostly father didn't quite work for me; perhaps because we've had no sense that Merlin misses his father since he died. So in essence, Merlin's attempt at a Superman II-style storyline didn't quite work for me. There should have been more instances when Merlin's loss of magic was felt by the people around him; like having a knight die because Merlin was unable to protect him as usual. Such as it was, Merlin simply got a bit grouchy because he can't move cups using telekinesis, and wandered off to a Crystal Cave to be given a spiritual pep talk by his luminescent dad.
The rest of the episode was pretty good, although we've had so many iterations of Camelot being besieged or threatened with attack that the umpteenth version of this idea struggled to capture my imagination. But I did enjoy the union of Morgana (Katie McGrath) and Mordred (Alexander Vlahos), which is clearly a partnership the show desperately needed but has arrived very late. However, it was disappointing Morgana knowing Merlin has magic didn't feel like big deal this week, and that's a worrying sign when we still have the prospect of Arthur (Bradley James) discovering this fact to look forward to. The quality of writing lets Merlin down sometimes, as there's a much better version of events running through my head in-between episodes. Only occasionally do you get flashes of something really good struggling to pull itself out of the mire; like the scene when Arthur admitted he thinks Merlin is the bravest man he knows... but believes he was mistaken after Merlin made an excuse to avoid going to battle.
I did like "The Diamond of the Day" for the most part, but mainly because it's promising bigger things in the concluding part. I don't have faith Merlin will do a good job finishing its story, although I sincerely hope I'm proved wrong, but when you're faced with a conclusion that sees Merlin being "reborn" as Old Merlin, striding out of the Crystal Cave with a look of determination on his face, you just have to worry. After five series, we'll have the insufferable version of Merlin in the big finale instead of the actual character we've come to know and love? Why is being prematurely aged a direct sign of power? Can't Merlin be "recharged" without the burden of arthritis and bad eyesight?
Overall, there was enough here to like, but nothing particularly fresh. More could have been done with the idea of a magic-less Merlin, but the episode did maintain a strong sense of Arthur marching to his unavoidable doom without Merlin around to save him, and I loved the moment when Merlin sobbed in the cave after being trapped inside by Morgana. The effects were also pretty good for a BBC drama; especially in the 300-influenced shot of Arthur fighting enemy soldiers. I just wish "The Diamond of the Day" wasn't littered with so many daft moments that dragged it down; like the mention that a slug-creature that can remove people's magic was hunted to near-extinction when magic was first outlawed. What sense does that make? Those creatures would have been invaluable when it comes to purging the kingdom of magical doers!
The stage is set for the series finale on Christmas Eve, which I'm hoping pulls something special out of the bag. If I'm honest, I just want a perfect scene where Arthur realises his humble manservant is a great wizard and has been responsible for saving his life on numerous occasions. Give me that and a lot of sins can be forgiven elsewhere.
DenOfGeek: Merlin series 5 episode 12 review: The Diamond Of The Day (Part 1)
[click to read]Merlin series 5 episode 12 review: The Diamond Of The Day (Part 1)
Merlin's penultimate episode is a slow-burner featuring hugely impressive performances and action...
As ever, let's begin with a recap of the episode's events:
Morgana has a new weapon in her arsenal, a creature capable of draining the magic from people. She sees nothing wrong in using this upon her former ally, Ari, despite Mordred voicing his reservations. She’s unstoppable, though, as she knows that without his magic, Merlin is powerless and that Camelot will surely fall if Arthur doesn’t have a powerful wizard - albeit unknowingly - in his midst.
Meanwhile, Arthur and Merlin are playing a dice game that the servant appears to be winning with the aid of magic. There's humour and merriment, with Merlin showing a wicked streak, winning plenty of money and making his master look a tad foolish, before retiring to his chambers, where he is promptly attacked by Morgana’s magic-eating slug.
Together, Mordred and Morgana storm a nearby garrison, with their mercenary troops, forcing the knights to retreat to Camelot. With this threat looming, Arthur declares his knights will stop Morgana reaching Camelot... the war has begun and will take place on the prophesied field of Arthur's death, with Merlin now powerless to stop him unless the wizard can get to the Crystal Caves, the birthplace of magic.
Discovering that Merlin won't be joining him in this sojourn, Arthur is terse towards his servant, disappointed in his decision to go on a quest for Gaius instead of stand beside the master who has, he admits, never thought of Merlin as a coward, despite the jokes. If only he'd told the truth, in the way that Gwaine had with Morgana's conveniently placed wanton woman that found her way into the amorous, and loose tongued Knight's bed.
With news that Merlin is on his way to regain his magic, Morgana sets out catch Merlin but not before giving a sword to Mordred, one forged in Aithusa’s breath. Finally face to face, Morgana exchanges barbed comments before trapping the powerless wizard in a rock fall.
As he slips in and out consciousness, Merlin resigns himself to his fate. As his strength wanes, Merlin sees a vision of his father who tells him to not give in. With renewed vigour, Merlin warns Arthur via the crystals in the cave; shaking the King into action.
With knowledge of Morgana's plan, Arthur sends knights to cut off Morgana, before he prepares his troops for the long night ahead.
As a bloody battle ensues, Merlin escapes the cave... aged and angry.
Here it is, The Diamond of the Day (Part One).
It’s the final story in the television adventures of Merlin and it's a slow-burning episode that should lead into one cracking finale. So much is brought into play here that it's almost overwhelming.
It would have been easy to just throw us straight into the conflict between Morgana and Arthur, but through this lengthy build-up we get a lot of character-driven scenes, with series regular Jake Michie showing his clear comfort with all the characters and events on screen as he crafts a particularly impressive script.
There are some fantastic moments between characters that crystalise their relationship. The exchange between Arthur and Merlin, in which Arthur confesses he believes Merlin to be brave but must have been mistaken, is heartbreakingly executed, as is Gwen’s discussion with Gaius about Merlin’s absence, in which little is said but much is meant, and Gwen’s faith in her King.
Arthur, once again, has confidence issues due to Merlin's absence and the sheer enormity of what is about to happen, but Gwen's faith gives him strength. Bradley James and Angel Coulby are at their best in this episode. His speech to his troops ranks up their with the President's speech in Independence Day - which will either mean it’s impressive to you or terribly cheesy - either way, Bradley James nails it and I’d find it difficult not to rush to my bloody death!
Colin Morgan’s Merlin covers a gamut of emotions in this episode - humour, loss, fear, elation - and he puts his heart and soul into the performance. There isn’t a moment where you feel Morgan isn’t invested in his character and even the appearance of Old Merlin is a spirited one.
As for the rest of the cast, Gwaine’s womanising ways are seen, as Eoin Macken gets more screen time than the other knights. The Great Dragon doesn’t appear, though Aithusa, Morgana’s dragon, makes a brief appearance.
The battle at the end of the episode looks impressive. Shot to make it look like there are more people on screen than there probably were, slow-motion and well-choreographed combat are merged in a way that makes it look suitably brutal, without being bloody. This isn’t Gladiator, or Game of Thrones, but it’s still a triumph for the producers and will hopefully lead to more impressive sequences in the concluding instalment.
By the end of this episode, you’ll probably want to draw a breath as the finale is coming very, very soon.
See the concluding part of Merlin on Christmas Eve at 8.15pm.
DigitalSpy: 'Merlin': New episode 'Diamond of the Day (Part 1)' review [★★★★★]
[click to read]'Merlin': New episode 'Diamond of the Day (Part 1)' review
Last week's Merlin ended on a dramatic high note as Morgana (Katie McGrath) finally learnt the truth - her mysterious nemesis Emrys is actually her former friend Merlin (Colin Morgan). Now fully in possession of the facts, the saucy sorceress is more ruthless than ever - she cruelly robs the powerful warlock Ari (Peter Guinness) of his magic and has a similar fate planned for Merlin…
Larks abound for the unwitting wizard and Arthur (Bradley James) - who banter and bicker over a game of dice - but it's a safe bet that the jollity will be short-lived. That night, Morgana's creature - a beast from the time of the Old Religion - strikes, in a sequence that'll have the little 'uns diving behind the sofa…
Merlin survives the attack, but his great gifts have vanished and he now has the joint threat of Morgana and Mordred (Alexander Vlahos) to contend with. Fans have waited a long time to see this particular villainous pairing in action and it's been worth the wait - Katie McGrath and Alexander Vlahos have a wonderful chemistry.
Arthur's knights have lurked in the background for much of this series, but with Camelot under siege from the terrible twosome, all the king's men play a larger role this week, with Tom Hopper, Rupert Young and in particular Eion Macken getting more screen time.
Gwaine's new romance had us fearing that the character's time was up, like a character in a war movie who must jet off on "one last mission" before he can return home and marry his sweetheart...
It certainly doesn't bode well when it's revealed that his paramour serves Morgana, and the writers play on our expectations, placing the noble knight in near-death situations more than once. We certainly wouldn't bet against him tragically snuffing it on Christmas Eve.
Meanwhile, Arthur's quest to save his people appears to be leading the King to his own inevitable doom, as he journeys to the same kingdom where he is apparently destined to die. For once, Merlin cannot be at his friend and master's side, and the scene in which he informs the King of his decision is one of the episode's most powerful.
Here, Merlin fans are treated to another moment that we've literally been waiting years to see - Arthur finally acknowledging his respect for Merlin - and the dynamite duo of Bradley James and Colin Morgan do not disappoint; the scene bristles with unspoken feelings and emotion.
'Diamond of the Day (Part One)' is packed full of fan-pleasing moments and nods to the show's past, as befits a series finale. Morgana's first confrontation with Merlin after discovering the truth about her foe is another such moment, and is laced with an added tension, since we know that, without his powers, our hero is hopelessly outmatched.
Trapped underground, a helpless Merlin despairs, until the spirit of Balinor appears, Obi-Wan style, to comfort his son. It's fantastic to see the character back for the first time since 2009's 'The Last Dragonlord' - though it's a pity that his return was spoiled by John Lynch's opening credit.
Merlin is able to remotely warn Arthur of Morgana's battle plans, and the King delivers a rousing speech to inspire his men before leading them into a truly epic battle, while Merlin ventures deep into the crystal cave to meet his destiny...
'Diamond of the Day (Part One)' is 43 minutes of intense, action-packed drama - there's not a single bad performance amongst the ensemble cast, who are each given a moment - however brief - to shine, and the writing is lent an extra emotional heft by the weight of all that has come before. We await part two - which promises the big reveal that we've all been waiting for - with eager anticipation… and a little sadness.
★★★★★
DorkAdore: Merlin: The Diamond of the Day - Part One - Dork Review
[click to read]Merlin: The Diamond of the Day - Part One - Dork Review
The end is nigh! The final episode! Etcetera! And so on! The first part of the Merlin finale! Reviewed before your amazed eyes! Battle! Strife! Gunpowder! Treason! Plot!
So, do we see any huge moments or deaths in this episode, or are they saving the carnage for their climax on Christmas Eve? Well, if you’ve seen it you already know, and if not, best watch it on iPlayer to avoid spoilers. Onwards, brave men of Camelot!
Swords & Semantics
I’m still not clear why this is called The Diamond of the Day (Part 1), to be honest, but maybe it’ll be unveiled in the second half. Aside from that: the characters prepare for war after Morgana begins the big attack on Camelot, but Merlin is distracted by her robbing him of magic. By the end, everyone (included a re-powered Emrys) is converging for a big swordy fight.
It’s the first half of a Merlin two-parter, so it isn’t surprising to discover it’s mostly set-up - they always are. Still, fans who want Arthur to discover Merlin’s secret before the last possible moment may not be happy. Me, I’m just relieved Merlin got out of that damn cave; I was worried he’d be in there most of next week too.
Death, Death And Death Again?
There are some pleasant surprises scattered through here - good to see Merlin and Gwaine get another moment, as well as the reappearance of our hero’s father. And the looming prophecy of Arthur’s death successfully sets out why this is the big dramatic final showdown, not just a standard skirmish.
Having said all that: why does Arthur seem so grimly certain this was the final battle ever? He doesn’t know about the prophecies or Merlin’s powers. I guess Mordred’s defection was a big deal, the enemy force looks huge, and Bradley James has become good at big Kingly speeches, so I might let them off.
This wasn’t as beautifully balanced an exercise in tragic inevitability as last week - Merlin’s recovery of his powers felt like we were waiting for an obvious conclusion, rather than watching fate slide into place - but it moved everyone into position for the ending. And Emrys is in play, so hopefully there’ll be lashings of grumpiness.
Oh, and Gaius not yet dead, which genuinely surprised me, I’ve been waiting for him to drop for weeks. The last episode is on Christmas Eve, but don’t worry, a review should still go up shortly after it finishes. I’m nothing if not dedicated. Will Arthur die? I think not, but let us know if you’ve got a grimmer view.
GeekSyndicate: TV REVIEW: Merlin Series 5, Episode 12 - The Diamond of the Day (Pt 1) [4/5]
[click to read]TV REVIEW: Merlin Series 5, Episode 12 - The Diamond of the Day (Pt 1)
High in the mountains, Morgana prepares for war with a vengeful Mordred at her side while Merlin feels the weight of his destiny on his shoulders like never before. But before he can save his beloved Camelot, he must save himself as Morgana isn’t going to just let him remain by Arthur’s side as the powerful Emrys. She means to destroy him as well.
I think it’s somewhat fitting that the day the world was supposed to end (sorry Mayans, you lose!) is the day that I finished watching Merlin for the last time. I will say that fans will either love these last two episodes and take them for what they are or hate them completely because of so many missed opportunities for improvement of the characters and storylines. Regardless, read on for a recap and my thoughts on the penultimate episode.
Morgana and Mordred are trying to find a way to deal with Merlin, now that the former knows he’s her doom. They test out their latest plot on a poor unsuspecting sorcerer. Chanting a spell, a box opens to release a giant slug that attaches to his face but doesn’t kill. But what it does do is steals a sorcerer’s magic. We know that this is what she plans to use against Merlin so he can’t help Arthur in the coming battle.
Her lackey easily sneaks into Camelot with the box, while Merlin and Arthur are at the Rising Sun playing craps. It’s a fun scene that I was able to see filmed in studio peeking through a window so it was nice to see what it looked like onscreen. Merlin uses magic to cheat and it grinds Arthur’s gears to see his servant beating him at something. They tease each other and it’s all in good fun - but this is probably the last lighthearted moment of the series before things get serious.
Back in the castle, the intruder finds his way to Gaius’ chambers and incapacitates the old man. Merlin tries to gracefully sneak into his room later that night but soon trips over a stool making a racket but doesn’t notice his unconscious mentor. Stumbling into bed, the slug sneaks out and attacks Merlin. He’s able to fight it off quickly with Gaius apparently awakened to kill it. The old man thinks it didn’t do it’s job but that wasn’t her plan as we know - Merlin’s magic is gone.
Research shows that the slug creature devours magic and it’s beyond Gaius’ level of power to restore it. In the meantime, Mordred & Morgana attack a garrison at the northern border of Camelot and Gwaine saves a young woman from being killed. Merlin is at a loss of what to do without his magic so Gaius puts him to work as his skills as a physician are still valuable to help treat the wounded - one of which is Gwaine’s new love interest, Eira. The knight delivers the news that she is the only survivor and gives his word to protect her. There’s a bit too much focus on her to think that anything good is going to come out of this particular relationship.
At the Round Table, the current situation is discussed and ideas are thrown about as to where they can best fight back. We all know where this is leading, an upset Merlin included. Arthur refuses to let innocent Camelot citizens die as those are not the values that the kingdom was built on and as the King asks the name of a place on the map where they will make their last stand - the words that Merlin has dreaded hearing since the beginning are uttered - Camlann.
Back in her stony lair, Morgana gets Aithusa to forge a sword in dragon’s breath - something equal to Excalibur for Mordred. The young man is quite pleased with his new weapon. We learn that Merlin needs to go to the Crystal Cave in the Valley of the Fallen Kings and is taking Gwaine with him. As they say, loose lips sink ships and unbeknownst to Gwaine as he spills the beans on Merlin’s plan, Eira is a plant working for Morgana.
The first of many heart-aching moments occurs when Merlin goes to tell Arthur that he needs to leave - making an excuse that Gaius needs some very special ingredients to help the wounded. Arthur looks shocked and hurt that Merlin won’t be there with him this time. When one is stung, they respond in kind as the King reveals to him that he never really believed Merlin was a coward until now. Ouch - low blow Arthur! A teary eyed Merlin is hurt by the words but knows he can’t reveal the true reason for his departure.
Eira watches Merlin & Gwaine leave and in the courtyard, Gwen tells Arthur that she’s going with him - she’d rather be near her husband than waiting at the castle alone. Our suspicions about Eira are confirmed when the blonde meets with Mordred & Morgana and tells them everything she knows about where Arthur is going. However she seems to have some ridiculous crisis of conscious (when betraying her King mind) and also reveals where Merlin is going. This immediately worries Morgana which turns into full blown panick when Mordred remembers the stories about the Crystal Cave. Immediately, they know that he’s gone to get his powers back.
Merlin and Gwaine say goodbye to each other at the opening of the cave and you get the feeling this is the last time the two will see each other. Making his way, Merlin is ambushed by Morgana, who made it there before him. She plays mind games with him and he cuts her with Gwaine’s sword but it doesn’t stop her from sealing him in the cave as the armies march to Camlann. Waking up stuck inside the cave, Merlin realizes that he can barely move any of the rocks - they’re all stuck in place. He angrily screams out his frustration knowing that unless he figures out what to do Arthur will die without him there to stop it. Colin Morgan is so good at making us feel just how helpless Merlin is at that moment. At the campsite, both Arthur and Gwen question Gaius about Merlin’s whereabouts. While he covers for his young charge, neither believe him.
Merlin sees a light at the top of where he’s contained and he falls to the ground unconscious once he makes it - he’s landed in the Crystal Cave. Waking to someone calling his name we see a face that I didn’t expect - his father, Balinor has returned! In non-corporeal form that is. He imparts many words of wisdom on his son - to stay strong and not give in to despair. He also reveals what most of us likely knew - that Merlin is immortal. He is the son of the elements and he was born of that magic and can never have it taken away. When Merlin questions that, he receives no reply and passes out.
The one of last scenes between husband and wife - Arthur sits contemplating while Gwen admires him asking what’s on his mind. In true Arthur fashion, he starts doubting himself and she reassures him while they embrace. Elsewhere, Morgana watches over her camp and confirms the location of a secret passage that is well concealed deciding to attack at night.
Merlin wakes with his wounds healed and magic returned tested by creating a butterfly. Overjoyed, he decides to look in a crystal and sees the battle about to unfold. Looking for Arthur, he speaks to the sleeping man through the crystal - letting him know of the vulnerability. Arthur snaps awake with the knowledge and rushes to gather his men. Who knew these crystals were like medieval cell phones? Giving a rousing speech to bring morale to his troops who know they are likely going to their deaths, Bradley James did a fantastic job here and truly embodies all that Arthur is.
In the cave, Balinor tells Merlin that in the heart of the Crystal Cave will his true self be revealed. I hope this doesn’t mean what I think it does. As Merlin steps into the light, the two armies face off and with war drums banging in the distance, the fight begins. If you love action sequences, this is the best one thus far - fantastic slow-mo fight scenes showcase Bradley James’ prowess with a sword - utterly fantastic. Mordred cuts his way to Arthur as we see Merlin escape from the Crystal Cave as his true self, old Merlin aka Emrys.
But don’t be disappointed just yet as not all is what it seems when Merlin reaches its final conclusion on Christmas Eve. Either way, whether you’ve been reading spoilers or not, I hope you tune in for the last ever episode of Merlin. It’s well worth it.
Rating: 4/5
InsideMediaTrack: ‘Merlin’ 5.12: ‘The Diamond Of The Day’ - Part 1 Review
[click to read]‘Merlin’ 5.12: ‘The Diamond Of The Day’ - Part 1 Review
The battle begins in the penultimate episode of Merlin with plenty to cram in, tension to build and a lump in our throats when we realise to mountain ahead for the characters and our ever-nearing last instalment.
With Morgana now fully up to speed about Emrys’ true identity she knows without Merlin’s help Arthur won’t be protected. Set about executing her plan to take Camelot by force, she uses a mystical creature to attack Merlin and suck his power out of him while he’s unawares after a drunken night of jovial betting games with Arthur. Realising without his powers Merlin can no longer protect Arthur the young warlock is desolate and decides he must travel to the Crystal Cave in an attempt to regain his magic.
Morgana with Mordred as her sidekick attacks the borders leaving Arthur forced into coming up with a plan to lure Morgana and her strong army away from Camelot; leading them to Camlann he vows, “Be it life or death. It ends here.” Merlin must abandon his King while he goes on his own journey, Arthur however thinks Merlin is a coward. This leads to a sad scene between Arthur and Merlin where we truly see Arthur’s respect for Merlin and his disappointment his friend and confidant won’t be travelling with him. ” All those jokes about you being a coward, I never really meant any of them. I always thought you were the bravest man I ever met… guess I was wrong.” Merlin must live with Arthur’s disappointment knowing he’s trying to protect him.
Mordred appears at times uncomfortable with Morgana’s decisions but steadfast at others. Unless Mordred steps up to do more, (other than attempt to kill Arthur) it will feel he’s been relegated to be Morgana’s puppet and the big build up of last week irreverent. I have a feeling I know what’s going to happen with his new dragon-breathed sword which is obviously pivotal in the death of a character. Some may well ask why didn’t Morgana think of that earlier and just kill Arthur, Merlin or anyone else who has stood in her way. But with it being the finale 2-parter I’m prepared to suspend my disbelief.
Gwaine meanwhile is seduced by Eira who he believes to be a damsel in distress but is really using him to get information to pass to Morgana. Gwaine redeems himself helping Merlin travel to the Crystal Cave at which Merlin comes face to face with Morgana who traps him in the cave. Feeling all hope is lost his father appears to him reminding him he’s born of the earth and hasn’t lost his magic. Meanwhile Arthur gives a rousing speech to his Knights as they prepare to do battle that has prophesied the death of Arthur.
This was a great dramatic episode with rousing music gliding us along. Colin Morgan does a perfect job of displaying the lost sorcerer but is masterful in telling Arthur to “find the path.” Bradley James also shines as he swiftly moves between brave warrior prepared to fight to the death and sensitive during his conversations with Merlin and Gwen.
I was a little disappointed Arthur or even Gwaine didn’t discover Merlin’s secret. It seems all the battle and revelations is being held back for the last part. There’s not much hope for our characters evident but Merlin exits the cave as Emrys/Dragoon the Great the power which is sure to change the balance swiftly. My only hope is that we see Merlin do battle, magically or otherwise as himself, rather than having to hide behind the disguise. Great episode that leaves you on the edge of your seat for the final instalment on Christmas Eve.
SFX: Merlin 5.12 “The Diamond Of The Day (Part 1)” REVIEW [★★★★☆]
[click to read]Merlin 5.12 “The Diamond Of The Day (Part 1)” REVIEW
TV REVIEW It’s the beginning of the end for Arthur but Merlin has problems of his own…
★★★★☆
Merlin 5.12 “The Diamond Of The Day (Part 1)”
Writer: Jake Michie
Director: Justin Molotnikov
THE ONE WHERE Arthur marches to Camlann to face Morgana’s army head on; but Merlin can’t join him because he’s lost his powers. Can the Crystal Cave restore them in time?
VERDICT So, Merlin’s most powerful form is old man Emrys? It’s hardly like changing into a Superman outfit. An unexpected end to a dark, thoughtful episode. In terms of giving him the traditional appearance of Merlin at the final battle I can understand why, and perhaps Merlin choose this disguise because as far as he knows Arthur’s still unaware of his magic. But it doesn’t feel like Merlin’s authentic form and it’s hardly a punch-the-air badass moment to end on.
In keeping with the recent run, this is a solid Merlin tale with some superb touches that just stops short of being amazing; despite some sharp ideas and splendid performances (Colin Morgan sobbing while trapped in the cave, for instance) it doesn’t quite go far enough, although we gain an insight into how much the king values him. And Arthur gives a rousing speech which isn’t quite Henry V but which is nevertheless better than many such morale-boosters - for instance the undercooked one at the end of Snow White And The Huntsman earlier this year.
Merlin without magic is an interesting concept, but it serves little purpose except to separate him from Camelot for a time and create an excuse for a pep talk. And it begs the question, why does Morgana go to this trouble to take Merlin’s magic? Surely it would be easier just to kill him? Or expose him so that Arthur has to reject him? Once again Morgana’s plan is too complicated. When she catches up with him she just traps him in the Crystal Cave instead of finishing him off. She’s like the worst kind of Bond villain.
But the episode does hang together. Isn’t it creepy to see Mordred at the right hand of Morgana’s throne? He doesn’t look overly happy with his new mistress’s methods; his face betrays him (I’m going to miss Alexander Vlahos when this series is over) and even challenges her: “He was a loyal soldier - in robbing him of his magic you’ve lost yourself a powerful ally.” It’s terrific to see Morgana using some properly ground-shaking magic like that fireball spell. In comparison we see Merlin, um, create a butterfly in his hands like a parlour trick, but at least there’s more than just the classic air punch this time.
The tender heart of this episode is, as always, Merlin’s relationship with Arthur. About 19 minutes in there’s a touching farewell scene between the two of them as Merlin reveals he has to go on an errand instead of join the battle. The emotion on their faces reveals a degree of heartbreak as Arthur realises Merlin won’t be there, and Merlin can’t reveal how much he’s actually trying to help. The king confesses that he never meant all those jokes he made at Merlin’s expense: “I always thought you were the bravest man I ever met” he tells his servant. This is a sad day for the bromance and a bit harsh from Arthur - if he truly has admired Merlin in the past and if he genuinely does trust him then he should have faith that Merlin’s “chore” is important.
The final moments of the episode, with the two armies clashing by torchlight, demonstrates that Merlin is still capable of giving us epic fantasy battles. And we only have to wait 48 hours for the conclusion! Start the countdown…
INFLUENCES This episode is like an I Spy book of cinematic influences. It pays homage to some of the best fantasy tropes on the screen. Fortunately it works, but they are blatant. First off, Morgana’s slug thing owes a lot to the Alien facehugger. Then Merlin’s father appearing to him as a glowing blue figure smacks of Obi-Wan Kenobi. Our hero losing his powers and having to get it back from crystals is the stuff Superman II is made of (Kal-El speaks to his dead father for support at his Fortress Of Solitude too). Meanwhile the gathering of troops at the narrow pass is pure 300, a comparison strengthened by the stylised quick-slow-quick combat - Morgana’s sneaky back route is even a turning point in the battle of Thermopylae. When Arthur stood up to make his rallying speech in the torchlight I was convinced he was about to say, “Spartans! Tonight we dine in hell!”
NITPICK How will Gwaine look after himself on the way back from the valley, and indeed how will he fight in the battle, if Merlin has his sword?
WHOSE SIDE ARE YOU ON ANYWAY? I can’t help thinking that Morgana’s anti-magic slug is exactly the sort of thing that Uther would have loved - it destroys sorcerers!
IT’S WOSSERNAME AND WOSSISNAME AND ALSO THINGY The luckless Ari, on whom Morgana tests her magic-scoffing face-slug, is played by Peter Guinness; he’s been in loads of stuff but you might recall him from Alien 3. The survivor of the village raid, Eira, who hooks up with Gwaine back in Camelot is played by Erin Richards. (Merlin has a bit of a tradition of portraying women as deceivers so it’s no surprise that Eira turns out to be a wrong ‘un.) Welsh actress Richards is perhaps best known for playing the detective investigating the Box Tunnel massacre in Being Human. Meanwhile it’s a welcome return for John Lynch as Merlin’s long-lost father. We last saw him in the season two episode “The Last Dragonlord”. He’s been in a number of films and TV shows, but you’ll surely remember him as Gwyneth Paltrow’s boyfriend in Sliding Doors.
LOST IN TRANSLATION Gaius says that the box bearing the ugly slug creature is decorated with the mark of the Gean Canach, “in the time of the old religion… the most feared creation of the magic folk”. Actually Gean Cánach means “love talker” in Irish and a Gancanagh is typically a seductive male fairy, a sort of charming incubus.
CLARK KENT WOULDN’T DO THAT Merlin uses magic to cheat at gambling, making Arthur look bad in front of the knights during the dice game. It’s funny but it’s also the behaviour of a git.
SLASH BAIT Precious little, beyond the understated thoughtful moments between Arthur and Merlin, so the ‘shipping forecast is short this week. The only shirtless knight we see in this episode is Gwaine, suggestively sitting on a bed with Eira.
THE LEGEND Tonight Morgana gives Mordred a sword forged in the breath of a dragon. Sure enough, Excalibur is by no means the only magic sword in the traditional stories. In fact the Middle English Alliterative Morte Arthure talks of Mordred going into the final battle wielding a sword called Clarent, a weapon that had once been used for official ceremonies at Camelot.
BEST LINE
Gaius: “If Arthur goes to Camlann the prophesy will come true and he will die.”
TVEquals: Merlin Series 5 Review “Diamond of the Day - Part 1″
[click to read]Merlin Series 5 Review “Diamond of the Day - Part 1″ - The End Is Nigh…
Well folks, we’re now one episode away from the end of Merlin. ‘Diamond of the Day - Part 1′ (what a horrible title) had a lot to do in forty-five minutes. It had to build tension, give Morgana and Mordred a fighting chance of winning a war against Camelot, and keep all the personal relationships tight. For the most part, it succeeded. This was, without a doubt, the best episode of Merlin to date.
It’s sort of frustrating, actually. There wasn’t much in this episode that was different from anything we’ve seen before, but it was all put together in such a way that it worked. It’s a shame that series 5 - even just the latter half - wasn’t so well put together. Ah, there’s nothing to be done about that now, and it’s less annoying than it could have been. I spent the last week worrying that ‘Diamond of the Day - Part 1′ would feel rushed, nothing quite making sense because it was left to the last minute, but it all worked well enough to be truly satisfying.
For me, the best part of this episode was Merlin losing his power. Not because of the fantastic acting it elicited from Colin Morgan (though he and Bradley James were amazing this week), but because I’ve been dying to see how Merlin and Arthur would function if they were ever split up. As it turns out, they function better than ever. Arthur came to realise just how much he took Merlin’s presence for granted, and Merlin got some time to explore his magic unrushed (even if that was aided by a Morgana-induced cave in).
Now for the most important bit: The audio in the teaser for next episode promised a magic reveal! It’s only taken five series and ten in-show years, but it’s finally happening! I could do a little dance of joy right now.
I really hope the magic reveal will leave enough time to be dealt with properly; it’s going to be a letdown if Arthur accepts Merlin’s magic easily after being lied to for ten years. It would also be nice if Merlin breezed onto the battlefield as himself and broke out the badass in full sight of Arthur, hiding be damned, but given the appearance of Old Merlin it doesn’t seem like that’s the plan.
Opinions will probably vary, but I think it’s a shame that Merlin is using the Old Merlin appearance, whether it’s a representation of his ‘true self’ or not. Not just because we should see Merlin as himself during the biggest battle of his life, but because Old Merlin has been used as a source of comedy in all his appearances thus far. This isn’t a particularly amusing situation; I don’t want to be remembering how he berated that cook the last time we saw him.
The episode ended with Mordred seeking out Arthur whilst wielding a blade forged in dragon’s breath (a la Excalibur), Morgana looking on. It promises to be an epic battle. And I for one, dear reader, cannot wait. How about you?
A few notes:
Why was Percival on Arthur’s right hand side, literally and figuratively, instead of Leon? Percy might have the geographical knowledge, but Leon’s been by Arthur’s (and Uther’s) side for over ten years now. Besides, I would have had Leon lead Percy’s group of knights because if there’s anyone who should be taking the lead, it’s the knight who never bloody dies.
Gwaine was teary when he said goodbye to Merlin. This does not bode well in Television Land. If he dies before he gets to see Merlin again, my final review of Merlin will potentially be keyboard mashing, capslocking and ugly crying. You have been warned.
Why didn’t Morgana kill Merlin instead of trapping him in the crystal caves? It seems counterintuitive to trap him in the very place where he stands a chance of regaining his magic.
No female soldiers. Giving how many liberties Merlin has taken with, well, absolutely everything, I was hoping we would finally see some women stepping up to fight for Camelot. I was really excited when Gwen decided she was going with Arthur - up until she said that she had no plan to actually fight. Come on, show, you couldn’t have indulged us just this once?
‘Diamond of the Day - Part 2′ airs on Monday 24th December at 20:15.
WhatCulture: Merlin: The Diamond Of The Day Part 1 Review [★★★★★]
[click to read]Merlin: The Diamond Of The Day Part 1 Review
★★★★★
Well, how about that. For the past seven days, myself and countless other fans were left wondering just how the writing team on Merlin could ever possibly match the turn of Mordred in The Drawing Of The Dark. How could any writer hope to accomplish such a feat in the midst of such worthy competition? By bringing us a penultimate episode that truly delivers on so many promises of the show, that’s how. It’s hard to think of anything more we could have asked of The Diamond Of The Day Part 1, and for those whispering the words “magic reveal” in my ears, the Next Time trailer should be evidence enough that the big shocks do not end here. Writing this review becomes simple in many ways, then, because speaking to the praises of this week’s adventure is incredibly easy- what’s difficult is just knowing when to stop!
First and foremost, let’s examine the core narrative of this opening instalment to the final two-parter. Kate McGrath’s Morgana showcased her utter brutality with regards to the severity of her cause, letting loose a demonic magic-consuming slug on her former ally, then readying it for the ultimate prey: Emrys. Sure enough, Merlin finds his own birth-given powers sapped out of him faster than you can say ‘Mischief managed’, leaving him and of course Arthur vulnerable to open attack from their impending enemies. Bringing together the Round Table, the iconic monarch then established his plan to attack the Saxon armada head on at the plains of Camlann. In the build-up to the episode, I was anxious that we’d get mere hints to this momentous final location in the hope of merely whetting our anticipation, so it was a genuine and great surprise to see the grand final battle of Arthurian lore begin to play out, the bloodless violence and Game Of Thrones-riffing slow-motion sword battles well and truly intact from earlier this season.
On top of the central plotline that led us deep into the dark days of Camelot, we had Merlin’s journey to reclaim his magic in the hope of stopping his foreboding visions of what’s to come. Colin Morgan gave his best performance in the show since The Disir and last week’s adventure, bringing across in full the seemingly hopeless nature of the battle ahead and his own worries that even with his magic, he may not be able to stop what he knows lies Arthur’s way. It was brilliant to see Morgan and McGrath finally face off in the depths of the Crystal Cave too, in an encounter that reenforced the sense that the tide is changing in terms of the restraints that the series writers have placed on characters’ knowledge of the big secret.
Another neat twist for those fans who hadn’t read this week’s cast list was the return of John Lynch- although his part was essentially a cipher to drive our young warlock forward towards his true destiny (i.e. a prolonged ageing potion? We’ll have to see if Emrys reverts back to his original form on Monday), Lynch remained a compelling component of the storyline thanks to his earnest and subdued portrayal. Again, it is a performance like this from a ‘British guest star of the week’ that should go a long way to justifying the extent to which both fans and the BBC will miss Merlin on Saturday nights in the Autumn and Winter months.
In terms of the other regular stars on the show, there was a great deal of bonafida British talent brought straight into the limelight this week. Angel Coulby’s Gwen felt more layered and intricate in her portrayal and scripting, and indeed it leaves us to wonder whether if Arthur does bite the bullet in two days’ time, it will be she who takes up the mantle as Camelot’s sole monarch, perhaps with hints towards a possible lineage along the line through an unexpected pregnancy? All the same, Eoin Macken had a great time of it too, at first lured into dispensing pleasantries with Eira, a new ally in Morgana’s ever-growing ranks, then wishing everyone’s favourite sorcerer-in-disguise the best of luck on his final journey into the Crystal Cave.
Even Richard Wilson had something interesting to say as Gaius, and with the character featuring in promo images of Camelot (presumably post-Camlann) in the final episode, it’ll be nice if his character gets a few choice words to impart to his oldest friend. Top honours must go to Bradley James, though- we had hints at the gravity and depth with which he could play King Arthur last week in particular, yet it was here in his ‘last’ exchange with Merlin, his realisation at his servant’s message in his dreams and indeed in his inspiring pre-battle speech to the Knights that James truly shone in the role.
As you can imagine given the score adorning this review, there’s little of negative calibre I have to say about this episode. The direction was stunning both in the scenes preceding and indeed during the Battle Of Camlann’s commencement, the soundtrack just as effective in setting the looming mood of the moment as it’s ever been, and the cliffhanger that closed the new instalment a brilliant segueway towards what’s to come, allowing for the most exciting of pre-credits previews for what’s to come rather than warranting two days’ of utter suspense waiting for a no-doubt unsatisfactory resolution to an impossible dilemma. Yes, Alexander Vhalos wasn’t perhaps given as much screen-time as we might have expected given the focus on him last week, yet I’m sure that’ll be righted on Monday.
So, the great battle of Camelot awaits us on Monday, and with it the end of Merlin’s broadcasting for good. It’ll be a sad day for fans, but based on the oh-so-strong evidence of this week’s masterpiece of a finale opener, we’re going to be given an incredible send-off to this thrilling fantasy drama. Can Merlin truly inhabit and fulfill his destiny, or has it all been nought? Will Arthur die as per the legends, or does his salvation await him in the shadows? Is there one last bout of non-sensical sparring from the Great Dragon to come? I’ll see you on Christmas Eve…