I think the only thing Sylar has in the fight is greater reach and height/weight advantage. Peter is definitely the better fighter. But why does he need to hold Sylar's neck all the time? It's so yummy looking.
Peter is def having some kind of breakdown. God, the denial and single mindedness is nuts. And yet he looks so in control and having way too much fun with that nailgun. I mean, he's torturing the body he want to bring Nathan back to!
Do not get me started on Doyle and Claire hugging him! Does she not realise this guy most likely sexually abused her mother? I'm starting to think there is some kind of mind film over the whole carvinal, hiding how creepy all these guys are to the unsuspecting female population. Funny that Gretch sees through it so well.
I was so thinking about Simon and Monty too! They've gone the way of Lyle.
I always got the impression that some of this was Sylar the whole time, giving Peter closure so he could get away from the very psycho grief stricken brother. Like how he waves bye bye to him.
And Micah...And Molly...Jeremy's dead (poor sweetheart)...and Luke...Did I miss anymore kids? West is...somewhere (NYU if you follow canon). Zach is God-knows-where...Okay, Kring just hates kids and parents, it's official.
And I used to think that, too, about Sylar's motives for showing up at Mercy. However it never quite clicked for me (it was my assumption). I had to rewatch it for some quote for MBU and noticed a LOT of things different when I was looking for Nathan-specific things (again, I don't have a great Peter or Nathan muse, but I can tell when something's OOC for them). Sylar does a lot of pausing, looking around/away and a WHOLE lot of Sylar-playing-Nathan indicators that are, apparently, suddenly clear as day to me and I enjoy reading body language. I have since adopted GB's theory as that fits better for me (at least as far as MBU/my Sylar goes).
I think the only thing Sylar has in the fight is greater reach and height/weight advantage. Peter is definitely the better fighter. But why does he need to hold Sylar's neck all the time? It's so yummy looking.
Peter is def having some kind of breakdown. God, the denial and single mindedness is nuts. And yet he looks so in control and having way too much fun with that nailgun. I mean, he's torturing the body he want to bring Nathan back to!
Do not get me started on Doyle and Claire hugging him! Does she not realise this guy most likely sexually abused her mother? I'm starting to think there is some kind of mind film over the whole carvinal, hiding how creepy all these guys are to the unsuspecting female population. Funny that Gretch sees through it so well.
I was so thinking about Simon and Monty too! They've gone the way of Lyle.
I always got the impression that some of this was Sylar the whole time, giving Peter closure so he could get away from the very psycho grief stricken brother. Like how he waves bye bye to him.
Reply
And Micah...And Molly...Jeremy's dead (poor sweetheart)...and Luke...Did I miss anymore kids? West is...somewhere (NYU if you follow canon). Zach is God-knows-where...Okay, Kring just hates kids and parents, it's official.
And I used to think that, too, about Sylar's motives for showing up at Mercy. However it never quite clicked for me (it was my assumption). I had to rewatch it for some quote for MBU and noticed a LOT of things different when I was looking for Nathan-specific things (again, I don't have a great Peter or Nathan muse, but I can tell when something's OOC for them). Sylar does a lot of pausing, looking around/away and a WHOLE lot of Sylar-playing-Nathan indicators that are, apparently, suddenly clear as day to me and I enjoy reading body language. I have since adopted GB's theory as that fits better for me (at least as far as MBU/my Sylar goes).
Reply
Amanda.
Emma's nephew Christopher (of whom we see a still photograph and get told about his death).
Kelly Houston
Wait! There's little Matty! He never suffers. Amazing!
Reply
Leave a comment