[The communicator is lying on the floor, pointing directly at Manfred, who is not quite lucid enough to be looking at it in return. He's not wearing his jacket, and the right sleeve of his shirt has been torn up to to the forearm. He's leaning against the wall of his apartment, eyes skittering back and forth as if he is watching someone walk
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(She tries to speak, but cannot think of anything to say; indeed, even if she could think of an appropriate response to this (assuming such a thing existed) Franziska isn't sure she would even be able to give voice to it. To witness her father - someone who'd not only prided himself on his ability to always retain complete control, but also thoroughly instilled that same value in her as well - break down like this wasn't just unsettling, it was terrifying.)
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She switches her communicator on in order to reply, and at the last moment remembers to lock her response as best she can -- she cannot do anything about his original post, but she wants to lessen the spectacle as best she can, because once he regains his senses (and Franziska stresses to herself that it is 'once,' and not 'if,'), he will be furious that this display had been made public.)
... Papa? Are you ... unwell?
(She admonishes herself for asking such a foolish question as soon as it's past her lips - he was clearly far past 'unwell' - but does not add anything to her previous question.)
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Elisabeth.
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No, it's me - Franziska.
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Where is she? Supervise her.
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I told you, Papa, I'm not Elisabeth - I'm Franziska. You're -- I believe something's happened to you.
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Everything is under control, Elisabeth! I insist that you return to your duties. Now!
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Are you certain? You don't -- you don't sound well.
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Lisbeth, I have told you numerous times - you are a child no longer.
[It's a nickname he hasn't used frequently for his youngest daughter since she was a child, and one that was used less commonly through her teenage years - and one that she should have abandoned entirely once she had properly embarked on her career.]
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