[The communicator flicks on as Romana tosses it onto her bed, somehow landing on her pillow in a way that you get just enough of a look of the room to tell what's going on. It jostles slight as Romana sits down on the bed, groaning softly as she reaches down to unlace her boots, wriggling her toes once they're free. There's worse aches in her body
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She can feel the heat of tears pricking at her eyes even as she tries to force them down. Even as her nails press in harder, shoulders shaking with the slight effort.
She feels hot, she feels cold. Like screaming, crying, throwing the ball, demanding that someone fix it, because like hell she knows how to. She wants Spain to be here, to curl up in the other woman's arms like when she was younger.
She wants to stop feeling]
I... why is he so different to me. I... I wish I could be that scared, show how scared I can be. But I can't, they'd walk all over me if I did, even for just a second.
[The ball trembles in her hand and she lets it go, watching it roll away. Slowly she looks to France, and her eyes slowly narrow. Apologies mean something, at least they do to her. She never apologises unless she's really fucked up, and so the fact that he is only makes her suspicious.
She crosses the room in a few quick steps, her hands curling in his shirt, her left fingers struggling with the movement. Meeting his eyes she stares hard, trying to be the big bad boss she knows she can be] Why. Why are you sorry, what happens? If you're sorry, there's a reason, what happens, do you hurt Venezia..no?
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[He realizes what his apology sounded like and he immediately shakes his head.] Non, I am apologizing because--[His eyes meet hers. He does nothing about her grip or her proximity. He would let her punch him if she wanted, though only if it helped at least.]
... [Why did he apologize? It's not as if--
He can't--
. . . ]
We should have stopped Allemagne's boss and his armies when we had the chance.
[As close as he will ever be to admitting that he is, or has been, a very shitty brother--the last two centuries, anyone?
France looks away and stiffens, then looks into Romana's eyes again. It's a struggle to do so, and a visible one, but he's faced worse before and for less noble reasons.]
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They look through him. Tired, old eyes, of a woman whose sick of war, sick of blood, sick of everything. She's seen the world rise and fall too many times, and now she's stuck in the cycle of collapse again.]
And? I should have gotten rid of him when he decided to ally with that bastard. We shouldn't have gotten involved but we were so frustrated. Inghilterra promised us land, the first time, and then we got nothing. And then Germania's boss... our people wanted it, and who are we to say no to them.
So don't apologise, because there's no point. It's how the world works, and we can't change it.
[She shudders, before shaking her head, and sitting down on the couch next to him, head in her hands] I want a sigarette.
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Amerique and Mattie have changed it. I have changed it. ... I tell myself this, at least.
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Have you? Or are you just in limbo, and soon everything will fall apart again, and you'll be left in the rubble, trying to figure out what pieces of ruins fit with what. Trying to pretend it's okay, that you're beyond this? What's the truth and what's the lie Francia? Or is the truth just the lie you tell until you forget it's one?
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Nothing stops the machine of conflict. Not even the Cold War with the tension between East and West and the arms race. No one wishes for nuclear war. You have not seen it yet, but you will. Amerique's war with Japon in the Pacific Ocean will hit that point, and two of Japon's cities will be destroyed when Amerique allows those bombs to fly.
None of us want that. So the world decided to be stupid and built more and more weapons just in case "the enemy" carried more than him. Then suddenly you have missiles pointed at each other, and everyone is staring around the room, and...
[he shudders, then shakes his head.]
... We learned our lesson from the Second War. Allemagne has repaid his debts from the First. And you know what? We may collapse into another war again. We may not. Amerique has his idiotic conflict in the Middle East, two of his buildings were attacked and destroyed ten years ago killing thousands.
Ah, the point is... [He sighs again and a puff of smoke curls out between his lips.]
It is the same as it always was, but the world is winding up to something yet again. For the moment we will enjoy our relative prosperity, even when half of us have colds and the spirit of national pride seems to have faded from the world.
It does not mean we should give up. Angleterre has--[he bristles for a moment 8|]--been an ass and we threw one another into chaos for centuries. I can tell you that there was a time he would not have cared if I disappeared. I did not give up then and I will not do so now. We are Rome's children cherie, we are built to last.
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So it gets worse. And then even as it gets better, it gets worse. [Shaking her head, Romana look away] So they do make them, the bombs? Everyone's been trying but... America. Hah. So young and yet she... they, they're the ones who can destroy us all?
[Again, she shakes her head, rolling the cigarette between two fingers, tapping ash onto the floor] She's too young. At her age I was still with Nonna, I was still a child. Her and Germania... it just shows what happens when you let them grow up that fast. They haven't existed long enough to understand, to know how to think and pick the fights. Pick which will help you the most...
How fucked are we really Francia? How can you say it will get better when it clearly doesn't. And then what happens when it does get better. What happens if the South develops better, catches up to the North. Obviously it hasn't happened yet, if Romano exists still... but what happens when it does. No other nation is divided like me and Venezia... [Sighing, she rolls her shoulder, rubbing it with her right hand, the left only just holding the cigarette] Nonna fell. As much as everyone thought she would last... she didn't.
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[France rests a hand on hers, but that is all.] If I could tell you how fucked we are, I wouldn't tell you that we shouldn't give up. You cannot waste your life asking these questions so much that you drown in them. They must be asked, but you must keep your eyes straight ahead.
It does get better! For a time. Life will continue to improve and degrade as it always has. Those of us who come to understand that run the risk of being consumed by it. That's why you should continue fighting--because it will get better and you will be happy.
Just because something does not last forever does not mean it's not worth obtaining in the first place.
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[She lets her hand rest under his for a few seconds before slowly sliding it free, resuming a sense of boundaries.] I'm not giving up, idiota. Just because I'm showing some signs of despair, questioning everything doesn't mean I'm giving up. [Her voice turns fierce] I will never give up. [Not while Venezia exists, needs her.]
I am just... tired. I'm old, and I'm scared that these idioti will push us too far and something will crack. Maybe not now, maybe not for a hundred years. But maybe. We are not as strong as we think we are, and modern war is showing us that. I'm being cautious, not surrendering, or getting caught up in despair. There's a difference.
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... I know, but as your brother I wanted to hear what you've just said to me. [He looks away, shaking his head.
Pay attention Romana, because he won't repeat this like, ever.]
I am tired too. I want to sit in a large open window on cushions on weekends and evenings with a cigarette and a glass of wine, I want to wake up each morning and, I don't know, run a bakery outside Paris. I want--
[This line of thought is getting dangerously philosophical, and he isn't certain he can trust to divulge something so personal yet.
Also, his pride hits him in the face like a brick wall and he leans back again, blowing a stream of smoke with a long sigh.]
... It doesn't matter what I want. You get the idea.
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You can't just decide to call yourself my brother, you know. [Nevermind that she usually considers France a sister.
Her gaze moves away, hand shifting from her cheek to let her take another drag, tapping ash onto the floor. She should stub the cigarette out now, before it burns through it's filter, but she wants to final bits of nicotine, all that she can get]
You want to be like them. To have a life... outside of this. Outside of war and death and people leaving and all of it... to be human.
[Finally, she leans forward, grinding the stub of the cigarette against the battered coffee table. Her voice stays soft, and she doesn't lean back in the hope that distance will hide her words.]
I want to be a mother. A real one. [Something she's never really told anyone, even if it can be quite clear with her actions]
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I think...
I think you would be a wonderful mother. [And you know, he really means that. Though he does mean it somewhat sadly--after all, they can't...
And even if they could, as nations it hardly works properly... Not as it might as it does with a human family.]
But... non... I would not give up nationhood. For me, the Republic of France, that comes before anything Francis Bonnefoy could ever want or be. Monsieur Bonnefoy exists because France exists. The man could not be if the nation was not there first.
I don't know how it is for the others or for you. But--I am a nation and I know I couldn't be anything else. Now... if any of us could transcend that, I would admire them for doing so.
[so philosophical. he shrugs. It almost seems as though France has suddenly distanced himself from everything around him by losing himself in his thoughts.]
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[She stands with a shrug, before moving to the kitchen, rummaging around in it, trying to find something to cook that will take up her time] I won't be anything else, because I can't. So there's no point even trying... I'm am Italia di Sud, Italia Romana and... no one else.
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With a smoky sigh, he puts his cigarette out.]
... It's better that you may not. We can never be the loving parents some humans are to their children, and we face war and betrayal with them when they become full states and break away.
[He doesn't mention Canada yet or even, generously, England.]
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It's true, what he says. She can still remember the heartbreak on Spain's face as Romana walked away, as Spain's other colonies left her. Spain who had been like a mother to her, who she had to turn away from to be the nation she was meant to be. Her people needed unification, and she had been craving it for so long she couldn't say no when they got the chance.
Even if the look of Spain struggling to hold back tears would never fully leave her mind.]
What... What do you want to eat? [Despite the shake in her words, her tone is one that demands that he not reject her offer. She needs something to do with her hands, something to do until she tires herself out and falls into bed exhausted. All these talks are just unsettling her more and more, dredging up old memories.]
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So.
He will change the subject and shut his eyes tightly at the pain in Romana's voice.]
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