Combing the parking garage for any sign of the third victim's body proves fruitless. The killer - whoever he is - isn't sticking to his normal M.O. of leaving the body where he's killed them, either. Forensics bags the lone pump, the clumps of blonde hair, swabs the places where her blood had spilled, but Beckett isn't hopeful yet. Changing his
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So, for all of his troubles, Castle's response ends up being a high-pitched "YELP!" and a half-second impulse to throw the bottle of wine at her and bolt in the other direction.
When his heart slides back down his throat to its rightful place, Castle holds the bottle aloft. His hands shake perceptibly.
"Wine?"
Somebody check this guy's shorts.
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"Come on," she mutters, the door closing behind them. She's quick to lock the deadbolt and resecure the chain, and the gun resumes its resting place inside the living room drawer.
"You shouldn't sneak up on someone like that," she adds, trying to pretend as though her feathers hadn't been momentarily ruffled, and allows him to linger on the receiving end of a eye-narrowing gaze before she resituates herself back on the couch, stacking up files and photos and neatly setting the pile to one side.
"All those threats I kept making about shooting you and it really could've happened just now."
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"I wasn't sneaking," he defends, sounding a little hurt. "And you're not supposed to be the one defending you right now. What happened to your detail?"
She hasn't turned out to put him out on his ear, so Castle takes that as a sign that he's welcome to stay, if only temporarily. He shrugs out of his jacket and drapes it over his usual chair. 'Shows her the bottle of wine and goes into the kitchen for a corkscrew, rattling around in drawers until he finds one. It's on top of the other implements in the drawer.
Somebody's been tense lately, he guesses, rolling up his sleeves to tackle the bottle.
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"Oh, I sent them home after I got in," she casually replies.
She doesn't have to be looking to see Castle's expression at the sound of her admission; the sound of him stopping mid-pour would be clue enough. Regardless, it puts her on the defensive, feeling some strange need to explain her actions.
"What? The windows are locked, the door's locked. Plus I'm armed," she adds, as if he hadn't found out about that part in the more literal sense only a couple of minutes ago. The pen stops between her index and middle finger, and her gaze drops to the casefile in her other hand.
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He fills two glasses and brings them into the living room, surreptitiously eyeing the files. So she's digging deeper. That's better than her going crazy. He really didn't want to have to change his shirt. "Anything new?" he asks, flopping down onto the couch beside her.
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There's something about this body in particular, this victim. Otherwise they would've come up with more than pieces of hair and a blood trail leading to nowhere. Beckett catches Castle holding something in her periphery and looks to see a wine glass dangling in front of her nose.
"Oh, no thanks."
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Her question's a good one. Castle goes with his gut. "He's changing it up." They've already established that this guy is a prize short of a Cracker Jacks box; the most likely reason for stealing a body would be to throw them off the trail, disorient them, so they don't know who they're looking for.
A frown when she refuses the wine. "No, no." Swirling the glass beneath her nose. "Agent Shaw said we need to decompress. And nothing decompresses like a bottle of 2000 Chateauneuf Du Pape."
He hopes that, between the wine and the puppy-dog eyes, he'll be able to successfully bait her to take the glass.
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It's ironic, maybe, or it's a coincidence that Castle mentions her now, and she tries not to scoff or even reveal it through her tone of voice, but there's definitely hints of it there. Just when she thought she was going to have a Shaw-free evening ahead of her.
Beckett reaches out for the glass and mimes a mini-toast, inclining it in Castle's direction. Maybe the wine, as unnecessary as it is, might actually be helpful in this so-called ordered decompression. Then again, maybe not.
"Oh, well, if Special Agent Shaw said so."
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He's so wrapped up in his own cunning (and in the colour of the wine) that he almost misses what she says. 'No missing that tone, though, and it paints a crease between his brows.
"What's that supposed to mean?"
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True to form, he's watching her intently, and as she continues, her hand moves, inadvertently swaying the contents of the wine glass, and the smell hits her nose again.
"I just see the way that you listen to her, the way that you look at all of her fancy equipment. Now my murder board's not enough for you? Now you need a smart board?"
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Now he's not so sure.
"Are you jealous?" He's fishing here. His arm comes up over the back of the sofa.
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"I'm not jealous," she evenly answers. "I'm just embarrassed, the way that you act like a ten-year-old all impressed by her data matrix. 'Oh, it collates information so quickly, Agent Shaw. Tell me all about it.'"
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Hell, it's hard not to be impressed by Special Agent Jordan Shaw. First in her class at the Academy, one of the first female pioneers in the Behavioral Crimes Unit at the FBI. She had more collars to her name than Lassie. When you needed a go-to gal for unsolvable crimes, Jordan Shaw was your MVP. But that didn't mean that Castle was fawning...did it? (The night-vision goggles were really cool.)
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"Oh, and then to top it off, you are now building theory with her."
It's not that she doesn't wait for much of a reply from him; actually, she doesn't wait for a reply at all, but this has all been bubbling up inside her and now the lid has blown off and it's spilling out of her before she can think to button up.
"You're supposed to building theory with me. You're supposed to be on my team."
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