It's a mental trick, actually, and something he uses when he's writing. See a face, attach a memory to it like a sticky note. Castle's got a brain full of sticky notes, with details about his doorman, to the guy who launders his shirts, to Beckett (Beckett's got a whole filing cabinet of notes), to the night guard at the 12th.
"Hey, Donovan. How's the baby? Still teething? Sorry to hear. You'll remember what 'normal' sleep is, eventually. Is Detective Beckett upstairs?"
The elevator is slow and its floor bears the stains of a thousand bumped cups of coffee from over the last twenty years. Even though the precinct has gone through some fairly modern renovations (thanks to a generous donation from the good people of New York City), there're still remnants of a less clean, paper-trailing age stuck to the floors.
This place has got a lot of history in it. More than once, he's given serious consideration to setting one of his new books back in the '40s -- sort of a crime noir -- where a character
( ... )
Castle's arrival is announced by the shuffling sound of fine leather shoes against the tile floor. It's not that Beckett's listening for stray noises, but she has learned to lean more on the side of caution when working alone. Situational awareness. It's one of the first principles they teach you in self-defense, to size up your surroundings and make sure you're on alert even when you're mostly distracted.
His gait is telltale, too; she can hear the small heels on the back of his shoes that Esposito and Ryan wouldn't ever don themselves. The elevator doors finally ding closed a few seconds before he lowers himself into the chair, and her gaze briefly flicks to his face, the pen in her hand threading through the fingers of her right hand. Another minute passes before she sets the pen down in favor of her coffee cup, cradling it in both hands and shifting her weight in her desk chair.
He's used to waiting for her -- Beckett likes a whole, complete thought before she gives him her focus, something he suspects she learned processing guys much less reputable than himself -- and so he's pulled his scarf from the collar of his coat and read her desk calendar affirmation (twice) by the time she gets around to him.
"Someone's cranky." He leans forward, chair whining, to scan the paperwork. How Beckett manages to put up with the seemingly endless minutia of her job is beyond him; he can barely stay engaged with a ballgame if he's not at the park.
Beckett sighs against the rim of her coffee mug, taking the time to sip from it before she lowers it down and sets it to one side, leaning forward while her fingers take up residence pressing against her temple.
"I'm sorry, I didn't mean to snap. It's just - I didn't exactly think watching me file would be that great for writing fodder."
"Nah, it's my fault for dropping by unannounced. Donovan let me in. Do you know that his wife gave birth to an eleven pound baby a few months ago? I didn't stick around to ask how that worked out, you know, logistically," he holds his hands up, palms out, "but I thought, wow, if anybody ever deserved a medal..."
'Starting to come down now, and he notices that she looks a little more weathered than normal. That, paired with the frequent, repeated use stains around the inside of her coffee cup and, yeah, Castle's got the picture.
"Almost done, or barely started?" he asks, indicating the files in front of her.
"I did know," Beckett murmurs, jotting down a few more notes as Castle goes on. Sometimes it's best to let him work out his bursts of verbal energy before he starts to come back down again, and it's not that she's ignoring him; she's just more accustomed to it by this point.
"Um - " A quick glance toward the outbox and the inbox of her desk precedes a quicker estimation.
"Well, I'm useless at paperwork," he says, completely unhelpfully, hooking his elbows over the sides of the chair. "I thought Montgomery was supposed to streamline all of this, anyway. Weren't you guys going paperless after the first of the year?"
"Thorough." Castle rolls the word around on his tongue like it's distasteful. "You mean they like to cover their asses. I may not speak 'cop', but I'm pretty fluent in 'bureaucrat'."
"You can't say 'you know what they say' when you're one of the people who says what they say."
Quite Lewis Carroll of him, but he's on to other things now, specifically the way she keeps turning her head. Knowing Beckett, she's got twenty-plus years of tension stored up between her shoulder blades.
Her brain's not exactly feeling up to a lot of in-depth and inner exploration, which is why when Castle speaks again, she's single-mindedly distracted in her work again and doesn't quite figure out what he's referring to.
"With what? The filing? No offense, but I don't think the Chief wants these riddled with metaphor and conceit."
But far from being wounded, Castle is compelled. He gets out of his chair with a skitter of wheels and shrugs unceremoniously out of his jacket, giving his arms a free range of motion. Before she can corral him, he's standing behind her, hands on her shoulders, drawing up the knots she's been trying unsuccessfully to stretch out.
"If anything, it's a testament to your way with wo -- what are you doing?"
Beckett watches him with knitted brows, her head whipping around to keep him in her line of sight as he settles behind her and places hands on her shoulders.
"Oh, you don't have to do th-at."
It's like he's flipped on a switch the moment his fingers start seeking out the knots she's prone to acquiring from sitting over a desk this long; her head droops forward and her shoulders stiffen before he coaxes them into relaxing, hissing occasionally when he finds a particularly stubborn spot of tension.
"That's it." He adopts a cheap accent that tries (and fails) to be Teutonic:
"Jahst geev eehn to my thrall, younk leedee. I vill make all your stresses go avay."
He went for it because there was a high likelihood that she'dve said "no" if he'd asked. The best way to help a Beckett that didn't want any help was to help first and beg for forgiveness later. His fingers remain steady on her rotator cuff -- the site of a lot of daily wear and tear -- while his thumbs press small, firm circles against her deltoid muscle, the strongest muscle in the entire shoulder and the place where she's likely to carry a lot of her tension.
"That's it," he says firmly, "I'm loaning out my masseuse once a week. You're gonna' snap like a bridge cable if you keep carrying around all this stuff."
"Okay, don't talk like that. You're ruining it," Beckett murmurs, her eyes falling shut as her shoulders and back become increasingly more pliant under his hands, even if there are moments when it feels more painful than helpful. There's at least a bundle of knots along the curve of her shoulder, and she's just waiting for him to hit those.
"Of course you have a masseuse," she adds, lips quirking into a grin. She doesn't know why she's surprised to learn about that little detail, but a part of her can't help but go on to ask: "How many of them gave a little more than what the standard package required?"
It's a mental trick, actually, and something he uses when he's writing. See a face, attach a memory to it like a sticky note. Castle's got a brain full of sticky notes, with details about his doorman, to the guy who launders his shirts, to Beckett (Beckett's got a whole filing cabinet of notes), to the night guard at the 12th.
"Hey, Donovan. How's the baby? Still teething? Sorry to hear. You'll remember what 'normal' sleep is, eventually. Is Detective Beckett upstairs?"
The elevator is slow and its floor bears the stains of a thousand bumped cups of coffee from over the last twenty years. Even though the precinct has gone through some fairly modern renovations (thanks to a generous donation from the good people of New York City), there're still remnants of a less clean, paper-trailing age stuck to the floors.
This place has got a lot of history in it. More than once, he's given serious consideration to setting one of his new books back in the '40s -- sort of a crime noir -- where a character ( ... )
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His gait is telltale, too; she can hear the small heels on the back of his shoes that Esposito and Ryan wouldn't ever don themselves. The elevator doors finally ding closed a few seconds before he lowers himself into the chair, and her gaze briefly flicks to his face, the pen in her hand threading through the fingers of her right hand. Another minute passes before she sets the pen down in favor of her coffee cup, cradling it in both hands and shifting her weight in her desk chair.
"Didn't you have anything better to do tonight?"
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"Someone's cranky." He leans forward, chair whining, to scan the paperwork. How Beckett manages to put up with the seemingly endless minutia of her job is beyond him; he can barely stay engaged with a ballgame if he's not at the park.
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"I'm sorry, I didn't mean to snap. It's just - I didn't exactly think watching me file would be that great for writing fodder."
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'Starting to come down now, and he notices that she looks a little more weathered than normal. That, paired with the frequent, repeated use stains around the inside of her coffee cup and, yeah, Castle's got the picture.
"Almost done, or barely started?" he asks, indicating the files in front of her.
Reply
"Um - " A quick glance toward the outbox and the inbox of her desk precedes a quicker estimation.
"About halfway, I think."
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"They like to have a hard copy of everything, just to be thorough."
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She rolls her neck again, tilting her head from side to side.
"You know what they say about boring jobs and someone having to do them - or several someones."
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Quite Lewis Carroll of him, but he's on to other things now, specifically the way she keeps turning her head. Knowing Beckett, she's got twenty-plus years of tension stored up between her shoulder blades.
"You want a hand with that?"
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Her brain's not exactly feeling up to a lot of in-depth and inner exploration, which is why when Castle speaks again, she's single-mindedly distracted in her work again and doesn't quite figure out what he's referring to.
"With what? The filing? No offense, but I don't think the Chief wants these riddled with metaphor and conceit."
Reply
But far from being wounded, Castle is compelled. He gets out of his chair with a skitter of wheels and shrugs unceremoniously out of his jacket, giving his arms a free range of motion. Before she can corral him, he's standing behind her, hands on her shoulders, drawing up the knots she's been trying unsuccessfully to stretch out.
Reply
Beckett watches him with knitted brows, her head whipping around to keep him in her line of sight as he settles behind her and places hands on her shoulders.
"Oh, you don't have to do th-at."
It's like he's flipped on a switch the moment his fingers start seeking out the knots she's prone to acquiring from sitting over a desk this long; her head droops forward and her shoulders stiffen before he coaxes them into relaxing, hissing occasionally when he finds a particularly stubborn spot of tension.
Reply
"Jahst geev eehn to my thrall, younk leedee. I vill make all your stresses go avay."
He went for it because there was a high likelihood that she'dve said "no" if he'd asked. The best way to help a Beckett that didn't want any help was to help first and beg for forgiveness later. His fingers remain steady on her rotator cuff -- the site of a lot of daily wear and tear -- while his thumbs press small, firm circles against her deltoid muscle, the strongest muscle in the entire shoulder and the place where she's likely to carry a lot of her tension.
"That's it," he says firmly, "I'm loaning out my masseuse once a week. You're gonna' snap like a bridge cable if you keep carrying around all this stuff."
Reply
"Of course you have a masseuse," she adds, lips quirking into a grin. She doesn't know why she's surprised to learn about that little detail, but a part of her can't help but go on to ask: "How many of them gave a little more than what the standard package required?"
Reply
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