Hello, amazing.
make sure you have everything
you will need
on hand:
pen, paper, or computer keyboard
dictionary, thesaurus, scissors (surgical)
tape, first-aid kit, plastic wrap
feathers, candles, clothespins
gag, rope, handcuffs
an assortment of whips
from fat thudding floggers
to bitey braided cats
maybe a wooden paddle
rubbing alcohol
piercing sharps
scalpel
a cane or two
and a riding crop.
got everything?
good.
negotiate, negotiate, negotiate.
if you want your poem to beg or struggle
make that clear.
listen to your poem's desires
and get ready
to be powerful and terrible.
your poem is quivering in front of you
and your iron will
as it kisses the collar you hold.
begin.
start
slowly.
gradually.
maybe a little stroking, teasing pinches, a few
words chosen
carefully
go a long way.
now escalate.
if you've startest with your
gentlest, sweetest metaphor,
it's time to build up to something a little
harder.
feel it? your poem opening up, reeling,
writhing, relinquishing control?
good.
take it right to the edge of what it can stand
then back off
then right to the edge
and back off again
up to a farther edge
as the poem swells
with the marks you leave on its skin
one thank you master
two thank you master
three thank you master
as you push it, drag it, hold it down
raise it up
THANK YOU MASTER
tell your poem
"you're about to get a verb you'll never forget, you little slut."
tell your poem,
"I want to hear you scream."
tell your poem
"you only get forty more words, you greedy bitch!"
and when it has taken all it can bear
hold that precious poem close
show it how much it has pleased you
and rest. give it your name
and kiss it
goodnight.
-Mastering the Art of Poetry, by Daphne Gottlieb.
you will need
on hand:
pen, paper, or computer keyboard
dictionary, thesaurus, scissors (surgical)
tape, first-aid kit, plastic wrap
feathers, candles, clothespins
gag, rope, handcuffs
an assortment of whips
from fat thudding floggers
to bitey braided cats
maybe a wooden paddle
rubbing alcohol
piercing sharps
scalpel
a cane or two
and a riding crop.
got everything?
good.
negotiate, negotiate, negotiate.
if you want your poem to beg or struggle
make that clear.
listen to your poem's desires
and get ready
to be powerful and terrible.
your poem is quivering in front of you
and your iron will
as it kisses the collar you hold.
begin.
start
slowly.
gradually.
maybe a little stroking, teasing pinches, a few
words chosen
carefully
go a long way.
now escalate.
if you've startest with your
gentlest, sweetest metaphor,
it's time to build up to something a little
harder.
feel it? your poem opening up, reeling,
writhing, relinquishing control?
good.
take it right to the edge of what it can stand
then back off
then right to the edge
and back off again
up to a farther edge
as the poem swells
with the marks you leave on its skin
one thank you master
two thank you master
three thank you master
as you push it, drag it, hold it down
raise it up
THANK YOU MASTER
tell your poem
"you're about to get a verb you'll never forget, you little slut."
tell your poem,
"I want to hear you scream."
tell your poem
"you only get forty more words, you greedy bitch!"
and when it has taken all it can bear
hold that precious poem close
show it how much it has pleased you
and rest. give it your name
and kiss it
goodnight.
-Mastering the Art of Poetry, by Daphne Gottlieb.