*z-snap*

[extemporanea]

Last night, having finally figured out how to reconfigure the home theatre system from Zelda to Blu-Ray, I watched Avengers: Infinity War. Now that I have retrieved the cats from the top of the curtains, where they fled in discombobulation at all the irritated shouting, I have some Notes.

1. SO.
   
2. BADLY.
   
3. WRITTEN.
   
4. We have reached a stage of blockbuster movies which is a perfect and literal embodiment of Baudrillardian simulation: they are endlessly proliferating copies of copies, to the point where all sense of an originating real is lost. This was not a film narrative, it was an awkward conglomeration of acceptable plot elements hacked together into the overall, cargo-cultish shape of a film, and set shambling into the cultural landscape in the shrewd and practised hope that it would fool the moviegoers into paying money for it. Which in the event was clearly successful in the financial sense, but catastrophically otherwise for the plot.
   
5. A movie can't just be well-known heroic stereotypes enacting explosions, it needs a clear motivational thread to hold it together. And I realised very sharply last night that the thread needs, weirdly enough, to be moral: people need to do things because there is not just a practical but a philosophical reason to do them. Infinity War is trying in a half-arsed way to do some heavy philosophical lifting on the nature of evil, and the idea of sacrificing the individual for the overall good, but it can't hold the ideas together enough to do any sort of meaningful or consistent exploration. It tries to evoke them by passing reference, and assumes that's enough. As a result there was no actual logic to character reactions; not only did the vast majority of the supposedly pivotal and emotionally trying decisions fall under the category of Too Stupid To Live, they had no emotional impact, either, because they made no sense.
   
6. I don't care how much money the latest Thor film made and how much that owed to its campy humour: Infinity War had a much darker tone given its themes, and its writers aren't fit to run Taika Waititi's scripts down to the copy shop, and certainly weren't up to the challenge either of generating said humour or of mixing the two, so the humour attempts simply sounded lame, forced and out of place.
   
7. Infinite cosmic power is a narrative and cinematic trap. Not only would it be visually boring if properly realised, it's incredibly difficult to retain narrative drive and challenge in the face of it, and it makes laughable monkeys out of consistency. Examples are legion, but a random one that particularly narked me: given what Thanos can do with all except the last stone, there was absolutely no reason to treat the Wakandan forcefield as any sort of barrier, he could have taken it down with a fingersnap. It was clearly there to make pretty large-scale battlefields and induce artificial Plastic Trauma, TM. Unfortunately infinite cosmic power needs exceedingly clever scriptwriting, which this signally wasn't.
   
8. The film tried to make Thanos into a subjectivity, and he shouldn't have been. (a) because there wasn't enough narrative meat to make his motivations meaningful, and (b) because he's a narcissistic homicidal paternalistic wangst-ridden dickhead (literally) and the fact that the writers clearly found that interesting is everything you need to know about them in order to run screaming in the opposite direction.
   
9. Further to (8) above, if the most recurring feature of your so-called plot is the sustained theme of Men Feeling Plastic Conflict, TM, and having to angst about sacrificing women to it before deciding to sacrifice them anyway, your misogynistic pissbag writers need to be shot out of a cannon into the heart of the sun. Also, I don't think it's just my steady diet of slash which makes me see this, but there were altogether too many Default Heterosexual Romances in that movie. If the only emotional connection you can imagine between characters is a stereotypical romance, you have insufficient imagination to be writing film scripts.
   
10. The Avengers franchise has some significant cultural and character capital built up now, and this film cheerfully threw that into a handy black hole. There were too many characters in this film, and none of them did anything that made sense or developed them in any useful way, and nine tenths of the actors concerned are actually really good and deserved far better. And I'm not even going to get into the random deaths thing, because (a) they were unearned and had no emotional impact and I frankly didn't care, and (b) they'll probably all be rolled back because comics.
    
11. SO.
    
12. BADLY.
    
13. WRITTEN.

OK, that was cathartic, I feel better now. Although entirely inclined to be very, very wary of the upcoming Captain Marvel film, she's a brilliant character and survey says Marvel's moviemaking machine will chew her up and spit her out in tiny, plastic bits gummed together with sticky sexism. Woe.

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