As a by-product of the ongoing attempt by
tngr_spacecadet and cohorts to inculcate me into Lotro, I watched the Doctor Who Christmas special the other night. (It was in the Briefcase of Doom, the which contains the two portable hard drives [for a slightly Heath Robinson value of "portable"] which contain the Lotro install, that it may not cripple my bandwidth allowance. For which relief, much thanks. Also, nested parentheses.)
Anyway. The Doctor Who Christmas special was a happy discovery. I've been slightly disappointed in the Stephen Moffat incarnation this last season, it's been a bit whiffly and more than somewhat prone to the Russell Davies brand of giant galloping emotional excess in clumsy symbol form. Certainly nothing as good as "Blink" or "The Girl in the Fireplace". Clearly producing a series causes inherent disintegration of the plot-fibre.
But I loved "A Christmas Carol". It's vintage 11th Doctor - he really is quite endearingly off-the-wall, both in content and delivery, and manages to be madly quirky and individual while maintaining continuity with Tennant's version. (Thus, incidentally, making me realise that there really wasn't much continuity between Ecclestone's version of the Doctor and Tennant's). It also demonstrates the happy-making fact that Moffat fundamentally gets not only time travel, which we knew, but A Christmas Carol itself. I am a pervy Dickens-fondler at the best of times, and have also spent chunks of the last eight years or so teaching A Christmas Carol to second-year lit students on an annual basis, and I have considerable investment in the novel and more than the usual quotient of opinions.
Moffat nailed it. What the Dickens ghost trope is, first and foremost, is a time machine. The supernatural element in the novel is a plot device which allows him not only to access past and future with vivid immediacy, but to compress a lifetime's worth of experience, insight and emotional change into one night. It's not realistic for Scrooge to reform instantly unless something non-realistic is driving it, and the Tardis is a beautiful replacement for the Spirits, the more so because time-hopping is allowed literally to change history and memory, not just insight into them. The ice-stored people are a lovely embodiment of theme, both Dickens's and Moffat's: emotional stasis, cold-heartedness, refusal to change. And the fish, while a mite mundane for my taste, are beautifully weird and occasionally enchanting.
This episode made me giggle frequently and cry at least once, although that last void where prohibited by viewer not actually being a hopelessly over-emotional dingbat. I am inclined to be sanguine about the new season, which is providing cool and interesting trailer images, notably the Doctor playing up to a Stetson.
Click to view
I will also be inclined to write about it frequently, for as long as LJ holds up, which isn't much, at the moment. The tendency of its servers to exist in a supine condition is beginning to get my goat. Please note that this blog is currently mirrored on WordPress, at
http://docinatrix.wordpress.com/, although with a fraction of its actual personality as I haven't been able to migrate the comments. If the urge to blog hits me while LJ is whups, fellover, I shall probably pop up over there instead, ultimately permanently if they don't bloody sort this out. Pshaw.