[Gray. The opening shot is all dim gray and dusky, a boring shot of a concrete wall stained with black ash, before too-bright blue-white light knifes through the picture again, causing horrible screaming static for a brief moment. Everything whirls before the PCD lands, now pointed up at a derelict ceiling. From far off, noise can be heard:
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... Michael might come back. You can't predict this place -- he might've been trapped in a time loop or -- sent home temporarily, but people always come back.
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[She's insistent on this.]
Michael could, too. It isn't outside the realm of possibility. You shouldn't write it off entirely.
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I learned a long time ago not to cling to endless, fruitless hope.
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[This. Face.]
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[She's trying not to sound frustrated, but -- well, she is.]
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It is different. [She looks like she wants to say something else, but then ices over again.]
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Many people view this place as a second opportunity for a reason.
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Raphael doesn't bother explaining any of that. There's no point.]
They may, but that does not mean I agree.
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