Malaysian Performers
The sape, or sapeh, is a traditional lute of many of the Orang Ulu or "upriver people", who live in the longhouses that line the rivers of Central Borneo (an island politically divided between Indonesia, Malaysia and Brunei). It is famous among the Kayan and Kenyah tribes of East Malaysia. It is used in entertainment and to accompany dances such as 'Datun Julud and 'Ngajat'
more information on the instrument
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In a Malay kampung (aka village) a troupe of boys and girls beat goatskin tambourines, accompanied by the drummers’ own singing. A good band can be in demand for weddings and other festive occasions in the area.
Chinese opera, or wayang, is a form of drama with close religious connection. A temple deity’s birthday is often celebrated with an opera. The hungry ghosts that are believed to roam the land during the Chinese seventh months are generally appeased with lavish operatic performances.
While the roles of emperor or general are always sung by men, the part of prince, especially in romantic work may be performed by a young woman. The part requires a very high tenor voice, and the character is supposed to look “sweet.”
Today’s performers in Chinese opera are often amateurs. There is not enough demand for this entertainment to maintain professional singers and actors. Enthusiasts give up many hours of their free time to practice singing, master intricate stage movements and gestures, and manage cumbersome costumes.
images from Malaysia (cultures of the world) by Heidi Munan & Foo Yuk Yee