[Late afternoon of Thursday, February 18 (day 263)]
[Basement of the Sagert residence]With the miserable weather, I do not expect that anyone would have been interested in stopping by anyway, and so I was quite happy to leave the shop closed. Although I admit the weather is a slim excuse. I do believe this is the second (possibly the third?) day
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I feel light as a feather but the bed is very firm under me, almost hard. Someone turns on a light above me and it is very bright, almost blinding even through my closed eyelids. I throw my arm up to help block the light, finding out too late that I can't because there is a binding on my wrist. On both of them.
I force my eyes open and squint through the brilliance just barely catching a glimpse of a tall shadow reaching its hands into the light. I can't look at what those hands are holding, the metal is too reflective of the light.
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"Good god, ma-- er-- well. Yes," and I need to address that in just a moment, but "What have you done with my work?" I push--well, him, it, I shall determine it later--aside, buckles springing loose and straps snapping like tendons. And no-one is on the table, no-one at all, certainly not... well, whatever I was working on.
It is very perplexing. Linnea's jawbone is embedded in the wall, neatly flensed, and I reach up to touch it... for reassurance or familiarity, I suppose. The gaslamps in the alley walls provide enough light to see the stranger. They do seem to be perhaps a bit better dressed than one might expect for the late hour and the street, but then so am I.
"I'm sorry," I say, craning to look underneath the table only to find that what I was working on is not there either, "what are you doing here? What are you?"
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Now that I can see I find we are in an alley light by a pair of gaslamps and the faint green glow from what looks like a jawbone of some kind that seems to be embedded in the wall between them. The man reaches up to touch the bone and then bends over to look under the steel table I was lying on. He asks,what are you doing here? What are you?I blink and run a hand through my hair. What does he mean what am I doing here? What am I? Oh. I did it again. Dreamwalked without being aware of it. I look more closely around at the alley and at the gentleman in front of me. Of course it's a dream I should have known that much sooner ( ... )
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"Yes, yes, but what are you?" I pat Linnea's jawbone once more and it comes neatly out of the wall, so I put it on the shoulder of my coat. It clings there, neatly balanced. I am reminded of a rat, in a sort of clean and comforting way, and I stalk forward, curious.
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I frown as he comes closer, instinctively taking a step back but there is not much room and I can already feel the closeness of the alley wall behind me. I lick my lips in sudden nervousness. "What I am is tired and I really should be going. Have a nice night.' I try to slip sideways along the wall.
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The classic Y-incision is quite useful, and its skin splits neatly along those lines, carrying back its clothes as it peels back. The ribcage unfolds like a pair of hands, leaving the thrumming wonder of lungs and heart open to view. There is no blood to speak of, or at least not any which is doing anything so messy as leaking and obscuring my view. Diaphragm normal, liver normal, the glistening sac of stomach and the coiled heap of intestines...
And nothing remarkable. "Fascinating," I say thoughtfully, looking back up at its face. "What makes you special?" I am sure there is something, somehow, but I cannot for the life of me tell what.
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The man, the dreamer, is examining my innards. Fascinating, He says, but he looks disappointed by something. He peers at my face as if that will give him the answer he failed to find in my guts. What makes you special?
He asks that as if the earlier failure to answer did not happen. As if I must answer him. I frown and say, "What? Me not dying of being opened up isn't good enough?" Then I reach out and carefully fold my chest back together pressing tight on the edges to make them stick.
I feel better for not having my insides on display anymore.
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"Don't be ridiculous," I say, and I am thinking "Everyone's been opened up. It's how they live," and of course I have also spoken the words aloud. I gesture towards the street where people would be, with their stomas and stitches, except they don't quite seem to be around now. It's folding back in on itself, retracting. Really, I wasn't done, there was still the wet white chunk and scrimshaw of bone to look to, the sheen of tendon and ligament ( ... )
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He insists there has to be something and uses my closing myself back up as part of his proof. Would you mind being on the table?I would like to see if it matters, and it clearly won't hurt you. Or I could wait until you were dead. Do you have family?
I can feel my eyes go wide at his request. And the question that follows. "No..." I whisper. "No I DO mind. I mind you looking, and opening and and poking at me." I try to step away from him but the table is right next to me, there is a wall behind me and the dreamer in front with the that glowing bone on his shoulder...
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"Well, then," I say, "I shall wait until you are dead, and buy your body." And it is still standing there cringing against the wall, which I suppose is of no matter since its corpse is lying on the table, and I can work with that. I have worked with distractions before.
...admittedly the distractions do not usually talk, and I suppose there may be some requirements for courteous behaviour. The measure of a man is his manners to his inferiors, I suppose. "Why did you come here?" I say, pulling on my hands and stretching the fingers inside their skin. "I did not put you on my table."
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It is quite a pleasant exploration, all told, although I continue to find no cause for whatever peculiarity I am sure it possessed. Still, it does not hurt to keep one's hand in.
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