The Dormouse
Friday afternoon
I opened against my better judgment. Mostly because I gave me something to do besides wonder where the hell my husband is, and why wasn't he looking for me.
Everything here seemed familiar when I let myself in on Wednesday. Like a dream I could almost recall. The main room, the kitchen, the bedrooms. (the basement,
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but no. The gentleman pulls my prey away, and I back up a step, allowing him to do so, but I do not relax my grip on the gladious. How I know it is called that is something I shall ponder later. I am gratified at the drops of blood coming to the surface on his neck, and I get the sudden urge to touch my fingers to it, just to see how red it would be against my skin.
"Sir, the lady wishes you to leave her establishment. I am sure that-- if you wish to report anything, the Sheriff's Office will give you the hearing you deserve."
I am about to graciously offer to go along, when the friend gets a almost hungry look in his eye. "You smell of him," He leans in and inhales deeply. "I can feel him on you." I arch an eyebrow, this is getting stranger by the minute. The woman asks the obvious question, who, and all our eyes turn to the darker man.
"What are you talking about?" I ask, low and curious, for there is a nagging feeling in the back of my head that I should know what he is babbling about.
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"Delighted to hear it," I say, the words pure rote, and I step back and reach under his left arm with mine, grabbing the back of his jacket. "You are leaving now--"
And then Mrs. Whitman starts conversing. Oh, wonderful, she breaks down and runs for a blasted sword and cuts at the local lunatic's throat, but now she wants to talk to him as she's waving it about the tea room. I have known women with a touch more forethought. Admittedly, they were equally curious, but still.
"Presumably," I say in exasperation, grabbing his right shoulder with my free hand, so that I am behind him with a passable grip and he at least has one arm somewhat restrained, "it has to do with whoever died, or whoever will next be blamed for everyone in town going mad, or possibly a dear childhood friend of his." I do not know and I really cannot bring myself to care, and I glance towards the dark woman. "Miss, could I trouble you to open the door?"
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The man is still attempting to remove me from the premises. "Presumably it has to do with whoever died, or whoever will next be blamed for everyone in town going mad, or possibly a dear childhood friend of his."
"Oh," I say amused, "you know." Reach up and touch his right hand with my fingertips, and at the feel of what Iblis has done it becomes a caress, hand sliding firm across his. "You've met him." He's in your bones and tendons, your skin, your nerves...oh, I can feel him electric there, woven through your body. If this is all that's left of what he was, I will touch it in you.
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It takes me a moment, but I nod quick. "Yeah, sure." I wish I had a smoke. I start movin' over t'the exit but turn when I hear Tezcatlipoca speak.
"Oh, you know." He ain't talkin' t'me. His hands are on the second man's, somehow, and they're strokin' up his wrists, his tone still low 'n dark. "You've met him."
Him, the second man, and - Wanda, I remember in horror. She wed him. It. This ain't no place fer me here, with its wife and lover and servant. I turn t'leave, stridin' out t'the street. Let them bicker, and I'll keep me and mine safe.
Who are mine?
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"Oh, you know. You've met him." Again, there's the nagging feeling that I know exactly what and who he's talking about. It's right there, I could reach out and touch the truth of it all like the he's touching the other man's hand...
But there is no time to ponder on it more. After a look of disgust, the woman turns and leaves, taking that flicker of recognition I had with her.
"Oh for fucks sake!" I grumble and stalk over to the door, holding it wide open with one hand, familiar yet alien sword (Ares was a Greek god, why would I think a GOD gave this to me???) clutched in the other.
"I am sick of these games, sick of these innuendos, get out and spread your lies elsewhere!"
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"I assure you," I say grimly, "the only acquaintance we have in common is Doctor Constantine, and I am quite sure--" Really, why am I engaging with this man? I am quite sure Doctor Constantine has not merited whatever accusations Tez might or might not be directing towards him. And then Mrs. Whitman is hauling open the door and I push Tez forward, towards the raining street.
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Wanda has lost what patience she had to begin with. How easy it is to needle her. A strange choice, for Iblis' long game. "I am sick of these games, sick of these innuendos, get out and spread your lies elsewhere!"
"Oh," I say, letting the man wrestle me towards the door, "but you love lies. You lie down with lies. And you're fast becoming one yourself, aren't you? The face you show to the world, and - what you've done." I am a mirror, I reflect. If you see lies in me, Wanda, they are in yourself too. You're riddled with them, right through the bone. I imagine them tunnelling in you, turning bone to honeycomb, flesh to pulp, and I smile.
The man is talking about Lucien, and I brush it aside. He shoves at me, not gently, and I catch hold of his arm and hold hard to it, pull him out into the rain with me.
I remember standing with Iblis, smoking in the rain, and the rain that fell in the tower.
My grip on his arm is hard enough to bruise. If I tightened my hand, I could break bone. Instead I lean in and brush the lightest of kisses across his lips. "Oh, you are a filthy thing," I breathe. There's no need to look and see what he has done; I can smell the pain of others on him.
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"Oh, but you love lies. You lie down with lies. And you're fast becoming one yourself, aren't you? The face you show to the world, and - what you've done."
Something inside me twists at his words, at his smile. Something about them rings true. I shake my head to get his voice out of my brain, to get that nagging feeling to go away. "Again, you have me at a loss sir, for I am unaware of what you are speaking of, unless you are talking about my former career as an actress."
There is nothing else to add, for both men have tumbled out the door and are standing in the rain. I stand at the door and look out anxiously, for I cannot hear what is being said now.
"Please sir, leave off that madman and come back inside, out of the rain." I implore, just wishing for this unpleasantness to be over.
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"I--" I realize that I am scrubbing at my face with the back of my hand, and drop my arm. "I am terribly-- my sympathies for your having to deal with that-- that lout, Mrs. Whitman." Good lord, how dare he...
I shake it off as best I can and turn to the matter at hand, and the smoothing over of unpleasant reminders of this encounter. "I am terribly sorry to impose, but if you possibly had a, a wash-basin I could avail myself of..."
After all, being required to have dealt with a maniac is no excuse to neglect one's presentation.
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