DW 8

May 16, 2005 01:34

At last, a win for the single-episode format. A simple story, told simply, Father's Day nevertheless packs a lot in: a half-decent backstory for Rose, top-notch acting (nearly) all round, bags of emotion for those who like a good cry, plus loads of symmetries for the structurally minded. A sense of dreadful inevitability pervades the entire episode: from the moment Rose intervenes to save her father, the end is unavoidable, but waiting for the characters to work everything through was a joy -- in the tearful sense. Best of all, it's a story that actually requires time travel; I particularly appreciated the fact that the demise of the Time Lords has wide-ranging, unexpected repercussions. Even the sound track is, on the whole, kept in check to allow the dialogue to shine.

There are too many highlights to list -- the shock of police box-sized Tardis interior among them -- but I particularly loved the way Father's Day plays with the concept of fiction: Pete is constructed by Jackie as the perfect father, and it's Rose's unwavering belief in this fictional construct which gives Pete the strength to save the day.

It's a pity that the makers got carried away with the cgi -- the reaper monsters were eerily perfect seen circling the church through the stained glass, but more than a touch ridiculous in plain sight. I felt the pace sagged a touch in the middle, bogged down somewhere in the midst of all the group hugs, and Camille Coduri's simplistic portrayal of Jackie continues to be a weak spot.

Though it felt at times like a cross between Eastenders & Doctor Who, Father's Day somehow manages to make the mix work, and the simple strength of the ending more than makes up for any shortcomings along the way.

I give it 7/10.

review, tv, doctor who

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