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ABC, her eyelids say.
Melanie.
- noun
Med student, writer, open, ridiculous, excitable, friendly, kind-of insane. Loves the notion of being in love. Never manages to find enough time on her hands to behave like a normal human being. Loves to chat and buy useless stationery. Falls over a lot.
Feel free to friend. No need to ask permission to art/podfic/vid/whatever! Just give me a link to the finished product once you're done and that's fine by me. ♥
Moderator for pacificrimfic, pacrimreversebb, inception_rpf, and thecircus_fic.
Poems and original fic at copperplated. Fic List
(most recent in each fandom shown in pink)
The Hunger Games And All of this Time We Were Dreaming Aloud | People talk about her in the corridors, the girl with no name, the runt, the orphan, the girl who dug her nails into a woman’s eyes once and ripped. The girl with nothing to fight for. Cato/Clove. | M. Babylon | "They can’t hurt me," she tells him. She leans against his shoulder. It'll be in all the tabloids, tomorrow. "They can always hurt you," Finnick says. Johanna/Finnick. | M. Jericho | Twenty Victors to choose from in District 1, and here the two of them are. Cashmere/Gloss. | M.
Star Trek 09 Syncytia | He'd signed up for Starfleet on an impulse, but Starfleet meant James Tiberius Kirk: the first - and second, and third, and fourth - big mistake of Leonard McCoy's life. Kirk/McCoy. | M.
Pacific Rim Cold Climate Love | He knows he isn't built to be a father. His world is a world of frank destruction; and it's a world he loves. Gen. Herc-centric. | M. Those Who Run With Wolves | She's matched him from the start, blow for blow, move for move, and for the first time since he saw her six months ago he realises that Aleksandra Dmitriyeva is beautiful. Aleksis/Sasha. | M. Volchitsa | It had not been a marriage for love, but he loves her. Aleksis/Sasha. | M. You're My Apocalypse | The entire world believes they are in love, but this is not true. Mako/Raleigh. | M.
Hannibal This City That We Love | The only rules Freddie Lounds likes to follow are her own. Freddie/Wendy. | M. This Rabbit Heart | "I'm fairly certain I locked my door," Will says. "I’ve decided," Beverly says, talking right over him, "that man cannot subsist on dog food alone." She flings open his curtains. "So instead we will subsist on nachos. I hope your oven works." Beverly/Will. | M. We're All the Death You Need | The next morning Will comes down the stairs to find a stag in the hall. Gen. Will-centric. | M.
Skyfall Cartography | Five lives he could have led, and one that he did. Bond/Q. | M. Conquistador | They come for Q. Bond gets in the way. Bond/Q. | M. King of Kings | Q and 007, at the end of the world. Bond/Q. | M. Out of Sight | "I can't keep doing this," Q says. "I can’t shag you one week and watch you getting shot at in the next. I just can't do it." Bond/Q. | M. Permafrost | 007 is a cold-blooded killer, except when he isn’t. Bond/Q. | M. Russian Roulette | There is something dangerous inside of Q. Bond/Q. | M. Scorpio | The problem is that Bond has learned to trust nobody except for himself. Not even Q. Bond/Q. | M. Static Electricity | The only person that Bond needs saving from is himself. Bond/Q. | M. The Book of the Dead | To love is to destroy. Bond/Q. | M. The Mercy | There is a secret knowledge within her heart: she is not, and never will be willingly, a mother. M-centric. | M.
Other Fandoms Avengers 2012 Blood Feather | There is the hovering edge of a fight in the air, like an early scent of blood. Thor/Loki. Historical!AU. | M. Fool's Gold | This is always how it is - outside and looking in; swaying in the dark and dreaming about the things that you want, but can’t have. (Mafia!AU). Thor/Loki. | M. Grislar | This is the story in which they hunt the dragon. Thor/Loki. | PG. Lethe | Freedom is life's greatest lie. Thor/Loki. | M. Lira | This is not the sort of beauty he understands. The fleeting, sudden sort of beauty - that is Loki’s domain. Thor/Loki. | PG. Make or Mar | A blur of green in amongst the ruin and the arrow is in his hand, the string drawn to his cheek. Clint/Loki. | M. Romulus | Because neither can live while the other survives. Thor/Loki. | M. The Ballad of the Hall of Iss | This is a story about the Grail. Thor/Loki. | M. The Prince | When the War was lost, only then did news come through. Odin All-Father was dead, the Crown Prince Baldr was dead; the Great Hall of Asgard was entombed in ice, and a Frost Giant sat on her gilded throne. Thor/Loki. | M. The Well of Urðr | "You will be the one to kill your brother," the woman says. Her finger rises and, like a needle, points in his direction. "He will not reign three moons, but you will kill him for his throne. You will be the one." Thor/Loki. | M. The Wheel | 1535, England. As ward to the Earl of Huxley, Loki has been brought up since childhood to be the perfect counterpart to the Earl's only son and heir. But in the cut-throat world of Tudor England, where ambition and opportunism are the only guarantors of success, Loki must decide between loyalty and betrayal; between the past and the future; and between power and love. Thor/Loki. | M.
[Art by almostgaby, atavistique, baboo_et_blade.] Yidrigar | Sometimes I am envious, but never doubt that I love you. Thor/Loki. | M. Zhashtar | Love is for children. Thor/Loki. | M.
Game of Thrones The Nine | I am only thirty. And like the cat I have nine times to die. Gen. Sansa-centric. | M.
Inception Alive | They're extraordinary because they've had two first meetings: one in London with a price on Eames' head, and one in Limbo, washed up on an unknown beach. Arthur/Eames. Sequel to Alone. | M. Alone | Eames’ inability to concentrate on the job is Arthur’s fault, and it could end them both in Limbo. Arthur/Eames. [Also available in Chinese, translated by zhongshe.] | M. Anybody With a Heart Votes Love | Sin City!AU. Arthur is a whore; Eames can't help himself. This is a story about desire. Arthur/Eames. | NC-17. [Embedded art by datingwally.] As If You Were the Small Room Closed In Glass | In which Arthur learns what it is that he actually wants. Arthur/Eames. | M. (As I'm Free) Take Me Down the Way | This is a story about growing up. Arthur/Eames. | PG-13. As It Comes | Arthur falls into a coma after a job gone wrong. When he wakes up from it four and a half years later, Eames is waiting for him, but things aren't as simple as that. Arthur/Eames. | M. [Also available in Chinese, translated by vallennox.] Burn My Bridges | Arthur begins to slip over the brink and it's easier than he thought it would be. Arthur/Eames. | M. Can't Buy This Sort of Happiness | Eames orders a mail-order bride, but instead he gets an Arthur. Arthur/Eames. | PG-13. [Also available in Chinese, translated by micorom.] Crush | Like sandpaper, like the heart put into a box, like a gun-sight, like years, like time, like roads, like the way that the boy moves next to you, like his teeth, like his eyes, like his mouth, like his throat, like miles, like miles, like miles, like miles, like closer, like not quite close enough. Arthur/Eames. | M. Don't Think, Don't Wonder | Arthur and Eames miss the kick on a job and end up trapped in a desert in Arthur's mind. Arthur/Eames. | M. Even That We Will Wake Up Is An Assumption | In which Eames falls in love with one side of Arthur and forgets that Arthur may actually be human. Arthur/Eames. | M. Flash Point | Arthur is a pin-up model, and Eames is his biggest fan. Arthur/Eames. | NC-17. [Embedded art by keelain, neomeruru, and anonymous.] Flawless | It's been five years but Eames still can't stop wanting him. Arthur/Eames. | M. Kiss the Sun at Night | Arthur wants convenience. Eames wants something more. (That is, when he's not trying to get Arthur to sleep with him.) Arthur/Eames. | PG-13. [Also available in Chinese, translated by vallennox.] Like a Bullet in the Back | Eames is accidentally shrunken to pocket-size. Arthur is forced to take care of him. Arthur/Eames. | PG-13. Little Beast | Us against the world. Arthur/Eames. | M. Moment of Inertia | For no apparent reason, Arthur begins to hunt down his former teammates from the Fischer job - all except for Eames. Arthur/Eames. | NC-17. [Also available in Chinese, translated by dyinggreen.] One Like My Ivory Virgin | Eames is a sculptor who falls in love with a sculpture of his that comes to life. Arthur/Eames. | PG-13. One Simple Idea | Arthur and Eames get handcuffed together. Chaos, grumpy!Arthur, and blowjobs ensue. In that order. Arthur/Eames. | NC-17. Only Way Left From Here | The problem with being the best forger in the business is that losing yourself becomes second nature to you. Arthur/Eames. | M. [Also available in Chinese, translated by dyinggreen.] Parentheses All Clicking Shut Behind You | Eames is shot in Anchorage and makes one last phone call to someone he loves. Arthur/Eames. | M. Redemption | You can only be the best for so long before the rest of the world catches up with you. Arthur/Eames. | M. Takers | Mafia!AU. Ten years ago, Eames had a plan and Arthur turned him down. Now, ten years later and paralysed from the neck down, Arthur seems to have changed his mind. Arthur/Eames. | M. The Only Thing | A story about love, silence, and the surface of the sea. Arthur/Eames. | M. The Petrified Forest | When a job goes wrong and Eames gets shot in the back, both him and Arthur are forced to retire from the dreamshare business. Without the one thing which brought them together, the two of them begin to fall apart - until an unsuccessful assassination attempt gives them one last chance to prove themselves. Arthur/Eames. | M. This New Sort of Mating Ritual | Guys&Dolls!AU. Eames is the consummate gambler in New York who makes a bet that he can seduce anyone. Arthur is the uptight Mission-worker who, unfortunately, turns out to be that 'anyone'. Arthur/Eames. | PG-13. To Begin | It only takes one mistake to end things. Arthur/Eames. | M. To Emerald City | Twenty years on, Eames wants a second chance. Arthur believes it's already too late. Arthur/Eames. | NC-17. Unforgiven | Eames is dead. Arthur goes out for revenge. Arthur/Eames. | M. We'll Sit and Wait for the Stars to Take Hold | "There’s nothing else," Arthur grits out against Eames’ shoulder. "We’re boxed in and we’re two guns to twenty-three." Arthur/Eames. | M. When Two Suns Are Shining (the battle becomes blinding) | Arthur and Eames have a special arrangement: whenever a hit is placed on either of them, the other takes the job to keep him from getting killed. Arthur/Eames. | M. Where All the Roads Lead | Eames resorts to drastic measures to convince Arthur to go on holiday. Arthur/Eames. | PG-13. With the Perfect Armour (with a perfect dream) | A story about lost chances and rediscovering them. Arthur goes to Limbo to search for Eames. Arthur/Eames. | M.
Sherlock BBC Fight or Flight | After Reichenbach, Molly writes a series of letters to Sherlock that never ends up getting sent. Sherlock/John. | M. High Noon | Mirrorverse. "And you know what? One day, showing up just won't be enough. One day, we'll be standing around a body and Sherlock Holmes will be the one that put it there." Sherlock/Moriarty, AU. | M. Milk and Honey | Sherlock and John have a fight over Valentine's Day. Sherlock/John. | PG. Mistaken for Strangers | Six months ago, a bomb went off in central London and Sherlock scented blood. Sherlock/John, Sherlock/Moriarty. | M. Sentinel | Sherlock disappears for a week without leaving word, and John is forced to work out what it is that he wants. Sherlock/John. | M. This Heart Between Us Could Start a War | Mycroft called it loneliness, but then, what did Mycroft know anyway. Sherlock/Moriarty, AU in the sense that John doesn't exist. | M. Tourist in the Waking World | Mycroft Holmes sitting in the chair opposite, and Jim thinks, I can beat you because you love someone. Sherlock/Moriarty, Moriarty/Moran. | M.
Sherlock Holmes 09 A Lady's Touch | Holmes and Watson are oblivious. Fed up, Irene Adler decides to play match-maker. Holmes/Watson. | PG-13. Desideratum | Some things are unforgivable. Holmes/Watson. | M. Echo | Holmes finds himself unable to sleep. Holmes/Watson. | PG-13. Post-Marital Sabotage | Because Sherlock Holmes knows, more than anyone else, that it never just ends with the wedding vows. Holmes/Watson. | PG-13. Quindecim Secundus | A new case, a stolen waistcoat, and Sherlock Holmes... John Watson never even stood a chance. Holmes/Watson. | PG-13.
Fanart/Fanmixes/Podfics/Podbooks A Moment of Despair | Fanart for Moment of Inertia. | loobeeinthesky | M. Blank As the Boneless Sky | Fanart for Burn My Bridges. | slanted_edges | M. Caught | Fanart for Alive. | xxdoublexx | G. Equally Matched in All Things | Fanart for Mistaken for Strangers. | blackbrocade | M. Fanmix for Moment of Inertia. | almostgaby | M. Fanmix for Moment of Inertia. | aquariuskitty19 | M. Limbo | Fanart for Alive. | xxdoublexx | G. Mirror | Fanart for Only Way Left From Here. | mayamei | PG. Podbook for When Two Suns Are Shining (the battle becomes blinding). | emilianadarling | M. Podfic for Crush. | comeback | M. Podfic for Unforgiven. | emilianadarling | M. Podfic for When Two Suns Are Shining (the battle becomes blinding). | emilianadarling | M. Untitled | Fanart for Burn My Bridges. | shichiloaf | M. Untitled | Fanart for Don't Think, Don't Wonder. | we_reflamingos | PG. Untitled | Fanart for Like a Bullet in the Back. | shichiloaf | G. Untitled | Fanart for Lira. | datingwally | G. Untitled | Fanart for One Like My Ivory Virgin. | xxdoublexx | G. Untitled | Fanart for Redemption. | shichiloaf | M. Untitled | Fanart for This New Sort of Mating Ritual. | staticlights | PG. Untitled | Fanart for Unforgiven. | lmeden | G.
- noun
Med student, writer, open, ridiculous, excitable, friendly, kind-of insane. Loves the notion of being in love. Never manages to find enough time on her hands to behave like a normal human being. Loves to chat and buy useless stationery. Falls over a lot.
Feel free to friend. No need to ask permission to art/podfic/vid/whatever! Just give me a link to the finished product once you're done and that's fine by me. ♥
Moderator for pacificrimfic, pacrimreversebb, inception_rpf, and thecircus_fic.
Poems and original fic at copperplated. Fic List
(most recent in each fandom shown in pink)
The Hunger Games And All of this Time We Were Dreaming Aloud | People talk about her in the corridors, the girl with no name, the runt, the orphan, the girl who dug her nails into a woman’s eyes once and ripped. The girl with nothing to fight for. Cato/Clove. | M. Babylon | "They can’t hurt me," she tells him. She leans against his shoulder. It'll be in all the tabloids, tomorrow. "They can always hurt you," Finnick says. Johanna/Finnick. | M. Jericho | Twenty Victors to choose from in District 1, and here the two of them are. Cashmere/Gloss. | M.
Star Trek 09 Syncytia | He'd signed up for Starfleet on an impulse, but Starfleet meant James Tiberius Kirk: the first - and second, and third, and fourth - big mistake of Leonard McCoy's life. Kirk/McCoy. | M.
Pacific Rim Cold Climate Love | He knows he isn't built to be a father. His world is a world of frank destruction; and it's a world he loves. Gen. Herc-centric. | M. Those Who Run With Wolves | She's matched him from the start, blow for blow, move for move, and for the first time since he saw her six months ago he realises that Aleksandra Dmitriyeva is beautiful. Aleksis/Sasha. | M. Volchitsa | It had not been a marriage for love, but he loves her. Aleksis/Sasha. | M. You're My Apocalypse | The entire world believes they are in love, but this is not true. Mako/Raleigh. | M.
Hannibal This City That We Love | The only rules Freddie Lounds likes to follow are her own. Freddie/Wendy. | M. This Rabbit Heart | "I'm fairly certain I locked my door," Will says. "I’ve decided," Beverly says, talking right over him, "that man cannot subsist on dog food alone." She flings open his curtains. "So instead we will subsist on nachos. I hope your oven works." Beverly/Will. | M. We're All the Death You Need | The next morning Will comes down the stairs to find a stag in the hall. Gen. Will-centric. | M.
Skyfall Cartography | Five lives he could have led, and one that he did. Bond/Q. | M. Conquistador | They come for Q. Bond gets in the way. Bond/Q. | M. King of Kings | Q and 007, at the end of the world. Bond/Q. | M. Out of Sight | "I can't keep doing this," Q says. "I can’t shag you one week and watch you getting shot at in the next. I just can't do it." Bond/Q. | M. Permafrost | 007 is a cold-blooded killer, except when he isn’t. Bond/Q. | M. Russian Roulette | There is something dangerous inside of Q. Bond/Q. | M. Scorpio | The problem is that Bond has learned to trust nobody except for himself. Not even Q. Bond/Q. | M. Static Electricity | The only person that Bond needs saving from is himself. Bond/Q. | M. The Book of the Dead | To love is to destroy. Bond/Q. | M. The Mercy | There is a secret knowledge within her heart: she is not, and never will be willingly, a mother. M-centric. | M.
Other Fandoms Avengers 2012 Blood Feather | There is the hovering edge of a fight in the air, like an early scent of blood. Thor/Loki. Historical!AU. | M. Fool's Gold | This is always how it is - outside and looking in; swaying in the dark and dreaming about the things that you want, but can’t have. (Mafia!AU). Thor/Loki. | M. Grislar | This is the story in which they hunt the dragon. Thor/Loki. | PG. Lethe | Freedom is life's greatest lie. Thor/Loki. | M. Lira | This is not the sort of beauty he understands. The fleeting, sudden sort of beauty - that is Loki’s domain. Thor/Loki. | PG. Make or Mar | A blur of green in amongst the ruin and the arrow is in his hand, the string drawn to his cheek. Clint/Loki. | M. Romulus | Because neither can live while the other survives. Thor/Loki. | M. The Ballad of the Hall of Iss | This is a story about the Grail. Thor/Loki. | M. The Prince | When the War was lost, only then did news come through. Odin All-Father was dead, the Crown Prince Baldr was dead; the Great Hall of Asgard was entombed in ice, and a Frost Giant sat on her gilded throne. Thor/Loki. | M. The Well of Urðr | "You will be the one to kill your brother," the woman says. Her finger rises and, like a needle, points in his direction. "He will not reign three moons, but you will kill him for his throne. You will be the one." Thor/Loki. | M. The Wheel | 1535, England. As ward to the Earl of Huxley, Loki has been brought up since childhood to be the perfect counterpart to the Earl's only son and heir. But in the cut-throat world of Tudor England, where ambition and opportunism are the only guarantors of success, Loki must decide between loyalty and betrayal; between the past and the future; and between power and love. Thor/Loki. | M.
[Art by almostgaby, atavistique, baboo_et_blade.] Yidrigar | Sometimes I am envious, but never doubt that I love you. Thor/Loki. | M. Zhashtar | Love is for children. Thor/Loki. | M.
Game of Thrones The Nine | I am only thirty. And like the cat I have nine times to die. Gen. Sansa-centric. | M.
Inception Alive | They're extraordinary because they've had two first meetings: one in London with a price on Eames' head, and one in Limbo, washed up on an unknown beach. Arthur/Eames. Sequel to Alone. | M. Alone | Eames’ inability to concentrate on the job is Arthur’s fault, and it could end them both in Limbo. Arthur/Eames. [Also available in Chinese, translated by zhongshe.] | M. Anybody With a Heart Votes Love | Sin City!AU. Arthur is a whore; Eames can't help himself. This is a story about desire. Arthur/Eames. | NC-17. [Embedded art by datingwally.] As If You Were the Small Room Closed In Glass | In which Arthur learns what it is that he actually wants. Arthur/Eames. | M. (As I'm Free) Take Me Down the Way | This is a story about growing up. Arthur/Eames. | PG-13. As It Comes | Arthur falls into a coma after a job gone wrong. When he wakes up from it four and a half years later, Eames is waiting for him, but things aren't as simple as that. Arthur/Eames. | M. [Also available in Chinese, translated by vallennox.] Burn My Bridges | Arthur begins to slip over the brink and it's easier than he thought it would be. Arthur/Eames. | M. Can't Buy This Sort of Happiness | Eames orders a mail-order bride, but instead he gets an Arthur. Arthur/Eames. | PG-13. [Also available in Chinese, translated by micorom.] Crush | Like sandpaper, like the heart put into a box, like a gun-sight, like years, like time, like roads, like the way that the boy moves next to you, like his teeth, like his eyes, like his mouth, like his throat, like miles, like miles, like miles, like miles, like closer, like not quite close enough. Arthur/Eames. | M. Don't Think, Don't Wonder | Arthur and Eames miss the kick on a job and end up trapped in a desert in Arthur's mind. Arthur/Eames. | M. Even That We Will Wake Up Is An Assumption | In which Eames falls in love with one side of Arthur and forgets that Arthur may actually be human. Arthur/Eames. | M. Flash Point | Arthur is a pin-up model, and Eames is his biggest fan. Arthur/Eames. | NC-17. [Embedded art by keelain, neomeruru, and anonymous.] Flawless | It's been five years but Eames still can't stop wanting him. Arthur/Eames. | M. Kiss the Sun at Night | Arthur wants convenience. Eames wants something more. (That is, when he's not trying to get Arthur to sleep with him.) Arthur/Eames. | PG-13. [Also available in Chinese, translated by vallennox.] Like a Bullet in the Back | Eames is accidentally shrunken to pocket-size. Arthur is forced to take care of him. Arthur/Eames. | PG-13. Little Beast | Us against the world. Arthur/Eames. | M. Moment of Inertia | For no apparent reason, Arthur begins to hunt down his former teammates from the Fischer job - all except for Eames. Arthur/Eames. | NC-17. [Also available in Chinese, translated by dyinggreen.] One Like My Ivory Virgin | Eames is a sculptor who falls in love with a sculpture of his that comes to life. Arthur/Eames. | PG-13. One Simple Idea | Arthur and Eames get handcuffed together. Chaos, grumpy!Arthur, and blowjobs ensue. In that order. Arthur/Eames. | NC-17. Only Way Left From Here | The problem with being the best forger in the business is that losing yourself becomes second nature to you. Arthur/Eames. | M. [Also available in Chinese, translated by dyinggreen.] Parentheses All Clicking Shut Behind You | Eames is shot in Anchorage and makes one last phone call to someone he loves. Arthur/Eames. | M. Redemption | You can only be the best for so long before the rest of the world catches up with you. Arthur/Eames. | M. Takers | Mafia!AU. Ten years ago, Eames had a plan and Arthur turned him down. Now, ten years later and paralysed from the neck down, Arthur seems to have changed his mind. Arthur/Eames. | M. The Only Thing | A story about love, silence, and the surface of the sea. Arthur/Eames. | M. The Petrified Forest | When a job goes wrong and Eames gets shot in the back, both him and Arthur are forced to retire from the dreamshare business. Without the one thing which brought them together, the two of them begin to fall apart - until an unsuccessful assassination attempt gives them one last chance to prove themselves. Arthur/Eames. | M. This New Sort of Mating Ritual | Guys&Dolls!AU. Eames is the consummate gambler in New York who makes a bet that he can seduce anyone. Arthur is the uptight Mission-worker who, unfortunately, turns out to be that 'anyone'. Arthur/Eames. | PG-13. To Begin | It only takes one mistake to end things. Arthur/Eames. | M. To Emerald City | Twenty years on, Eames wants a second chance. Arthur believes it's already too late. Arthur/Eames. | NC-17. Unforgiven | Eames is dead. Arthur goes out for revenge. Arthur/Eames. | M. We'll Sit and Wait for the Stars to Take Hold | "There’s nothing else," Arthur grits out against Eames’ shoulder. "We’re boxed in and we’re two guns to twenty-three." Arthur/Eames. | M. When Two Suns Are Shining (the battle becomes blinding) | Arthur and Eames have a special arrangement: whenever a hit is placed on either of them, the other takes the job to keep him from getting killed. Arthur/Eames. | M. Where All the Roads Lead | Eames resorts to drastic measures to convince Arthur to go on holiday. Arthur/Eames. | PG-13. With the Perfect Armour (with a perfect dream) | A story about lost chances and rediscovering them. Arthur goes to Limbo to search for Eames. Arthur/Eames. | M.
Sherlock BBC Fight or Flight | After Reichenbach, Molly writes a series of letters to Sherlock that never ends up getting sent. Sherlock/John. | M. High Noon | Mirrorverse. "And you know what? One day, showing up just won't be enough. One day, we'll be standing around a body and Sherlock Holmes will be the one that put it there." Sherlock/Moriarty, AU. | M. Milk and Honey | Sherlock and John have a fight over Valentine's Day. Sherlock/John. | PG. Mistaken for Strangers | Six months ago, a bomb went off in central London and Sherlock scented blood. Sherlock/John, Sherlock/Moriarty. | M. Sentinel | Sherlock disappears for a week without leaving word, and John is forced to work out what it is that he wants. Sherlock/John. | M. This Heart Between Us Could Start a War | Mycroft called it loneliness, but then, what did Mycroft know anyway. Sherlock/Moriarty, AU in the sense that John doesn't exist. | M. Tourist in the Waking World | Mycroft Holmes sitting in the chair opposite, and Jim thinks, I can beat you because you love someone. Sherlock/Moriarty, Moriarty/Moran. | M.
Sherlock Holmes 09 A Lady's Touch | Holmes and Watson are oblivious. Fed up, Irene Adler decides to play match-maker. Holmes/Watson. | PG-13. Desideratum | Some things are unforgivable. Holmes/Watson. | M. Echo | Holmes finds himself unable to sleep. Holmes/Watson. | PG-13. Post-Marital Sabotage | Because Sherlock Holmes knows, more than anyone else, that it never just ends with the wedding vows. Holmes/Watson. | PG-13. Quindecim Secundus | A new case, a stolen waistcoat, and Sherlock Holmes... John Watson never even stood a chance. Holmes/Watson. | PG-13.
Fanart/Fanmixes/Podfics/Podbooks A Moment of Despair | Fanart for Moment of Inertia. | loobeeinthesky | M. Blank As the Boneless Sky | Fanart for Burn My Bridges. | slanted_edges | M. Caught | Fanart for Alive. | xxdoublexx | G. Equally Matched in All Things | Fanart for Mistaken for Strangers. | blackbrocade | M. Fanmix for Moment of Inertia. | almostgaby | M. Fanmix for Moment of Inertia. | aquariuskitty19 | M. Limbo | Fanart for Alive. | xxdoublexx | G. Mirror | Fanart for Only Way Left From Here. | mayamei | PG. Podbook for When Two Suns Are Shining (the battle becomes blinding). | emilianadarling | M. Podfic for Crush. | comeback | M. Podfic for Unforgiven. | emilianadarling | M. Podfic for When Two Suns Are Shining (the battle becomes blinding). | emilianadarling | M. Untitled | Fanart for Burn My Bridges. | shichiloaf | M. Untitled | Fanart for Don't Think, Don't Wonder. | we_reflamingos | PG. Untitled | Fanart for Like a Bullet in the Back. | shichiloaf | G. Untitled | Fanart for Lira. | datingwally | G. Untitled | Fanart for One Like My Ivory Virgin. | xxdoublexx | G. Untitled | Fanart for Redemption. | shichiloaf | M. Untitled | Fanart for This New Sort of Mating Ritual. | staticlights | PG. Untitled | Fanart for Unforgiven. | lmeden | G.