A few weeks ago I was in a Barnes & Nobles signing stock, and I passed by two sections shelved side by side. The first, the science-fiction & fantasy section, was populated by a group of guys sitting on the floor reading. In the second, the YA section, a couple of girls were discussing the books on display.
One anecdote does not a pattern make, but
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And to the poster above who said women are excluded from Sci-Fi and Fantasy-- just look at the Sci-Fi and Fantasy section. You'll see plenty of female skewed books there.
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I think you'll find about as many "female skewed" books in adult SFF as you'll find "male skewed" books in kidlit SFF. A few RECENT releases to get you started: Monstrumologist, The Maze Runner, Leviathan, ANYTHING by Rick Riordan... And then you've got the books that are very boy friendly even though they aren't written by boys and/or star boy MCs: like The Hunger Games, Uglies, White Cat, Going Bovine, etc.
And then you've got all the realism in YA that is boy friendly and boy written, books by Barry Lyga, Chris Crutcher, Jay Asher, John Green, David Levithan, etc.
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Sarah Rees Brennan is an interesting example - I can imagine her publishers going nuts trying to categorize it, what with the switching POVs. Interestingly, her re-jacket (to me) looks more like an adult fantasy cover than what you normally see in YA.
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Oh, yes, this. One of my favorite recent (realistic) YA books is Natalie Standiford's How to Say Goodbye in Robot. I think boys who enjoy, say, John Green would really like it, but the odds of them actually picking it up are slim to none because the cover is bright, screaming pink - there's even pink spot coloring on the inside. It looks super girlie, and while the narrator is female, there is nothing "chick-lit-y" about the story at all. While the issue of wny boys won't read "girlie" things is an important one, the fact of the matter in this particular case is, the cover is not reflective of the content. Which makes it seem to me like the publisher shot themself in the foot by limiting their audience, but apparently, they thought upping the "girl" appeal would still give the book a wider audience than trying to catch with boys?
Tying this into Cindy's Twilight-effect: My husband is a fan of pro wrestling, and in the weeks leading up to ( ... )
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Tell Me A Secret
Wayfarer
Something LIke Fate
Spirit Bound
It's Not Summer Without You
Sisters Red
Beastly (arguably a boys book, but probably not with a huge flower on the cover...)
A Kiss In Time
Sense and Sensibility and Sea Monsters
Romeo & Juliet
Of course, anecdotal evidence is tricky and unreliable. Maybe there's a selection bias because my friends are both women, and a similar number of boys books were actually on the other side of the display table. But I doubt it.
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