Georges d’Espagnat -p.(2)
Georges d’Espagnat
French painter, illustrator
and stage designer
Le Jardin du Luxembourg
" D'Espagnat became closely acquainted with many of the Impressionists and Post-Impressionists including Renoir, Vuillard, Andre, Bonnard and Denis. Between 1905-10, he stayed with Renoir on several occasions accompanied by Valtat, and visited Italy, Spain, Portugal London, Dresden, Munich and Antwerp. " (c)
Simone ,c. 1907
Museo Thyssen-Bornemisza
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Bain des enfants,1901
Sotheby's
Bords de la Seine à Meulan, c. 1910.
Private Collection
Au jardin
Deux jeunes filles assises, 1908
Girl Painting at an Easel
ca. 1900-1910
The Metropolitan Museum of Art
Jeune Fille au Puits, c. 1911
La lecture en plein air;Liseuse sur un canapé
Femme debout;Jeune femme à la cruche
Portrait d'Andrée;Jeune fille en bleu à la rose, 1898
Portrait De Jeune Fille À La Robe Blanche Et À La Ceinture Rouge
Jeune femme à la chaise
Femme lisant
Jeune femme lisant
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Disdaining the traditional art schools, he studied part-time at the Académie Colarossi in Paris under Gustave-Claude-Etienne Courtois (1852-1923) and Jean-André Rixens (1846-1924) but was mostly self-taught. In 1891 he exhibited at the Salon des Refusés and the following year at the Salon des Indépendants.
His early works, such as Suburban Railway (c. 1895; Musée d'Orsay, Paris, France ),showed a strong debt to Impressionism. He was a friend of Renoir as well as of Paul Signac, Henri Edmond Cross, Louis Valtat and later Maurice Denis, Bonnard and Vuillard.
In 1898 he visited Morocco where he painted such works as Moroccan Horseman (1898; see Cailler, p. 7). After his return to France, he concentrated on studies from nature, paintings of women, children and flowers and decorative projects for private patrons.
In 1904 he exhibited at the Salon d’Automne, becoming its Vice-President in 1935. Between 1905 and 1910 he made several trips with Valtat to visit Renoir on the Côte d’Azur as well as travelling to Spain, Italy, Portugal, Britain, Germany and elsewhere. In 1906 he illustrated Remy de Gourmont’s book Sixtine, published in Paris.
In the early 1910s he painted a number of portraits including several musician friends, including Albert Roussel , by which time his work was more simplified, fluid and intimate. In 1914 he provided the decor for a production of Alfred de Musset’s play Fantasio at the Théâtre de Batignolles in Paris.
After working in a camouflage unit during World War I, in 1920 d’Espagnat bought a country house in the Quercy region and over the next decade painted numerous landscapes and interiors there (e.g. Interior, 1925; Metz, Mus. A. & Hist.).
During the 1930s he worked in various media. He illustrated Alphonse Daudet’s L’Immortel (Paris, 1930) and also produced theatre designs. In 1936 he decorated the Mairie in Vincennes; in 1938 the Palais de Justice in Toulouse and in 1939 the ceiling of the Salle Victor Hugo in the Palais du Luxembourg in Paris.
Ironically, considering his earlier attitudes, from 1936 to 1940 he was a professor at the Ecole des Beaux-Arts in Paris. Though disrupted by World War II, he continued to paint until his death and with his pupil Suzanne Humbert, illustrated Francis Jammes’s Clairières dans le ciel, 1902-1906 (Paris, 1948).
source-Renoir Fine Art Investments Inc.
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http://www.metmuseum.org/search-results?ft=Georges+d%27+Espagnat&x=7&y=7
http://www.museothyssen.org/thyssen/ficha_artista/632
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