White Table, Black Chair,1977,Lois Borgenicht and Johannes Reim Collection. New York. U.S.A.
![](http://s55.radikal.ru/i149/1010/18/b64bda50e115t.jpg)
+ 2 & 4 self-portraits
Empire Chair-1978-Grace Brandt Collection. New York. U.S.A.
![](http://i076.radikal.ru/1010/2e/9d7793c1aad8t.jpg)
Tulips, Lilacs, and Dogwood,1979
![](http://s002.radikal.ru/i199/1010/61/fbe04971db7at.jpg)
***
Self-Portrait in Morelos,1980
![](http://i082.radikal.ru/1010/a7/45b16e3daa56t.jpg)
Self-Portrait in Studio,1982;
The Artist in His Studio,1979
![](http://s51.radikal.ru/i133/1010/10/24ce4203239bt.jpg)
![](http://s56.radikal.ru/i153/1010/51/a0784d3cdca9t.jpg)
Self-Portrait, Water Mill Studio,1986, Mr. and Mrs. Daniel Rose Collection. New York.
![](http://i065.radikal.ru/1010/c8/be29546e5a80t.jpg)
*
The New York Times-Warren Brandt (American, 1918-2002) **
Brandt exemplifies a generation that maintained close ties to the founding members of the New York School while seeking a newly figurative idiom, one based as much on the “decorative” color aesthetic of Henri Matisse as on the expressionistic brushwork of Willem de Kooning.