Hermenegildo Anglada Camarasa (1872-1959) p1
Hermenegildo Anglada Camarasa (1872-1959) was a Spanish painter. Born in Barcelona, he studied there at the Llotja School. His early work had the clear academic imprint of his teacher, Modest Urgell.
In 1894, he moved to Paris where he adopted a more personal style, after that of Degas and Toulouse-Lautrec, with their depictions of nocturnal and interior subjects. But his work was also marked by the intense colors which presaged the arrival of Fauvism.
Lively brushwork reveals strong Oriental and Arabic influences.
Allied with the Vienna Secession movement, his decorative style draws comparison to Gustav Klimt.
One of his most important works is a portrait of Sonia Klamery.
He died in Pollença, on the island of Majorca.
Sonia de Klamey
-1913. Museo Nacional Centro de Arte Reina Sofía. Madrid. España
Valencia
1910. Fundación La Caixa. Palma de Mallorca. España.
апдейт:с артеспейн
1.Оригинал текста:
Fue Anglada Camarasa admirado por el escritor ruso Maxim Gorky y el director teatral Vsevolod Meyerhold al punto que el segundo realizó en San Petersburgo una escenografía basada en la obra del pintor catalán.
2.Передача картины Э. Англады "Вечернее кафе" Музею изобразительных искусств
In 1894, he moved to Paris where he adopted a more personal style, after that of Degas and Toulouse-Lautrec, with their depictions of nocturnal and interior subjects. But his work was also marked by the intense colors which presaged the arrival of Fauvism.
Lively brushwork reveals strong Oriental and Arabic influences.
Allied with the Vienna Secession movement, his decorative style draws comparison to Gustav Klimt.
One of his most important works is a portrait of Sonia Klamery.
He died in Pollença, on the island of Majorca.
Sonia de Klamey
-1913. Museo Nacional Centro de Arte Reina Sofía. Madrid. España
Valencia
1910. Fundación La Caixa. Palma de Mallorca. España.
апдейт:с артеспейн
1.Оригинал текста:
Fue Anglada Camarasa admirado por el escritor ruso Maxim Gorky y el director teatral Vsevolod Meyerhold al punto que el segundo realizó en San Petersburgo una escenografía basada en la obra del pintor catalán.
2.Передача картины Э. Англады "Вечернее кафе" Музею изобразительных искусств