The sure-to-be-wonderful MIT Comparative Media Studies
Futures of Entertainment 2 conference is starting this morning, and while I'm excited about the entire event, I'm not surprisingly most interested in the panel on fan labor, which is scheduled for this afternoon and features the brilliant Catherine Tosenberger, known and loved by many of us
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Another aspect is that the strikethrough revealed to me how fragile all this is. Say 25% of the HP fandom fled and went to other journals. I think it had a tremendous impact on the energy of the fandom. Some people have returned, but it's not the same. I think it's difficult to quantify because all this happened with the publication of the last book and the closing of canon, but the HP fandom has/had an enormous amount of slash-based fanfiction, which I think had an enormous impact on people. It forced me to flock my LJ. I'd never considered that before. I now friend anyone who friends me, but that limits MY control over my LJ.
I agree with above. I want the freedom to write what I want to write, I don't want to make money off of it (because once you start making money, your choices are limited because you have an audience that needs to be fed). The freedom to write WHATEVER is more important to me than anything else. Once money is involved, the suits show up. Once the suits show up, then the power I have over what I can post is GONE. And as much as I hate saying this, the Fanlib debacle said to me that a bunch of young hip white guys think we are all a bunch of naieve, stupid women who don't know the financial power that we wield. Of course we know what sort of power words have. The point is that we are not giving that power to you. Assholes!
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*stumbles off dizzily to bed*
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