The sure-to-be-wonderful MIT Comparative Media Studies
Futures of Entertainment 2 conference is starting this morning, and while I'm excited about the entire event, I'm not surprisingly most interested in the panel on fan labor, which is scheduled for this afternoon and features the brilliant Catherine Tosenberger, known and loved by many of us
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As a fan, what I want is to be left alone. I mean ... I like reading dirty furtive hatesex and I like my hobby being dirty and furtive too, in an innocent way. Wanting some sort of official recognition or imprimatur takes all of the giddy naughtiness out of it, for me.
I also am somewhat uncomfortable with the discourse of fan labor and the idea that every kind of labor must be instrumentalized and compensated in some way (symbolically if not financially). It's depressingly capitalist, to me ... I don't see this kind of approach as subversive or groundbreaking at all, but rather as a way to take something that is somewhat outside the margins and try to conform it to the status quo.
I guess what I'm saying is that I truly believe that fandom DOESN'T matter, and that to take such a position isn't kneejerk negation, but actually really creative and empowering. For me. As an academic and former artist, the freedom not to matter is one of the most blissful things I can think of.
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(Apologies for being so incoherent ... I'm undercaffeinated and jetlagged!) ♥
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I think I may not have said things right in terms of the why of why I think fandom does and ought to matter. For me, the one way that it *truly* matters is that it is an end in itself - the other ways people use to "justify" fandom's existence are nice, but they're not the real cigar, at least not for me. Why fandom matters is because fandom matters to us, in whatever ways it matters to us, and I think that the core distillation of that is that fandom is about shared stories. I don't care if our shared stories matter to anyone outside of fandom, and that's where I think I should have said things better, but maybe that helps to say here. Fandom doesn't matter because of anything we give back to the outside world, it matters because of what it is to us.
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Another aspect is that the strikethrough revealed to me how fragile all this is. Say 25% of the HP fandom fled and went to other journals. I think it had a tremendous impact on the energy of the fandom. Some people have returned, but it's not the same. I think it's difficult to quantify because all this happened with the publication of the last book and the closing of canon, but the HP fandom has/had an enormous amount of slash-based fanfiction, which I think had an enormous impact on people. It forced me to flock my LJ. I'd never considered that before. I now friend anyone who friends me, but that limits MY control over my LJ.
I agree with above. I want the freedom to write what I want to write, I don't want to make money off of it (because once you start making money, your choices are limited because you have an audience that needs to be fed). The freedom to write WHATEVER is more important to me than anything else. Once money is involved, the suits show up. Once the suits show up, then the power I have over what I can post is GONE. And as much as I hate saying this, the Fanlib debacle said to me that a bunch of young hip white guys think we are all a bunch of naieve, stupid women who don't know the financial power that we wield. Of course we know what sort of power words have. The point is that we are not giving that power to you. Assholes!
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*stumbles off dizzily to bed*
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