Characters: Rhode Kamelot and OPEN
When: Every night March 6th through 12th
Where: Rhode's dreams
Rating: R+
Summary: Rhode dreams. You dream with her.
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It’s hard to say that I'd rather stay awake when I'm asleep // Cause everything is never as it seems // When I fall asleep )
The scene carries out like a memory, the two of them ambushing an old man--a fierce Exorcist General as it turns out. Rhode fights, briefly, before Tyki takes over and subdues their victim. Rhode has her fun, and Tyki--not the one dreaming, but the one in the dream--watches in amusement before eventually stopping her and ensuring the General will die slowly in agony, leaving him hanging on a cross for his comrades to find.
The problem with the dream memory, as pleasant as the sensation of killing must be, is that it's never happened. Not for Tyki anyway. Still, the emotions in the dream are upbeat, thrilling. It's hardly an unpleasant dream to have--maybe it's a wishful thought, because there's no tension there. Rhode clings to the Tyki in the dream, scolding and bantering and laughing just as they ought to be.
There's no looming weight of pressure or feeling of being trapped. The scene is freedom itself, bloody and exhilarating.
Especially the moment in the dream where Tyki crushes the Innocence, all of them that the General carried, into a fine powder and scatters it to the winds. There's relief there, of something hated being dealt with.
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The Innocence erupts into a cloud of fine green dust and scatters in the wind, and Tyki closes his own fist; he's half-expecting to feel it in his own palm. When it isn't there, he opens his fist again and stares at the empty gloved hand. There's a brief moment where his breath catches in his throat at the nostalgic feeling of... freedom, good fucking God, freedom... and he finds himself choking on his own air.
It is not unlike the way water flows over a rockbed, the prickling feeling in his spine, like hundreds of thousands of electrical pinpricks. Bloodlust. How long has it been since he last felt it? How badly did he want it right now? Tyki doesn't realize his hands are starting to shake until he brings one up to run his fingers over his hair.
He inhales sharply, feeling cold seep into his lungs. This is what it was all about; this was always what it was all about. The thrill of stained gloves and petticoats, the sound of screaming and the sound of pain. It's exhilarating, thrilling -- the best he's felt in months. A part of him doesn't know what to do with it. The other part wants to toy more with the bloody, mangled body of the unknown General that his dream-self left behind.
And why not? It was something he could fucking choose to do.
Tyki steps off the cliff and strides along the air, intent to prowl down to the valley below while his other hand fishes for a cigarette.
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It's no longer the old General with his droopy mustache and bloody coat hanging crucified. The man on the cross is a teenager, and when he lifts golden eyes to meet Tyki's, blood flows down his face and hands--stigmata and crucifixion. The face of the teenager should be familiar enough, it's Tyki's own.
But the kid doesn't seem to be in pain. A grin stretches across his face, impossibly wide, and as he opens his mouth the whole world and sky seem to be engulfed, leaving his toothy smile the grinning moon, and Tyki standing in a large room with a high ceiling, a long haired man bent over in a chair, face buried in his hands, hidden. Shattered glass litters the floor, and the man in the chair is shirtless, a cross shaped scar marring his flesh.
Rhode sits at the edge of the room, staring at nothing, face and legs bleeding, a lollipop to her lips but obviously not really paying attention to the candy.
And no wonder, the pain the figure on the chair is experiencing is palpable.
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He finds himself having to look over his shoulder in order to see the scarred man. His eyes narrow at the sight of it, and he brings his hand back (why was it still outstretched?) to unconsciously run his fingers over the hollow of his throat, and down his chest. It's prickling in an uncomfortable way. Painful.
And then he spots Rhode, and stops. None of this is familiar. By all means, it should be familiar, but Tyki cannot for the life of him understand why. His shoes squeak on the floor as he steps toward her and crouches down.
"Rhode. What is this?"
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She lifts a hand and touches his cheek, staring through him almost. "It's okay, Tyki." She says gently, reassuring.
"It'll get better." A promise.
There's a noise, an inaudible whispering in the back ground. A maddening sort of chatter just at the edge of hearing.
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What.... what did this all mean?
It's okay, Tyki... and then there is a hand on his cheek. He turns back to Rhode, not bothering to move his face from her fingers. They're cool, comforting; but the tone in her voice sends a trickle of... something... down his spine that Tyki does not like at all. It'll get better...
He tips his cheek further into her hand, and reaches out to brush at the blood on her cheek. Color flushes across the fabric, a stark contrast to the white; it's starting to dawn on him, in a vague way that dreams are wont to allow, the significance of this. And he doesn't like it. At all.
"Rhode. I--" he stops, turning away from her hand again and in the direction of the whispering.
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And the increased sound of sibilant murmuring--it's in a language that's so old it's no longer spoken, impossible to recognize and at the same time familiar. Something that Tyki might feel he should recognize and understand, even though it might as well be gibberish.
"Tyki?" Rhode's voice is started, surprised, and the scene pauses, freezing in place, silence falling abruptly, like a freeze frame or photo. The only movement and sound comes from Tyki and Rhode, except Rhode seems to have changed when Tyki looked away from her. She's in her school uniform, and there's no blood. She touches Tyki again, and this time she's looking at him directly.
"What are you doing here?"
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Despite that, he doesn't move from where he is. His eyes narrow, and he opens his mouth to speak, but the scene is changing and Rhode is talking. Tyki turns back to look at her, cheek still in her hand.
"You called me here, didn't you?" At least, that's what he thinks. He's figured out in the last few moments that this isn't any of his dreams - that man... this just couldn't be one of his dreams. So why else would he be here?
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"I didn't call Tyki." She didn't call anyone. She doesn't usually bring people here. Dreams are her heart and soul, it's very personal to have someone traipsing about inside them. Not that she minds Tyki being here, but she didn't bring him, and he shouldn't have been able to come on his own, right?
She leans forward, to loop her arms around his shoulders, happy to see him, even if she's confused by his presence.
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It's the only thing he can think to say, to ask. If she didn't call for him... why was he here?
He loops his arm around her, though, and even straightens her shirt a little (a lady must have at least a little modesty, after all) as he lifts her up.
"Rhode... what's happening?"
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Right now she just holds on to him though, confused as she settles in his arms.
She was off--mentally away, with Lucifer. They had victims to gather, and that's what she had been doing. But then why was Tyki in her dreams? It's impossible he wandered there accidentally.
"I don't know." But she intends to find out. The scene shifts, leaving them in the den of Cyril's mansion, lounging on a comfortable couch, Rhode in Tyki's arms and a dream Cyril fussing about at his desk as Rhode splits her attention--from this dream, with Tyki, to reaching out to find out what's happening, why he's here. She seems to grow distant as she does, a little transparent in his arms, still attentive enough to keep her mind from trying to eat him--or worse, embrace him--but not quite there all the same.
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And for a moment, he seems occupied enough by the scene that he might as well have been a part of it, until he feels her shift. It isn't a pleasant feeling. Even though he knows what she's doing, he attempts to tighten his grip on her anyway. Don't leave.
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"We were doing something. But they interfered. Somethings wrong with dreams." It disturbs and upsets her, actually, because this isn't her doing and she has no power over it.
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Without thinking, he draws her closer. Perhaps, he's reacting to her displeasure. "I'm not supposed to be here." Merely... repeating what she's saying, only in so many words.
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"Did you want to wake up?" She looks at him. She has, after all, taken him along in her dreams before--or has she yet? She can't remember. Either way she won't keep him if he'd rather return to himself.
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