I finally got Songs for Silverman!
I can't write a snarky, satirical reaction like doubtful_salmon's here, but I can tell you that I really really like it. Quite possibly more than Rockin' The Suburbs. It just seems to be more prevalent to the times.
Bastard: Very reminiscient of Ben Folds Five stuff. Right down to bass lines and vocal harmonies. Yet, lyrically, well, at least it's not quite like "Underground" or "One Angry Dwarf and 200 Solemn Faces."
Why you gotta act like you know when you don't know just says it all about the attitude of today's youth. Love the piano jam at the end.
You to Thank: I love the acoustic guitar touch, which is something I think really works with his music. As he said on the DVD, his sound is typically the trio so it's nice to have that extra touch. This song is for those people who are pressured or for those who end up getting married too young.
Jesusland: It's great because while it's poking fun at the current trend of how religion is being used in our country: Billboards quoting things you never said / You hang your head and pray / for Jesusland, the percussion is reminiscient of a patriotic marching song. Nice touch with the strings at the end. Also a slight new touch to his sound as well.
Landed: Although it's the current single, nothing about this particularly sticks out with me.
Gracie: Oh god, this is the only song I've ever physically cried after hearing. Between the sweetness he has for his daughter in this song, these lines: You nodded off in my arms watching tv / I won't move you an inch even though my arm's asleep, and the visual Frally Folds gives us of the two of them playing together on the DVD, I'm just a sap. I mean, Gracie's probably going to be embarassed but flattered when she's older, but hey . . . at least you'll know your father cares about you. *sniff* I could go on and on about the beauty of this song . . .
Trusted: Relationship issues, much? Basically, communication is key. Don't go behind your significant other's back, just ask what's up.
Give Judy My Notice: Nice harmonies and great use of the slide steel guitar. The nuances man :)
Late: I don't know what to say about this . . .
Sentimental Guy: This song sounds like it should be played at one of those late night jazz places. I like it.
Time: It really is a pretty song, and this is the one that Ben Folds was able to get Weird Al to put on some backing vocals.
Prison Food: For those of you who like jam songs, this is the one for you. As they point out on the DVD, it is also reminiscient of a Pink Floyd song, especially at the vocal harmonies with the line "pass the time." A wonderful ending song to a wonderful album.
Since my initial beginning of being a fan of Ben Folds, I've always recommended his stuff to people. This is one that I'd definitely put towards the top of the list. And, if you're going to buy it, do NOT buy it WITHOUT the bonus DVD. This bonus DVD helps to paint light on some of the songs; and it captures who Ben Folds is when he's not performing.
Bastard: Very reminiscient of Ben Folds Five stuff. Right down to bass lines and vocal harmonies. Yet, lyrically, well, at least it's not quite like "Underground" or "One Angry Dwarf and 200 Solemn Faces."
Why you gotta act like you know when you don't know just says it all about the attitude of today's youth. Love the piano jam at the end.
You to Thank: I love the acoustic guitar touch, which is something I think really works with his music. As he said on the DVD, his sound is typically the trio so it's nice to have that extra touch. This song is for those people who are pressured or for those who end up getting married too young.
Jesusland: It's great because while it's poking fun at the current trend of how religion is being used in our country: Billboards quoting things you never said / You hang your head and pray / for Jesusland, the percussion is reminiscient of a patriotic marching song. Nice touch with the strings at the end. Also a slight new touch to his sound as well.
Landed: Although it's the current single, nothing about this particularly sticks out with me.
Gracie: Oh god, this is the only song I've ever physically cried after hearing. Between the sweetness he has for his daughter in this song, these lines: You nodded off in my arms watching tv / I won't move you an inch even though my arm's asleep, and the visual Frally Folds gives us of the two of them playing together on the DVD, I'm just a sap. I mean, Gracie's probably going to be embarassed but flattered when she's older, but hey . . . at least you'll know your father cares about you. *sniff* I could go on and on about the beauty of this song . . .
Trusted: Relationship issues, much? Basically, communication is key. Don't go behind your significant other's back, just ask what's up.
Give Judy My Notice: Nice harmonies and great use of the slide steel guitar. The nuances man :)
Late: I don't know what to say about this . . .
Sentimental Guy: This song sounds like it should be played at one of those late night jazz places. I like it.
Time: It really is a pretty song, and this is the one that Ben Folds was able to get Weird Al to put on some backing vocals.
Prison Food: For those of you who like jam songs, this is the one for you. As they point out on the DVD, it is also reminiscient of a Pink Floyd song, especially at the vocal harmonies with the line "pass the time." A wonderful ending song to a wonderful album.
Since my initial beginning of being a fan of Ben Folds, I've always recommended his stuff to people. This is one that I'd definitely put towards the top of the list. And, if you're going to buy it, do NOT buy it WITHOUT the bonus DVD. This bonus DVD helps to paint light on some of the songs; and it captures who Ben Folds is when he's not performing.