shocolate, you were not the last person to see it; I saw it even later than you!
And I liked it even less than you did.
Out of respect for everyone who liked it (Why?), I will restrain myself from sharing my thoughts on it, with the exception of one: I hate it with a passion of a thousand burning suns when the female character is given the part of the therapist/moral compass/nagging moraliser who goes on and on about how The Man who is Damaged and hence Allowed To Err has to stop lying/being obnoxious/being selfish/being drunk/breaking the rules/having sex without love OMG!/kicking puppies and to Do The Right Thing.
So, after introducing the female character as the most gifted architect of all time etc. etc., all they let her do is provide an opportunity for the hero to expose and explain the concept of the plot and moralise ad nauseam.
Plus, here's a neat definition of what makes a film good with regard to female characters:
- there's more than one female character
- who has a name
- the female characters interact with each other
- talking about something other than a man
In Inception? Not so much.
Joseph Gordon-Levitt helped me through it, though.
ETA: One thing I liked.
There was no evil bad guy. Sato as well as Fischer were kinda okay. That's quite possibly the most interesting and innovative aspect of this film.