Echo/Rebecca: I knew it.
Mynor: What?
Echo/Rebecca: It's porn, isn't it? The Internet venture that suddenly pays off. You did porn! My husband does porn!
Mynor: No, I don't do porn! [to Paul] You're in huge trouble.
"I couldn’t sense how important it was in the grand scheme, because I hadn’t seen the other episodes. I could sense that the episode itself was so important, just because [creator Joss Whedon] took sort of this clichéd trope-this chubby, unattractive dude hiring a young hottie to do his bidding-and then he reveals this whole other level to the guy. And what I love is, you don’t walk away from it and go, “Oh, now I feel bad for him.” He’s still an awful guy, and kind of sleazy. But the fact that he has reasons for his horribleness? It reminded me of John Candy’s character in Planes, Trains And Automobiles. At the end of the movie, he’s still fat and obnoxious, but you sort of realize why, and you thought he was just an easy checkmark, like “Oh, that’s what that guy is.” Oh no, he’s this whole other thing, where there’s a reason behind it. So the fact that that much was getting put into it, and I could just tell that they were starting to fuck with the mythology… I could sense it was really something special."
- Patton Oswalt (Joel Mynor)