Mac didn't want to go out, he didn't want to talk, he wanted to get back to work where he could lose himself in the tests and tasks that were required for his job. But what Mac wanted and what he did were often two very different things, and deep down he figured Alex needed an explanation. He owed her at least a drink and maybe she could just
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"A shot and a beer, whiskey," she specifies the shot.
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The waitress goes and Mac keeps his hands together on the table, shoulders still hunched. Finally, since it's pointless to sit there and not talk he says: "I'm sorry." It's a good start.
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"I let my personal feelings get in the way."
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"Of course she would, if he's alive then he has the chance of being captured. If he's actually alive then we're not just looking for closure, we're looking for a killer." That was another thing he didn't want to think about, the decaying flesh under the nails of their vic, an undead serial killer running around New York. Mac Taylor hates zombies.
"Allison Campbell," he says suddenly. "Not Jane Doe, Allison Campbell."
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But to be honest, she's tired of ideas, she's tired of how discomfiting this case feels. She doesn’t like that the killer shares a name with her partner. She doesn’t like how the interview went with Ms Winters; she doesn't like the idea that Ms. Winters knew full well what her husband was and what he was up to. She doesn't like all the strange things in play. So she continues thinking, "Lieutenant Murphy thinks she may have the scene of the attack, hopefully the evidence will tell us what we have on our hands."
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If they had compared thoughts and brainwaves the two of them would be surprisingly similar. He wants answers, concrete facts and evidence that explains what's going on. No more theories or conjecture, just evidence. "We'll go over the crime scene, and it will give us answers."
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