40 [voice]
[If Wataru's theme is playing, then that means only one thing: Time for another network concert! Once he finishes playing what could be considered the opening theme of him wasting about half an hour of your time, he begins to speak softly.]
Hello... I'm Wataru... Kurenai... I didn't do a network concert last month because I played at Sparda-san's Halloween party. Um... if you saw me play there, I'm sorry. I wasn't myself...
[The peanut gallery, which today consists of both Kivat and Tatsulot, speak up in the background. "He's being negative again," says the higher pitch of Tatsulot. "Mm, do your best, Wataru," pipes in Kivat. The beating of plastic wings dies down a little as they perch themselves somewhere in Wataru's room.]
I'm going to play for you all four movements of Bach's sonata no. 1 in G minor for solo violin and finish with a piece I heard my father play once.
[He picks up the violin and quickly moves into the Bach sonata, playing the adagio, fugue (he's played the fugue before, so it may sound a little familiar), siciliano, and presto movements. And, as usual, he plays them very well, as only the son of a great violinist and violin-maker could. At the end of the presto, he let's out a long breath as his animal friends applaud him.]
The final piece I'm going to play, my father played once. It was for a girl I knew - her mother's song. I hope you like it...
[Without explaining any more of this piece's origins, he strikes bow to string, playing that delicate piece he remembered without any stumbles. At the end, his friends clap.]
I'm sorry for wasting your time. Thank you for listening...
[And off the sound goes.]
Hello... I'm Wataru... Kurenai... I didn't do a network concert last month because I played at Sparda-san's Halloween party. Um... if you saw me play there, I'm sorry. I wasn't myself...
[The peanut gallery, which today consists of both Kivat and Tatsulot, speak up in the background. "He's being negative again," says the higher pitch of Tatsulot. "Mm, do your best, Wataru," pipes in Kivat. The beating of plastic wings dies down a little as they perch themselves somewhere in Wataru's room.]
I'm going to play for you all four movements of Bach's sonata no. 1 in G minor for solo violin and finish with a piece I heard my father play once.
[He picks up the violin and quickly moves into the Bach sonata, playing the adagio, fugue (he's played the fugue before, so it may sound a little familiar), siciliano, and presto movements. And, as usual, he plays them very well, as only the son of a great violinist and violin-maker could. At the end of the presto, he let's out a long breath as his animal friends applaud him.]
The final piece I'm going to play, my father played once. It was for a girl I knew - her mother's song. I hope you like it...
[Without explaining any more of this piece's origins, he strikes bow to string, playing that delicate piece he remembered without any stumbles. At the end, his friends clap.]
I'm sorry for wasting your time. Thank you for listening...
[And off the sound goes.]