For anyone who cares to take notice, there is a very pretty young girl sitting in a chair, reading something. It is Sibyl Vane (well, Gray now, for all intents and purposes), and she is diligently going over her lines for Cyrano's play. She is determined to give a fantastic performance, and to show everyone that her acting is just as good as it
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She's dressed in period clothing, though there's something a bit... off about it. She seems to have perhaps removed or adapted her dress to be more contemporary, and it's not awful looking at all.
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"Pardon me, miss, but I just thought I ought to tell you that I think you've got a lovely dress on."
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"Oh, thank you, Madam." She struggles not to stand and curtsy - something she's trying to do, to be less Victorian, at the request of her boyfriend. It's working... with mitigated success, aside from the dress. "It was an experiment. I am pleased that you approve."
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"Yes, I think it's very lovely! -- I'm Sibyl," she adds, smiling.
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"And I am Sugar," she says, smiling humbly, but with a certain sense of sophistication which can come from being a educated woman.
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"My thanks." She smiles, easily. "I do prefer Sibyl, however."
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"Oh, I don't know. I should think my name is so very bland in comparison!"
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"Oh, not at all. It is a prophetess' name, after all."
In Sybil's defense, Sugar is reformed - so it's not that visible to the untrained eye.
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Sugar would have loved to be called Sybil. Considering her role in the rise of Rackham Industries, it would have been fitting.
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Which is amusing, because Sugar has a head mate who is much more versed in the classicists than she will ever be.
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