Cursed to chip teacups! I love it. That also seems like the kind of petty, vindictive curse that we should see more of in the ww.
Yeah, I think the "genre soup" aspect of the series is both a strength, in that it makes it more layered and can put a fresh spin on old situations, and a weakness, in that sometimes the genres just do not work together. Or at least, they don't in this case; I don't know that it's impossible in general. But either way, it's frustrating.
I am still annoyed that we got six books of buildup about goblin rebellions and then never got to see one. The wizards are weakened! This is their moment! And just think, if they can break into the House-Elf Relocation Office, maybe they can reassign all the elves to themselves, or at least free them en masse and cause chaos.
We know that Firenze, at least, talks to Dumbledore. So he could have told him that hey, there's this giant spider invasion, and Dumbledore could have quietly suggested it as a lesson plan to Remus without the Ministry being any the wiser. So, it's only partly Hagrid's fault ;-)
I support Team Crookshanks!
I think most of Sirius's behavior in PoA has to be handwaved with, "Well, he wasn't thinking clearly because of the twelve years of dementors and being starving and on the run and stuff... and he wasn't the most emotionally stable to begin with... so I guess he was just so focused on getting in that he wasn't able to rationally contemplate alternatives..." It's a little iffy, because the year is a whole year for him, not hours like it is for us, and he surely had some downtime to regroup... but it's probably good enough.
It's petty but still better than being cursed to step on legos. Stil it fits Jo's wizards :P
Mixing and matching genres can be done, but it requires skill, knowledge and some common sense. In this book we have mystery (Hermione's misadventures in time travel), lowkey courtroom drama (Buckbeak), thriller/horror (Sirius hunting Peter), boarding school and time travel itself- which I would argue should be considered its own genre. Rowling pulls the plot in too many directions so scenes often feel off because she fails to meet readers expectations. You are focused on Sirius breaking into Gryffindor's tower to kill Harry? Well, then Harry being annoyed with the staff and his friends for trying to keep him alive looks strange. You focus more on Harry's life as a student in a magical school? Then Harry having a murderer after him feels off.
Well, we can always ignore the epilogue (which I'm all for) and imagine that shortly after Voldie war II when wizards are weakened and goblins are pissed off by Harry's stunt, they decide to rebel :) After all, wizards will be busy cleaning the messes so they won't expect any retaliation from goblins. And possibly centaurs and merpeople :P
I don't know, Sirius struck me as a guy who would spend his time in prison plotting his revenge. And honestly, no matter what Sirius says, revenge was his main driving force. Despite him being the person whom Potters trusted with Harry's life, he never really tries to be his parental figure or at least guardian. Starting from the moment where he hands over Harry without wanting to go with Hagrid to talk Albus out of the idea, ending with spending almost year camping near Hogwarts' so he could kill Peter instead of using him to gain freedom.
I think the epilogue is a dream Harry had after he finished eating that sandwich he wanted to call Kreacher for. The reality when he wakes up could be quite different. Magical Beings of the world, unite!
Not just revenge, but suicidal revenge: he told Hagrid he wouldn't be needing the motorcycle anymore in that eerily final way. I think that in GoF, he gets to a point where he wants to be a good guardian (at least in theory)... but the rest of the time we know him, he has way too much else going on for it to really register with him as a driving motivation.
Yeah, I think the "genre soup" aspect of the series is both a strength, in that it makes it more layered and can put a fresh spin on old situations, and a weakness, in that sometimes the genres just do not work together. Or at least, they don't in this case; I don't know that it's impossible in general. But either way, it's frustrating.
I am still annoyed that we got six books of buildup about goblin rebellions and then never got to see one. The wizards are weakened! This is their moment! And just think, if they can break into the House-Elf Relocation Office, maybe they can reassign all the elves to themselves, or at least free them en masse and cause chaos.
We know that Firenze, at least, talks to Dumbledore. So he could have told him that hey, there's this giant spider invasion, and Dumbledore could have quietly suggested it as a lesson plan to Remus without the Ministry being any the wiser. So, it's only partly Hagrid's fault ;-)
I support Team Crookshanks!
I think most of Sirius's behavior in PoA has to be handwaved with, "Well, he wasn't thinking clearly because of the twelve years of dementors and being starving and on the run and stuff... and he wasn't the most emotionally stable to begin with... so I guess he was just so focused on getting in that he wasn't able to rationally contemplate alternatives..." It's a little iffy, because the year is a whole year for him, not hours like it is for us, and he surely had some downtime to regroup... but it's probably good enough.
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Mixing and matching genres can be done, but it requires skill, knowledge and some common sense. In this book we have mystery (Hermione's misadventures in time travel), lowkey courtroom drama (Buckbeak), thriller/horror (Sirius hunting Peter), boarding school and time travel itself- which I would argue should be considered its own genre. Rowling pulls the plot in too many directions so scenes often feel off because she fails to meet readers expectations. You are focused on Sirius breaking into Gryffindor's tower to kill Harry? Well, then Harry being annoyed with the staff and his friends for trying to keep him alive looks strange. You focus more on Harry's life as a student in a magical school? Then Harry having a murderer after him feels off.
Well, we can always ignore the epilogue (which I'm all for) and imagine that shortly after Voldie war II when wizards are weakened and goblins are pissed off by Harry's stunt, they decide to rebel :)
After all, wizards will be busy cleaning the messes so they won't expect any retaliation from goblins. And possibly centaurs and merpeople :P
I don't know, Sirius struck me as a guy who would spend his time in prison plotting his revenge. And honestly, no matter what Sirius says, revenge was his main driving force. Despite him being the person whom Potters trusted with Harry's life, he never really tries to be his parental figure or at least guardian. Starting from the moment where he hands over Harry without wanting to go with Hagrid to talk Albus out of the idea, ending with spending almost year camping near Hogwarts' so he could kill Peter instead of using him to gain freedom.
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Not just revenge, but suicidal revenge: he told Hagrid he wouldn't be needing the motorcycle anymore in that eerily final way. I think that in GoF, he gets to a point where he wants to be a good guardian (at least in theory)... but the rest of the time we know him, he has way too much else going on for it to really register with him as a driving motivation.
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