Neville hugs the Trio and rather high-handedly tells Aberforth reinforcements are coming, and they should be sent along through the portrait hole, too. It’s no wonder Aberforth’s quarters look so shabby, with all those people running through them day and night.
As Neville and the Trio walk through the tunnel into Hogwarts, they update each other on
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Yes, she doesn’t appreciate him when he’s his quiet, Herbology-loving self. No, it’s only when he puts himself in harm’s way that she finally condescends to appreciate her own grandson. How wonderful.
/There are no Slytherins, of course, because we might not have gotten the message during the previous 4,000 pages that they’re bigoted, untrustworthy snobs./
Yep, so much for the Houses uniting. Once again, the question of why Slytherin House even still exists at this point, except to serve as a punching bag, remains unsolved.
/when he refuses the help of the other fighters, insisting he, Hermione, and Ron have to accomplish their secret mission alone/
So, it wasn’t only in HBP that Harry neglected the DA. Here, when their help would be a great advantage, he still puts them off. Here’s a hint, Harry, maybe if the DA had known about the Horcruxes from the beginning, they could have helped you find them and it would’ve taken much less time for you, Ron, and Hermione to destroy them.
/Accept their help./
And yet Voldemort is the one who acts alone and doesn’t value true friendship. Jeez, at least he takes advantage of help when it’s offered to him. He didn’t turn down Barty or Peter’s help because they “didn’t understand.”
/the awesomest girl in all of fiction! Ginny!/
Wow, you mean that the hero’s One True Love has finally showed up again after dozens of chapters and is finally going to do something, especially since this is the last book? Hooray! I can’t wait to see how she’ll help Harry out -
/Ginny has an attack of jealousy/
…Oh.
/vetoes that, substituting Luna. Um, Ginny, you need to read more fanfic. HP/LL is a pairing many writers have used./
To be fair to Ginny, Cho is Harry’s ex-girlfriend and Luna isn’t. But still, Harry hasn’t interacted with Cho at all since they broke up in the fifth book. So, why is Ginny so paranoid, insecure, and jealous here? Is this supposed to be funny? Considering that the situation is supposed to be tense and building up to the final showdown, I don’t think that this is the time to be worrying about romance. Nice priorities, Ginny.
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Actually, it's worse than that. Neville put himself in harm's way when he volunteered for the Sirius-rescue mission in Book 5. He flew from Scotland to London on an invisible creature (when he's had a phobia about flying/falling ever since Uncle Algernon). He fought bravely, saved Harry's life by jabbing his wand in a DE's eye when his broken nose prevented him from articulating clearly enough to cast spells, defied Bellatrix herself, ordered Harry not to give up the prophecy orb for his sake, and continued fighting bravely after he'd suffered the Cruciatus from Bellatrix.
All that, and Augusta is still ragging him to prove himself to her by taking a class he doesn't like and isn't particularly good at, at the beginning of book 6.
Courage to face one's deepest fears? Putting oneself in danger to help others? Resource? Determination? Refusal to give up, in the face of being disarmed, outnumbered, and in overwhelming pain?
All worth little or nothing, in Augusta's eyes.
But start mouthing off and indulging in vandalism--NOW Neville's a True Gryff and her son's worthy heir.
Makes you wonder, really it does, what Augusta and her son thought of Barty Senior's innovative policies....
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In children's cartoons, the coyote leaving a coyote-shaped hole in the glass when he hurtled himself upon his inevitable destruction....
But you've transfigured it (or, at least transfigured my understanding of it).
The Snape-shaped hole.
What SHOULD have been there. The absence that warps what WAS present around it.
Everything organizes itself around making sense of the hole.
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In dramatic terms, the protagonist of a story is the one who undergoes change. If there's no change, you don't have a story; you just have an incident or a series of incidents. Severus and Neville are the only characters in the Potterverse who undergo positive change. Everyone else either stays the same or gets worse. Harry at seventeen is not much different from Harry at eleven--which counts as negative change, since he should have been spending those seven books growing up.
As you say, Book Seven should have been about the interactions of the Primary Protagonist (Severus) and the Secondary Protagonist (Neville). Instead we're forced to drag around after Harry, who's not a Protagonist but merely a Hero, and a singularly un-appealing one.
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