Apr 12, 2016 09:33
I'm working on my last set of revisions, getting ready to change the POV in two chapters from one character to another. You'd think that was easy because events will remain the same, but it's not, because now I have to operate from Myla's interior life instead of Beran's. She has different concerns. How do I show-not-tell them, assuming I can figure them out? I usually talk of her in nature metaphors, so how do I use those? How does she react to and give us insight into the actions of everyone else? It's challenging, and yet I really look forward to each writing session.
writing