Steve wanders
the party in a daze. Everyone looks so happy here. People who have been dead for years, in his universe, are alive again. Hank and Jan are happily together (he never hit her in this universe, he remembers). Valeria Richards has grown up to be a lovely, polite, extraordinarily intelligent young woman, despite all of the danger
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Comments 31
He frowns at her, doing that annoying head-tilt thing. "What's up?"
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As for Mike. . .to be really honest, Jean hasn't figured out what his deal is in her world, even. He might be her son -- sort of? or he has some kind of consciousness shared with someone who might have been her son in a reality she never experienced. There's enough of that going around. Anyway, she hasn't quite figured out who the real Mike is, and this joker, she really has no clue.
"What?" she snaps. "Don't tilt your head like that. Do you have any idea how annoying that is?"
*OOC -- Sorry, but Mike caught Jean in a MOOD.
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Which he wasn't drinking straight out of, 'cause he has he a glass, he was just carrying it around with him for, uh, sentimental reasons. Yes.
"You're looking good," he says, cheerfully. "The dress brings out the color in your eyes."
That or the aura of overwhelming hate. Whichever.
It's quite possible this Mike has a deathwish.
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Wiping her mouth with the back of one hand, she gives it back. "Dutch courage," she says, "Or Scotch, whatever."
More or less simultaneously with the drink, Jean has a thought that all of this is going to disappear in a few minutes, so she really can say whatever she wants. So, conversationally, she adds, "I hate everybody here. Except maybe Captain America. But actually I hate him most. Because it's his fault we're still here. No, actually, I hate Wanda most. Even though we just had sex."
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Cable, seriously, hates everybody.
Then he looks across the room and sees Jean Grey-Maximoff. She's standing next to Wanda, but just a little bit apart. It seems like she's looking at something off in the distance, Portrait of a Lonely Redhead.
Cable has always liked redheads.
He approaches Jean.
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"Nate," she says warmly, and puts her arms around him. For a moment, she considers restoring his memories right there. If there's anyone she can count on to support her 100 percent, it's --
Oh, wait, Nathan is furious at her. Back in the real world. Something to do with Rachel? Tony? It all seems so far away. Still, she shies away from the hug a little at the last minute, leaving Cable with a puzzled look on his face.
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He's not going to complain about the hug, and he's a little disappointed when she seems to change her mind halfway through.
She probably realizes that they don't really know each other. Or maybe she remembers something Domino has said about him. Not that he knows for certain that Domino would have said anything -- though the idea that she hasn't said anything somehow pisses him off more.
"So, ahh," he finally says. "Nice party, that is --" He gestures across the room, "It looks like Irene's having fun."
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Looking back at Nate, she can see that he is clearly flustered. Well, every part of this universe isn't terrible. Some of it's just absurd, and she can't help smiling at seeing what is, apparently, the fulfillment of Irene's fantasy. Jean doesn't know the woman all that well, but -- as much as she really loves her son -- she can imagine that working for him isn't a bed of roses. Here, Irene's on top of the world, id all unleashed, and Cable's pining for her.
If Jean understands the situation correctly, then everyone else will go back to their regular lives without realizing that things have changed. It's kind of a shame. She'd like both Nate and Irene to remember this. She can't help wondering, though, what could be in this life for Cable. "Why do you do it?" she asks. "Work for her?"
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"Happy Anniversary, Dad!" she says, jumping up on him in an over-enthusiastic hug. She hops back and grins from ear to ear. "Tommy and Billy have been monopolizing the music all night to impress the girls, but they have strict orders to play old stuff once you got here. So don't worry, I'm sure they'll be switching anytime now."
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He's been avoiding Sally all day, but he knows now that it's been a mistake. This isn't about him. This is about his daughter, who he loves. He's been selfishly keeping his distance, too paralyzed by the idea of what he has to do to her. But if he's resigned himself to that terrible fact, the least he can do is make Sally's last hour on earth a happy one.
"Don't worry, Sally," he says, finally letting her go. "I think I can put up with the ruckus the boys call music for a little while longer. Are you enjoying the pary?"
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Sally finished her glass of punch and looked around. There he was, leaning in and saying something to Harry that made Harry laugh. Sally smiled and walked over quickly.
"Tony?" she asked. "If I might, ah, . . . Have a moment?"
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He exaggerated the gesture, because he knew it would make her laugh, but he was serious about the dance. Both of her fathers had been in accord when they had "suggested" ballroom dancing lessons to supplement Sally's own interest in ballet and modern dance -- Steve because it was traditional, Tony for more practical, social reasons.
And also because he liked dancing. "You can lead if you want," he said, without cracking a smile.
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"Happy Anniversary, Tony," she says. "You two deserve all the happiness you have."
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