The kitchen table's been overturned and the splintered remnants of a chair are scattered across the floor, along with broken plates and glasses, silverware. In the living room, a bookshelf's collapsed in on itself, the end table responsible for its destruction still hanging through the slats of one of the shelves. One of the couches has been torn
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In retrospect, that'll probably seem naive, but for now, the sound of it, short and sharp, startles me free from my train of thought. The wisps of an idea flee from my grasp, either a breakthrough or another dead end, and now I'll never have the chance to figure it out. Its only remains is the black squiggle I made instead of a sigma, and I swear under my breath, pushing a hand back through hair that's more grease than anything else.
For about a minute I consider ignoring it, but then I wonder if that won't do more harm than good, if they'll keep knocking or just barge right in, and so I toss the marker onto the desk, and stalk out of my workshop, ignoring the stabbing pain in my chest when I pass the never-opened bedroom door across the hall.
I steel myself for what promises to be a brief conversation no matter who's waiting outside-- Unless, I think despite my better judgment, it's Mary Jane, a thought I immediately send back to where it came from when I suck down a breath that's ( ... )
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"I'm not hungry."
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And when I see the disarray that the house is in? That only strengthens my resolve.
Maybe I sound a little braver than I feel when I cast a look back over my shoulder toward Peter. "I'm not leaving until I've seen you eat at least one," I tell him.
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Still, as much as I hate ultimatums, the answer of what to do is clear enough; shove a cupcake down my throat and tell her to go.
"Fine," I say sharply, holding out my hand. "One."
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What I do know, though, is that he really shouldn't be alone right now. At least I didn't promise to leave after the cupcake, I think to myself, before I reach into my basket and hold out one of the cupcakes for Peter.
"And you need regular meals. I don't know what you're working on in here," I say firmly, holding my ground, even as something flutters in my stomach, nausea passing through, "but it's not going to get done if you pass out from lack of food."
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"I'm not going to pass out," I say quietly, my gaze gone cold. "I know my limitations, Claire, and I'd appreciate--" I get a little louder on that one word, then force myself to rein it back in. "--if you didn't talk to me like I'm a child."
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"I'm not talking to you like you're a child," I reply evenly, voice lowering in volume. "I'm talking to you like you're someone who's forgotten to eat. Strangely enough, that happens more with adults than it does with kids. I think you know your limits. I also think you're blinded by pushing them."
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"I never invited you in."
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I stare at him after, just waiting to see what kind of counter he has for that.
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Friends or family...? Out of what she's conjuring up this whole alleged relationship between us is beyond me, and in light of so devastating a loss, I don't want the audience for my grief be someone I don't even know -- and, moreover, someone who doesn't even know me. She's a student. Mary Jane's friend. She fell off a roof one time, I helped with the surgery -- but I help with all the surgeries, that's my building.
Blinking hard, focusing past my instinctive confusion and the anger that's not gone anywhere, I shake my head, and thrust a hand towards the open door.
"So here's an invitation you better take: get out."
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Sure. I don't know that much about Peter compared to... well, a lot of the adults on the island. I get that. But friends, at least, I figured he'd accept that much.
I'm trying to pin it all on his anger, but it's hard. Fortunately, I've gotten good at avoiding the whole crying thing; instead, everything manifests in a lump that lingers in my throat.
"No," I shake my head, quieter now.
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