LJ has eaten every comment I tried to make today up until an hour ago. Not just thrown the stupid database error that you can recover from by hitting the browser back button and trying to post the comment again; irrevocably eaten. NOT ON, LJ.
Let's see if it will let me post this.
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Doctor Who 29.12 - The Sound of Drums )
Comments 20
He was using Kragen auto jacks to jack up the house.
Contractors just use heavier, bigger stuff 'cause they like to throw their money around. And yay! free floating asbestos.
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Re the Master's current incarnation, my feeling is that Simm's reading works so well in part because it is such a clear demonstration of Ten's own mania, enthusiasm for humanity, and hubris. He's not the other side of the coin -- even that implies too much distance between them. He's not even Ten's dark mirror. He *is* Ten, just a different flavor of crazy.
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They spent two years being careful not to cross certain lines with Rose. Martha has spent most of the season running after the Doctor like a love sick puppy and he either doesn't notice or pretends not to. Then in one ep they confirm that Jack's in love with the Doctor and that there is some Master/Doctor business no one is aware of. And this is suppose to be a kids show? ::is very confused::
I still want to kick Daniel in the balls, but I'd give him an ice pack afterwards now. ;)
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I still want to kick Daniel in the balls, but I'd give him an ice pack afterwards now.
This, I think, expresses it perfectly.
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They really were very explicit in paralleling the Master with the Doctor, weren't they? All the things you mentioned, plus Lucy Saxon as a sort of a perverted version of a sycophantic companion, then both of them talking about running from Gallifrey, and the fact that Simm and Tennant are of a very similar physical type, which must have been a deliberate casting choice. There is a very pleasing elegance to the whole thing.
Unlike many people on my Flist, I enjoyed "Unending", modest as its ambition was, and I thought the Daniel/Vala scene in all its harshness was FANTASTIC. I mean, I still wanted to smack Daniel, but I could see his sheer terror behind the lashing-out, and the scene had the kind of electricity that I haven't seen on the show for a while.
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I would love for Daniel to have suffered more consequences for his behavior, though.
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Yes, it was interesting that the Master also felt some sort of need for companionship, and made some form of the same attempt to ward off solitude.
I thought "Unending" was flawed, but I appreciated the idea, and mostly enjoyed it. I like the idea of the writers, knowing how much the team was the core of the story, pushing teaminess to such a drastic limit. And I especially liked that they ended the show on that note, rather than trying to go out in a blaze of action-adventure glory; the final scene in particular, as they set off through the gate again, made me all sniffly. And since fear of loss has been such a governing quality for Daniel, I'm really glad they tried to address it, even if they pushed it a little farther than it probably should have gone--it felt honest, at least, and totally in character, though if they'd had more time I would have liked to see Daniel pay a little more for his cruelty.
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MS: Yeah, that was something Rob -- I think it's OK at this point to sort of talk about. Rob, he wanted some sort of confrontation of sorts to take place. He had a written a particular version of that scene that wasn't what we did ( ... )
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As for MS's take on "The Shroud"... Well, he was right about it being really talky, I will give him that.
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