Getting up before the 7-11s opened on Sunday was anathema to any right-thinking man. Sangamon Taylor was no exception. When he wasn't on a field trip to Nowheresville. Where the locals were unconvinced that the Pope was going to personally write them a strongly worded letter if they had fresh Coke with their pancakes. Moving from bed to couch
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Then again, some of the real crazies here might take him at face value. Then he'd have to explain about toxins buildup and do the whole Toxic Spiderman gig. Shit, touch the untouchable bastard and your hand would probably fall off. So much for the BBQ.
Conversation and/or a job would be better, though. Bunch of people had been looking for a biochemist on the bulletin, but none had gotten anything specific past the censors. They didn't, for once, sound like an all-explosives request hour, which was a pleasant change. Or it meant the fuckers had gotten creative last night with more than just the doors. "We got dragged back before things could get more than a little interesting. You?"
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He paused a moment after those last words, trying to gauge what Sangamon would say in response, a question he wanted to ask on his tongue; he honestly wasn't sure he wanted to know the answers. He instead asked something safer: "Do you know much about movies, Sangamon?"
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Or someone had leaked something on the bulletin. Wouldn't be the first time. Fuck, half the obvious code names could really be the rebel alliance stuck in this low-tech Death Star. And the other way around, though S.T. could swear he'd seen Harrison Ford walk past at least once. "You're not missing much in there. A lot of celluloid smoke and mirrors. Square jaws and blonde hair and as much misogynist ultraviolence as the censors would allow.". Which was heavy on the former and light on the latter given that it predated women's lib and technicolor. If Scarecroe wanted toast, he'd ask. Otherwise S.T. was happy to play Statler and Waldorf's felt-free stand-in on a guided tour of film history minus Judy Garland.
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"They sound complicated," he noted, looking back toward the building. "I heard they're some sort of a picture record and often tell stories of people and animals in far-off places, but how are they made, exactly? It it some sort of magic?"
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"So the light -- making an image of whatever you see -- comes in through the lens, and hits the film here. Just like your eye. Lens on the front, and something on the back that the light hits. In your eye, rods and cones trigger nerves. In a camera, film. Which is basically plastic with a cocktail of toxic chemicals. They react to the light, you close the lens back up to stop it. Then dunk it in more chemicals, and you end up with a perfect record of what was out there." Except for the crap you had to use to make it. Polaroid had just racked up its first Superfund site. But there were things GEE couldn't try to make people boycott. Hollywood was one. News was another. Next crop of wanna-be documentarians to show up in the office, he'd point them at their own cameras and see how long it took for one of them to get pissed off enough to dump developing fluid on his desk. Information economy, blah blah blah. Pictures were outstripping text. One of these days he was going to open a newspaper and a hologram talking head was going to have replaced each byline, and everyone would forget how to read.
There had to be an easier way to explain this. He poked the pen through the center of the starburst, and hopped off the bench, landing in a crouch beside it. Then he went hunting for the sun. A blurred dot of light followed the paper around, shimmying up and down like a misplaced sequin. It didn't look like much -- but if you looked closely, it wasn't a perfect circle. Not even close -- one side was cut off.
"Look up." A tree was cutting off a similar fraction of the sun's diameter. "Use a real lens instead of diffraction effects, and you'd have a real image. Then you take a lot of them." He waved a hand in front of the pinhole. "Run them one after another on a screen, and the human eye can't tell it's not moving. Anything you can get in front of a camera, you can make a movie out of. Real life, actors, whatever." And then it gets cheap enough that everyone and their dogs think they'll be the next MTV chart-topper with a guitar and a gallon each of hairspray and fake blood.
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The question was now who would want to make a movie about Dorothy's trip to see the Wizard of Oz. The Wicked Witch or the Wizard himself came to mind, but what would they do with such a thing? And how could they use the camera without being noticed? Oh, if only he had his diploma! Surely he'd know all the answers!
"I think I understand," he said, putting a finger to his head, a wry smile crossing him as his brow furrowed. "I don't see why some people would make movies about certain topics, though. I'd think some subjects would be very dull to most people. I mean, some people and animals could be interesting, but what about someone trying to get home?"
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Or because they were full of explosions. S.T. had the advantage of explosions in real life, generally from a safe distance. They looked better on-screen, because no-one would believe a little puff of smoke or waterspout was a major concrete plug (courtesy of GEE, Inc) going boom.
He couldn't keep up the bullshit evasions any longer. Scarecrow had to find out eventually. "You're talking about Dorothy, aren't you? Dorothy and The Wizard of Oz." He wasn't sure if the italics were audible, but they probably were.
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The former strawman lowered his voice to just above a whisper, suddenly aware that the Wizard Landel might have his nurses listening to the conversation. "When we were taken to this movie store in Doyleton last night, I saw it sitting there on a shelf with a bunch of others: this box that said 'The Wizard of Oz,' and it had a drawing on the front of everyone- Lion and the Tin Man and Dorothy and Toto and- and myself! Well, not me like this, but me as a scarecrow- it looked just like us! The Emerald City and the Yellow Brick Road were on there, too. I couldn't believe the resemblance! I felt bad for it, but I had to take it. Oh, I didn't know what it was, but I had to find out. I just had to!"
He paused for a second, realizing he'd blurted everything out all at once in his nervous excitement. The thought that someone had been watching them the whole time without their knowing was undeniably spooky; the idea that the box had some solid proof he really had been a scarecrow and wasn't imagining the whole thing was encouraging. "So you're saying that movie has one of these movin' picture records of our trip, and that just anyone can watch it and see what happened to all of us?"
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"Yeah, I've seen it. I don't know how accurate it is," he said as a cover-his-ass introduction, "but it's out there. You and Dorothy and the Tin Man and the," Cowardly, "Lion. And the Wicked Witches and more poppies than Afghanistan."
"As I said, I don't know how accurate the movie is, but she makes it home safely." It was a backasswards reassurance, but it might help. "Maybe we could hunt down where they put the player at night and watch it. If you want." S.T. was used to seeing himself on the small screen, with wildly varying degrees of accuracy. No-one had decided to make a movie (yet), which he avowed out loud was just as well but would be a nice ego-boost. Which everyone who knew him had probably figured out.
Unless it was already a movie somewhere else. Though none of the Boston he remembered looked suspiciously like Toronto with a Citgo sign painted in at odd intervals, so maybe not.
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Still, it was comforting to know there was a record of his constructed existence, some way to prove he'd once been who he claimed to be. It was the proof he needed to settle some of his doubts: he'd been right all along that Dorothy had been brainwashed into believing the Wizard Landel's lies. Oz did exist- it wasn't just some dream from a sick mind. If only he could show it to her!
He nodded, a determined smile appearing. "I would like that very much," he said, thankful for Sangamon's help. "I think I'll get started looking for the player tonight, in fact. And I'll let you what I find, if I find anything."
He leaned in, lowering his voice again. "Now, in the happenstance that the doors are enchanted again and I do find the room where this player is, what does it look like? It'd be a shame to find it by luck, but never know because I didn't know what I was lookin' for in the first place."
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"Look, the last guy I mentioned the movie thing to got" -- his panties all in a bunch -- "kinda pissed off about it." Comic book, not movie, but close enough. "Sorry."
He hadn't taken a good look at the laserdisc player -- the box the nurse had been holding was way too small, but technology, unlike fast food portions, shrank as time went on. "It'll be a black box, and so will the projector. I'll come with you if you want." VCRs were a source of confusion to otherwise intelligent people; S.T. didn't relish the thought of trying to walk Scarecrow through setting one up sight unseen. Even if he did have more of a brain than he was willing to admit to.
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Something caught his eye- he spotted Abe sitting a short distance away with another man, a nurse approaching them to take them to the next shift. His own would be along shortly. He lowered his voice. "Let's meet in the main hallway- it's easy to get to, and we can decide where we're going from there."
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