After handling two conversations that had been difficult for completely different reasons, Castiel had to admit that he felt weary. It was not a sensation that was new to him; between Izaya showing far too much interest in his kind and Ruby simply being who she was, some peace and quiet was what he craved
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At the offers, the Melodist once again found herself in amazement. First, the generosity Renamon offered was, in Tear's honest opinion, too much in terms of repayment. She would have refused--would have, if not for the fact that she had considered the offer before as well as remembered the group she was partially responsible for. Supplies were critical. Extra proved more than wanted.
As for the basement...
"I think it's because this place doesn't want anyone to know."
In a twist, her thoughts turned to Claude and the memory she had unwittingly stolen from him. They shifted to form--ghosts coming to life--and she didn't know why that came so startlingly clear. Quickly, she shook the images away. "...Admittedly, I would be interested in both," Tear confessed, "but I do have to ask, if you don't mind. I've heard about the basement in passing. Could you tell me more about it?"
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Tear gave interest in the offers, and Renamon nodded her consent to explaining. "There's only some that's known actually. The passage is through a trap door in the kitchen's freezer. It opens to a ballroom that splits into four doors. The side doors can be opened. The third can only be opened with keys gained from each of the side hall's trials. And the fourth from the completion of the third door's test." She paused, then continued. "Of the side halls, both have two doors within each. The east hall has a weapons range to test your skill and four elemental halls to test your resistance and agility. More than likely," she added dryly. "Or it's only there to try to kill you. Of the west hall, I don't know what is behind one door, but the second holds a sphinx." Given straight, with no attempt to make it into a joke. "You're given a riddle to solve; if you cannot, you are not allowed to leave."
Was there more? If anything, only this. "The first two sets of trials can be spoken of. The third and fourth, so far, cannot be. If one who has been through them tries, the attempt is made invalid."
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The sentiment lasted until the woman's last sentence. Once again, Tear's thoughts moved to a memory, and her eyes hardened. Claude had mentioned his own inability to speak. Coupled with this detail, could it be, then, that the place where Guy had met his temporary end was in the basement?
She attempted an indirect approach. A part of Tear knew nothing concrete could be conveyed if she talked of death. If both Renamon and Claude were correct, she had to connect the dots herself. Therefore, Tear pressed a question. "The third and fourth trials," she began, "do you have an idea of what they contain?"
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There lay a beat, then her lips shifted in something like concern. "However... Nearly all seem to be adamant that going through the third set of doors is not a good idea. And continuously warn others away when it comes up. It's something to at least keep in mind. It's likely dangerous." More than likely, from a stoic child's retelling. But it adjusted nothing. Stagnation was not an option. Renamon would move forward--there were no other options.
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There was a prolonged silence, with Tear nodding just once. "I can agree to this but on one condition," she added. "I can only go down to the basement on nights they conduct special counseling." She had the paramedic group to focus on, after all.
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Renamon's eyes returned to Tear. "I'll contact you, then. And whenever you want to go to that town, let me know. I'll keep a look out." That said, the Digimon rose, meeting the nurse coming to collect her halfway. After some discussion, Renamon was pointed in the direction of the music room, a task the Digimon seemed to find arduous, and unable to easily escape from.
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