It's Tolkien Thing time again! Next weekend, the German branch of the Tolkien Society will meet in Diez in a castle - nowadays it's run as a youth hostel. After Alan Lee last year, this year's special guest is Ted Nasmith.
(Edit: Sorry I didn't cut this post! Didn't mean to clog your f-list.)
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You mentioned modesty in Tolkien, and mystery, but there is also something else that is hard to describe and that I associate very much with Tolkien's closeness to (early) medieval literature and his using things long, long before the Victorian era for inspiration. There is a certain quality of muted colours and simple honesty about what Tolkien does that does not go well with the Victorian Age and the overdone grandeur of Historism at all. Like a saga or the Hildebrandslied or Beowulf or whatever, Tolkien has a style of simply stating things as a fact (and doing descriptions to match that), as if he were relying on an old source conveying a "true story" indeed. He does not introduce things because they are showy and sound good, but because they sound right - he is a master of authenticity, if you will, and to me, Alan Lee is one of the few people who really convey that in their illustrations. (You do, too, by the way - you can make me believe that, yes, your horses, hobbits, elves and Nazgul are "the real thing", and not only something flashy that stands for this reality).
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Tad Nasmith made a dia show of his paintings and projects, and at the end he showed us two paintings of castles from George R.R. Martin's 'Fire and Ice' series. I felt that Nasmith's style of exaggerated grandeur suited Martin's style perfectly.
Thank your for your kind words about my drawings! You made me blush. I can sense the same feeling of honesty in your drawings too. Your characters are just the persons they are meant to be, behaving in a natural way, never posing.
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