It's another day, and the third time Light has been hit over the head with an age reversal. This time, he's a little older than the place has made him before - twelve years old, and more reserved and serious than you'd expect him to have become in just two years
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--is what he thinks at first, but then he spots his alternate, small and strangely solemn. It's only the second Light he's met that's younger than him (he thinks). Both of them have been children, and he finds that when he's not in an embarrassing reindeer costume, he's inclined to fascination, or even protectiveness.]
Hello. Are you new?
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Casting an oblique look towards the doorway and the voice and the face, Light draws his hands out of his pockets, innocent, and rests them flat against the wall. A standard lamp bobs between the two of them.]
Not really. Are you?
[There's something adult and flat about his voice, and the set of his jaw is mulish. It could be disapproval, or it could be curiosity, or it could be the bastard child of both. He remembers meeting three adult Lights, but there's no way to know he met this one - and he's never seen one since he learned the things he'd done.]
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No, I suppose you're not.
I've been here long enough. I don't believe I've seen you before, though. I met another younger version of us once, but you look a bit older than he was.
[He leaves the doorway and crosses to a nearby couch. The furniture brings him no closer to his double than he was, but it faces him, and is less awkward than hovering in the doorway. The sofa's floating movement doesn't unnerve him, exactly, but it makes him suspicious; he pauses in front of the couch, eyeing it.] Do you think these are safe to use?
[[[ooc: ::facedesk::]]]
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They're as safe as anything else around here, I guess.
[Which hasn't convinced him sitting on one is a good idea. His eyes don't move from his alternate; every centimetre between them feels essential. You're not very nice, when you're grown up. We killed them. It feels just as if time has passed normally, as if he's never forgotten, as if this other, older him is the awful thing he's meant to grow up to be.
There's nothing to say this is the one who was dressed as a reindeer, though he knows it could be, and he knows it's not the scary one, or the one who spoke English. He's not just trying to be nice. What does he want with me?
Sadly, Light's judging his alternate entirely by himself, by his own utilitarianism.]
Maybe it was me. I was ten when I was here before.
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The one I met looked to be about that age, but that was less than a year ago and you're, what? Thirteen? But it's possible, if you've been in and out... [He lets himself trail off in an invitation for his alternate to clarify.]
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You had - [and one small hand rises, to make a circle around his face.] - paint on. It was Christmas.
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And you had a hat. That was you, then. [The thoughtful look intensifies, but there's still nothing more to it than that.] You've been making yourself scarce, hm?
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Maybe a little.
It's not as if there aren't other children here.
[Something about the level way he's speaking and watching - the suggestion of his usual confidence beneath it, perhaps - suggests that he doesn't view himself as one of them. It helps that he knows he really isn't a child. Still, at this age, it's flattering to be taken for older than he is - and it doesn't inspire any kind of trust.]
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Hmm.
I've only seen an L, a few years younger than you. He was very... L-like. I should hate to think you're resigning yourself to his company.
[Again, he doesn't expect to discover anything telling, but nonetheless, he is testing his double -- no two Lights he's met have had the same opinion of, or reaction to, Ls.]
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I haven't met him. Maybe he wasn't here before.
You don't - [it's hesitant, and secretive.] - you don't like L, do you?
[Yet Light had got one over on him, hadn't he? That had been interesting.]
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[He looks genuinely startled, almost confused, but only for a brief moment before his expression closes off.]
I would like to, but he seems determined to be as annoying as possible. And... [He grimaces at his double: He wants me dead. You understand.]
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His question goes around and around in his head - should he ask it? It might ingratiate him; at a minimum it will give him some extra information.]
He, ah. He doesn't seem like-
[Again, he's hesitant, as if he's sculpting every word in clay.]
He doesn't seem like a very good person.
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... I haven't done anything wrong.
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His expression is serious, and open, and maybe a bit sad; it occurs to him that his situation isn't entirely dissimilar to that of this younger alternate.]
But you think you might, don't you? You're worried that there's no way to avoid becoming Kira.
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[He repeats the word as if he's tasting it - and there's that sixth sense again, that awareness of things that comes and goes. It's not informing him, as it sometimes does; it's pleased with itself. That was you. You did that, and it was good.
It's a horrendous feeling, like he should be proud of something he knows is wrong. Like he's going mad.]
You're saying you aren't - you didn't-
[His hands are still hidden, and his suspicion's written all over him.]
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