Poems for workshop: First drafts

Oct 02, 2007 10:40



Nothing matters more

than

a pair of big brown blinking

eyes

hidden beneath a wet

mass

of tangled, untamed black

curls.

Her straps, undone; the buckles gleaming

brass against the dirty blue denim.

She spits on the ground, unladylike, and not

at all the little girl who kissed your nose

at night, leaving crimson traces of failed attempts

at applying mother’s lipstick; your white wife

who loved you for your afro, but not your skin color.

She knows better, though, hipbone jutted out

with a fond and lazy tabby cat smile, smelling of

Exxon gas and the peanuts she’ll share with you later.

The gardener treats his flowers with care,

although he may forget to sometimes

pull the weeds; he gets distracted

easily, you know, and isn’t used to spending

much time outside in the dirt.

But he waters them when he remembers,

and smiles as he bends down to exhale life

onto their soft petals; he whispers grow.

The castle is a dark forest filled with wolves, the kind

Beauty used to run from when the moon was full and singing campfire songs.

Each corner seems to growl when she steps near,

and the taste of danger is always on her tongue

when she thinks she sees a stone gargoyle sneer.

The one she touched on accident felt as cold as her bed sheets

and invaded her nostrils with the odor of cold cuts.

She wishes the place would smell like the way butter cream frosting tastes,

like the cupcakes Snow White sent her from her honeymoon in Paris.

On the other hand, she hates butter cream frosting.

Beast told her to stop wandering the castle like an orphan,

but he’s hardly around, so she doesn’t care to listen to him,

except when he says strange words like “jiggy” which she doesn’t understand

because her father was often sick and her childhood was uneventful.

“Ya’mom’n’em,” he used to say and Beauty would tell him to hush.

But if she told Beast to hush, he was likely to eat her.

The shiny teeth of love tend to bite the hardest, after all.

And sometimes he smiled so sweetly, he looked like a murderer.

Beauty hid from him on the ceiling once, because he didn’t like to

look up while he walked.

Prince Ivy told him not to do that, and got eaten.

Beauty will try not to give him too many orders, or any orders at all,

and maybe he will surprise her one day, by becoming a vegan,

eating only sultry vegetables and fruits.

Beauty might marry him then, but only if he’ll eat turkey on Thanksgiving.

“Je t’aime,” he says, when he’s trying to be romantic, but Beauty

never took French, and the rug speaks only Chinese.

Beauty lives with the darkness of the castle, if only because

there is never any butter cream frosting on her birthday cakes.

i

if we lived in the ocean,

could we breathe air into each other’s mouths?

could we share bubbles like joints,

and get high enough to crash our fins into the coral reef?

could i be your mermaid or your angelfish?

could i be your sweet relief,

when the water you swallow is too salty?

could i force you to surface to see the sun?

and could you keep me from the roar of motorboats,

with your big eyes and pursing lips?

ii

i beat your high score at the arcade today,

and i hope you won’t be too angry. you see,

all i want is to be you, really. to be good at everything

you are good at, so we can talk sometimes

about being good at those things.

i do not know, after all, how interested you would be

in hearing about how good i am at noticing

the things that you are good at.

iii

today you tell me that you have dreams of

going blind while walking across a busy street.

does this mean that when we, together, are

crossing the street, you want me

to hold your hand until we are on the other side?

or are you waiting for me to tell you of my dreams,

wild dreams of barnyard animals that,

most times, have your face?

i am not proud of the sweaty state i’m in

when i awake from these dreams, nor of the

desire i have to visit a barn.

iv

if we lived in the desert,

could we fan each other with our hands?

could we shed our heavy clothing,

and lie buried beneath the sizzling and blistering sand?

could i be your cool tent or your canteen?

could i be your wet oasis,

when the sun begins to burn your skin?

could i bring you shade and help you live another day?

and could you treat me kindly with your hands,

petting sweetly at the prettiest of my green and leafy foliage?

v

i wouldn’t know what to do

at a barn. would you?

vi

i tried to find a present for your birthday,

and when efforts seemed fruitless, i thought seriously

of doing something romantic and

clichéd (and truth be told, you, my darling,

make everything i do clichéd) like

tying a red ribbon around my body

and giving myself to you-even though you

already own me, but i don’t think

i’ve ever told you so, aloud. but i

called myself foolish, and bought you

a crock pot, instead.

vii

today you tell me that you loved me

from the very beginning, before anything i ever even wrote.

and you ask me hypothetical questions

like, what if we lived

in the ocean, desert, or a barn?

and i could only wonder, because all we have is

this crowded city, should we be each other’s cloud

of smog or pigeons?

and you tell me not to worry because

i am yours and you are mine,

and that is all we need to be.

“And they called unto Lot, and said unto him, Where [are] the men which came in to thee this night? bring them out unto us, that we may know them.” Genesis, 19:5

We want that golden flesh

that you let glide into your home-

smelling of heaven’s peaches,

a scent now teasing our nostrils into flaring.

We want those pure beings,

to taint them like this goddamn dirty town-

like the roofs of our mouths, stained

in wine and the taste of bodies.

We want to spit on their necks

and take their goodness away,

to move them to laughter, to tears-

we want to move in them.

We want the men that you

and your family of virgins are keeping

pure and clean and unlike us-

the filthy ones salivating at your door.

beauty and the beast, poems, original

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